jnkay01
Written on Oct 26, 2020
Part of The New Penguin Shakespeare series, this text looks at The Tempest with an introduction, a list of further reading, commentary and a short account of the textual problems of the play. The series is used and recommended by the Royal Shakespeare Company.
- ISBN10 0140707131
- ISBN13 9780140707137
- Publish Date 1 April 1968 (first published December 1921)
- Publish Status Out of Print
- Out of Print 15 February 2007
- Publish Country GB
- Imprint Penguin Books Ltd
- Format Paperback (A-Format (178x111 mm))
- Pages 192
- Language English
Reviews
Bookstooge
Written on Oct 14, 2020
This review is written with a GPL 4.0 license and the rights contained therein shall supersede all TOS by any and all websites in regards to copying and sharing without proper authorization and permissions. Crossposted at WordPress, Blogspot & Librarything by Bookstooge’s Exalted Permission
Title: The Tempest
Author: William Shakespeare
Rating: 3.5 of 5 Stars
Genre: Play
Pages: 195
Words: 56K
Synopsis:
From Wikipedia
A ship is caught in a powerful storm, there is terror and confusion on board, and the vessel is shipwrecked. But the storm is a magical creation carried out by the spirit Ariel, and caused by the magic of Prospero, who was the Duke of Milan, before his dukedom was usurped and taken from him by his brother Antonio (aided by Alonso, the King of Naples). That was twelve years ago, when he and his young daughter, Miranda, were set adrift on the sea, and eventually stranded on an island. Among those on board the shipwreck are Antonio and Alonso. Also on the ship are Alonso's brother (Sebastian), son (Ferdinand), and "trusted counsellor", Gonzalo. Prospero plots to reverse what was done to him twelve years ago, and regain his office. Using magic he separates the shipwreck survivors into groups on the island:
Ferdinand, who is found by Prospero and Miranda. It is part of Prospero's plan to encourage a romantic relationship between Ferdinand and Miranda; and they do fall in love.
Trinculo, the king's jester, and Stephano, the king's drunken butler; who are found by Caliban, a monstrous figure who had been living on the island before Prospero arrived, and whom Prospero adopted, raised and enslaved. These three will raise an unsuccessful coup against Prospero, acting as the play's 'comic relief' by doing so.
Alonso, Sebastian, Antonio, Gonzalo, and two attendant lords (Adrian and Francisco). Antonio and Sebastian conspire to kill Alonso and Gonzalo so Sebastian can become King; at Prospero's command Ariel thwarts this conspiracy. Later in the play, Ariel, in the guise of a Harpy, confronts the three nobles (Antonio, Alonso and Sebastian), causing them to flee in guilt for their crimes against Prospero and each other.
The ship's captain and boatswain who, along with the other sailors, are asleep until the final act.
Prospero betroths Miranda to marry Ferdinand, and instructs Ariel to bring some other spirits and produce a masque. The masque will feature classical goddesses, Juno, Ceres, and Iris, and will bless and celebrate the betrothal. The masque will also instruct the young couple on marriage, and on the value of chastity until then.
The masque is suddenly interrupted when Prospero realizes he had forgotten the plot against his life. He orders Ariel to deal with this. Caliban, Trinculo, and Stephano are chased off into the swamps by goblins in the shape of hounds. Prospero vows that once he achieves his goals, he will set Ariel free, and abandon his magic, saying:
I’ll break my staff,
Bury it certain fathoms in the earth,
And deeper than did ever plummet sound
I’ll drown my book.
Ariel brings on Alonso, Antonio and Sebastian. Prospero forgives all three, and raises the threat to Antonio and Sebastian that he could blackmail them, though he won't. Prospero's former title, Duke of Milan, is restored. Ariel fetches the sailors from the ship; then Caliban, Trinculo, and Stephano. Caliban, seemingly filled with regret, promises to be good. Stephano and Trinculo are ridiculed and sent away in shame by Prospero. Before the reunited group (all the noble characters plus Miranda and Prospero) leaves the island, Ariel is told to provide good weather to guide the king's ship back to the royal fleet and then to Naples, where Ferdinand and Miranda will be married. After this, Ariel is set free.
In the epilogue, Prospero requests that the audience set him free—with their applause.
My Thoughts:
I enjoyed this quite a bit. Mostly because I could actually make sense of what was going on and because the people involved didn't simply do “things” at authorial fiat.
I have to admit, I was kind of dreading this. Back in '12 I read a novel entitled Prospero Lost which was a sequel to the Tempest and a kind of urban fantasy trilogy. I read the first book and never bothered getting around to the others. Even though I gave it 3 stars at the time and nothing in my review says so, it just left a bad taste in my mouth and I transferred that to the original play.
I am glad I did read this and didn't skip it due to my inclination from another book. That being said, these are plays, not novels and I have a really hard time talking about these. I am not a english major nor am I a Shakespeare buff. I'm reading all of this because I want to have it under my belt. It is much like eating vegetables at dinner. I don't dislike vegetables but if I had to choose, I'd eat a slice of pizza any time before I ate the vegetables. You can tell I'm middle aged since I'm pretty much using health as an analogy for how I'm treating Shakespeare. He's my literary vegetables and I'm shoveling those lima beans down my throat as fast as I can while I tell myself how healthy and good it is for me. All the while I'm eyeing that Stouffers french bread pepperoni pizza.
And I don't even know why I'm referencing food so much. I'm not hungry, as I just had a Dagwood style turkey and cheese sandwich that was about 2inches thick just a little bit ago. I give up. This review is done.
★★★☆½