Nana (Les Rougon-Macquart, #9) (World Classics (Abe Books)) (Dover Thrift Editions)

by Emile Zola

Nana tells the story of the rise of Nana Coupeau from a street prostitute to a high class cocotte (courtesan) during the final years of the Second French Empire. Through her performance in La blonde Venus, a fictional operetta, she attracts the attention of society and proceeds to destroy every man that she encounters. Nana is the ninth volume of Zola's Rougon-Macquart series and was published in 1880. The novel depicts the moral corruption that Zola believed was the cause of the downfall of the Second Empire.

• ISBN10: 1471064239
• ISBN13: 9781471064234
• Publish Date: 19 January 2012 (first published December 1957)
• Publish Status: Active
• Publish Country: GB
• Imprint: Lulu.com
• Format: eBook
• Language: English

Reviews

[celinenyx]

Zola is one of the big guys in naturalism, and Nana is one of his most "shocking" books.

I can totally see why Nana would be shocking for Zola's contemporaries. The main character is a prostitute, though she doesn't see herself as one most of the time, and she appears naked throughout the story pretty often. The amount of men that she does (off page, of course) is by the end of the novel probably in the dozens, if not hundreds.

Generally I enjoyed the story, though it was a bit boring and nothing happened, until about three-quarters in. Most of the book we just follow Nana around, seeing her wind some men around her pinky finger, seeing her trying to be something she's not, and basically just doing her prostitute thing with her prostitute friends. This wasn't really the most exciting reading material I've come across, but it was entertaining enough to see the men making utter fools of themselves to get a moment alone with Nana. Then, after about three-hundred pages in, Zola realised that he hadn't made his message clear yet, and he started pounding into our heads that Nana is a disgusting and terrible person that's defiling society.

Truly, as I see it, Nana isn't such a bad person at all. Yes, she's petty. She's a hypocrite. She is utterly childish. But from the first three-hundred pages or so I never had the impression that she meant any harm. She kinda knows what kind of effect she has on men, and of course she flirts with them and sleeps with them at any time she feels like it, but I didn't see anything particularly bad about her. She's very fickle in her affections, but more often than not it felt as if she did feel affectionate for her son or whatever other person that caught her fancy. I wouldn't call her role model of the year, but she didn't seem much worse than the average person. We're all imperfect, though some more than others.

But in the last hundred pages Zola goes all out. From petty and childish Nana turns into a devilish beastly animal for no reason at all. She devours men, sucks them dry, and discards them afterwards. It felt so out of character for her, that I was left wondering what made Nana so bitter. Sure, she always used the men around her, but never with the sole purpose of ruining them like at the end. To show us how disgusted he is with Nana, Zola tells us:

"...Nana was turning this whole society putrid to the rhythm of her vulgar tune"

He then proceeds to compare her with a fly spreading germs over society, and making it rot from the inside out. To be honest, I don't think that makes any sense. I found the men at fault, not Nana. She takes advantage of them, yes, but the men in Nana are insanely obsessed with their penises and where to put them in. You can hardly blame a prostitute for men that are crazy enough to sell their entire estates to bring her presents, even though she never blackmails them or forces them into anything.

The society was rotten as it was, it didn't need any Nana-germs to become ruined.