Don Quixote (International Bestselling Classics, #9) (Classics) (Manga Classic Readers)

by Miguel de Cervantes

P.A. Motteaux (Translator), Stephen Boyd, and Dr Keith Carabine

Translated by P. A. Motteux

With an Introduction and Notes by Stephen Boyd, University College, Cork

Cervantes’ tale of the deranged gentleman who turns knight-errant, tilts at windmills and battles with sheep in the service of the lady of his dreams, Dulcinea del Toboso, has fascinated generations of readers, and inspired other creative artists such as Flaubert, Picasso and Richard Strauss. The tall, thin knight and his short, fat squire, Sancho Panza, have found their way into films, cartoons and even computer games.

Supposedly intended as a parody of the most popular escapist fiction of the day, the ‘books of chivalry’, this precursor of the modern novel broadened and deepened into a sophisticated, comic account of the contradictions of human nature. On his ‘heroic’ journey Don Quixote meets characters of every class and condition, from the prostitute Maritornes, who is commended for her Christian charity, to the Knight of the Green Coat, who seems to embody some of the constraints of virtue.

Cervantes’ greatest work can be enjoyed on many levels, all suffused with a subtle irony that reaches out to encompass the reader, and does not leave the author outside its circle.

Peter Motteux’s fine eighteenth-century translation, acknowledged as one of the best, brilliantly succeeds in communicating the spirit of the original Spanish.

• ISBN10: 1853260363
• ISBN13: 9781853260360
• Publish Date: 5 May 1992 (first published 17 March 1981)
• Publish Status: Active
• Publish Country: GB
• Imprint: Wordsworth Editions Ltd
• Format: Paperback
• Pages: 800
• Language: English

Reviews

[jamiereadthis]

I started off with the audiobook, and when the library took it back and I couldn’t immediately renew my loan, I switched to the Edith Grossman ebook, and when the strain of so many digital pages got to my eyes, I switched to the J.M. Cohen translation I have in a battered Penguin Classic paperback, and when that text got too tiny, I switched back to Edith, and then back to the Penguin, and so on and so forth.

In all forms it was excellent, is what I’m saying. So clever. So funny. So tragic. So meta. Fanfic at its best.

[Michael @ Knowledge Lost]

Don Quixote is a staple in western literature, it ushered in the golden age of Spanish literature and it is also is one of the earliest examples of the modern (canonical) novel. The novel tells the story of a Spanish nobleman (Hidalgo) obsessed with the chivalric romance literature of the middle ages, who sets out to try and revive chivalry. With his trusty squire Sancho Panza, he sets out on an adventure to undo all the wrongs and injustices he encounters in the world. Claiming to be a knight. he gives himself the name Don Quixote of La Mancha.

From the very start, we get a sense that maybe Don Quixote is crazy. In psychology the term Quixotism relates to “over-idealism” and is often used in reference to someone with a naïve romanticism towards utopianism. The term “tilting at windmills” refers to a scene near the beginning of the novel where Don Quixote races off to fight giants that were actually windmills. If you consider that Don Quixote went mad from all the books he was reading and set off to try and fix the world, then this could be used as a metaphor towards Miguel de Cervantes Saavedra own feeling toward the same books, but rather than fixing the world he wrote Don Quixote. This brings to mind the quote from Toni Morrison “If there’s a book that you want to read, but it hasn’t been written yet, then you must write it.”

Don Quixote, like many books of the time, was read to children; this is a novel I could never imagine being read to any child now. However one thing that makes this novel so great is that there are so many interpretations to be taken from the text. Harold Bloom (who wrote the introduction to my copy of the book) calls this a work of radical nihilism and anarchy, in the way it glorifies fantasy over reality. Calling him the Sorrowful Knight whose objective is that “He is at war with Freud’s reality principle, which accepts the necessity of dying.” The translator of the edition I read, Edith Grossman, has said, “When I first started reading the Quixote I thought it was the most tragic book in the world, and I would read it and weep”. However when she worked on the translation she remembered “sitting at my computer and laughing out loud.”

After the French Revolution a popular interpretation of the novel was that it was about ethics and righting the wrongs of society. While later on it was a social commentary which always lead to the discussion of whose side Cervantes was on. You could even pull some religious or feminist themes out of this novel but for me, I read this as a Marxist text. The relationship between Don Quixote and Sancho Panza was a good representation of the class struggle. It is evident that Quixote needed Sancho Panza more than Panza needed him. Sancho Panza was there to rise the ranks of society while Don Quixote was be completely lost without his squire.

I cannot talk about Don Quixote without mentioning the way that Miguel de Cervantes played with intertextuality. This novel is split into two parts; the first part was originally published in 1605. In 1614 a second volume was released by an anonymous author. It is believed that Miguel de Cervantes started writing his second part after this and in 1615 it was released. While part one was a spoof of the literature that annoyed him, part two was more an attack on this unauthorised story of Don Quixote. It even made references to this scandal as Don Quixote explores the concept of someone writing about him.

This is the type of novel that deserves to be read again and again. Every reading will probably offer something different and this review is a reference point of what I got out of reading this book the first time around. If you get the chance, I recommend reading this with someone. I read this with Hilary from Yrrobotfriend and the discussions were the best part of this reading experience. While reading this novel I enjoyed part one the most but on reflection, I think part two offers more.

This review originally appeared on my blog; http://www.knowledgelost.org/book-reviews/genre/classic/don-quixote-miguel-de-cervantes-saavedra/

[celinenyx]

Don Quixote is one of the hardest books for me to review in a very long time. On one hand, I do feel as if this is one of the best novels ever written. On the other hand, it feels as if that's too big a praise. Which is it? Love or hate? Do I love to hate it, or hate to love it? Maybe it's because I read this 800-page giant (it has very tiny letters) and it caused me to feel so many things, that in the end I'm so conflicted that I can't find one feeling to describe all of Don Quixote.

Because at first I was slightly amused, but generally bored. The Don and Sancho's antics are funny, but get a bit old once Don Quixote thinks shepherds are evil knights again, and they get smashed blue and purple again. But since I had to finish this book for a lit history class, I persevered and ploughed through.

And around page 400 I suddenly felt myself enjoying the story. I started to feel for silly Sancho Panca and his trusty donkey, and for the crazy yet honourable Don Quixote with Rozinante. The line between fiction and reality blurs further, as it's no longer clear if Don Quixote believes in his fantasy himself. He doesn't see inns as castles any more. Are his fancies crumbling? Yet he still plays along with the antics of the Duke and Duchess, that make their game to let Don Quixote and Sancho do the stupidest things. Another layer is added when in the diegetic world there is a book released about Don Quixote and Sancho. Reality and the book world blur even further.

Is this the start of the modern novel? Is Don Quixote the best book ever written? Does it deserve the praise it gets? I have absolutely no idea, all I know is that I felt sad that it was over.