inlibrisveritas
Written on Jul 30, 2018
The Annotated Shakespeare series enables readers to fully understand and enjoy the plays of the world’s greatest dramatist
In one of Shakespeare’s bawdier comedies, contemporary audiences still take great pleasure in the rapid-fire verbal battles between the shrewish Katharina and the canny Petruchio, determined to subdue Katharina’s legendary temper and win her dowry. This fully annotated version of The Taming of the Shrew makes the play completely accessible to readers in the twenty-first century.
Eminent linguist and translator Burton Raffel offers generous help with vocabulary, pronunciation, and prosody and provides alternative readings of phrases and lines. His...Read more
The Annotated Shakespeare series enables readers to fully understand and enjoy the plays of the world’s greatest dramatist
In one of Shakespeare’s bawdier comedies, contemporary audiences still take great pleasure in the rapid-fire verbal battles between the shrewish Katharina and the canny Petruchio, determined to subdue Katharina’s legendary temper and win her dowry. This fully annotated version of The Taming of the Shrew makes the play completely accessible to readers in the twenty-first century.
Eminent linguist and translator Burton Raffel offers generous help with vocabulary, pronunciation, and prosody and provides alternative readings of phrases and lines. His on-page annotations give readers all the tools they need to comprehend the play and begin to explore its many possible interpretations.
In one of Shakespeare’s bawdier comedies, contemporary audiences still take great pleasure in the rapid-fire verbal battles between the shrewish Katharina and the canny Petruchio, determined to subdue Katharina’s legendary temper and win her dowry. This fully annotated version of The Taming of the Shrew makes the play completely accessible to readers in the twenty-first century.
Eminent linguist and translator Burton Raffel offers generous help with vocabulary, pronunciation, and prosody and provides alternative readings of phrases and lines. His on-page annotations give readers all the tools they need to comprehend the play and begin to explore its many possible interpretations.
- ISBN10 0300109822
- ISBN13 9780300109825
- Publish Date 1 November 2005 (first published December 1954)
- Publish Status Out of Print
- Out of Print 3 October 2023
- Publish Country US
- Imprint Yale University Press
- Format Paperback (US Trade)
- Pages 224
- Language English
- URL http://wiley.com/remtitle.cgi?isbn=9780300109825
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Reviews
nightingalereads
Written on Sep 12, 2014
4 stars - quality
clementine
Written on Jan 13, 2013
I am definitely not a Shakespeare buff, nor am I an expert on his work. However, based on my limited exposure to him in high school and now in my Intro to Shakespeare class, I'm pretty sure I like the tragedies more. Like, a lot more. Maybe it's just the plays I've read, maybe it's context. I think a good juicy tragedy is more universal than a comedy, which is more bound to the conventions and aesthetics of the time. I mean, I know I personally am so much more into regicide than some dude starving an outspoken woman for the sake of comedy.
The Taming of the Shrew was, y'know, a thing. It was cleverly-constructed, with two interwoven plots (Bianca's suitors' quest to win her, and, well, the taming of the shrew, Katherina) framed as a fiction within a fiction. There were various themes, the most obvious being disguise and sport (as in, Petruchio's insistence on taming Kate being not much more than a game to him). I mean, you can't deny that Shakespeare knew how to write a play. It's pretty tight, plotwise and thematically. (Though it's strange that the framing mechanism drops off abruptly after being introduced.)
I guess the issue is thematic for me, and I'm sure many of you can see why. It's very blatantly misogynistic, which makes for a deeply uncomfortable reading experience - which I'm sure is amplified when seeing the play performed, as is obviously the intent. It's unclear how much of this reflects Shakespeare's views on the role of women and how much of it is meant to be an over-the-top farce meant to elicit strong reactions from the audience in the face of its obvious offensiveness, but either way I do find it quite uncomfortable. It's hard to get past the extreme misogynistic and patriarchal overtones of the play.
Definitely an interesting one, but not my favourite. I'm excited to move onto a tragedy. (And can't wait until we read my true love, Macbeth!)
The Taming of the Shrew was, y'know, a thing. It was cleverly-constructed, with two interwoven plots (Bianca's suitors' quest to win her, and, well, the taming of the shrew, Katherina) framed as a fiction within a fiction. There were various themes, the most obvious being disguise and sport (as in, Petruchio's insistence on taming Kate being not much more than a game to him). I mean, you can't deny that Shakespeare knew how to write a play. It's pretty tight, plotwise and thematically. (Though it's strange that the framing mechanism drops off abruptly after being introduced.)
I guess the issue is thematic for me, and I'm sure many of you can see why. It's very blatantly misogynistic, which makes for a deeply uncomfortable reading experience - which I'm sure is amplified when seeing the play performed, as is obviously the intent. It's unclear how much of this reflects Shakespeare's views on the role of women and how much of it is meant to be an over-the-top farce meant to elicit strong reactions from the audience in the face of its obvious offensiveness, but either way I do find it quite uncomfortable. It's hard to get past the extreme misogynistic and patriarchal overtones of the play.
Definitely an interesting one, but not my favourite. I'm excited to move onto a tragedy. (And can't wait until we read my true love, Macbeth!)
anastasia
Written on May 31, 2011