Amber (The Literary Phoenix)
Written on Mar 22, 2017
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March 2017: 4 stars
I have read this book twice, but this was the first time I’ve listened to it. And, for some strange reason, I remembered most of the ending completely wrong.
There are a few spoilers are you go along, impossible to avoid unless I leave my review to “I liked it” so read at your own risk.
I have always loved the dark and sinister, but somehow still likable Roland Deschain. Eddie and Jake and Oy are all well-loved as well, and even Susannah grows on me. This book sees the addition of a few characters, and a farewell to many. But it is Roland, ultimately, whose heartbeat thrums in tune with the Tower, and he who drives the story. He is raw, Eastwood-esque, and perfect in his setting. All of King’s characters in this story are perfectly placed… except himself. I have a difficult time getting past how narcissistic it is for King to make himself a central player in this world. However, the story plays out well and the character is important, although insufferable.
I can all but feel the radiation in the air as Susannah and Roland travel through the badlands. Unlike many fantasy authors, King does not wax on poetically about his setting, but his world comes to life anyway in the nuances. The Tower, at last in its final glory, is a breathtaking image in my mind.
It’s far too easy to spend most of this book crying.
King kills off his characters with the cold indifference that George R. R. Martin does, and you want to be angry at him for it, but yet… somehow you know the deaths were inevitable. Your heart breaks for each and every loss – for me, Jake and Oy were the worst of all – and even the first one comes so suddenly it shocks you. For some reason, I had remembered these deaths in a different way and in a different order. I think perhaps my mind was rewriting the story in a way it preferred to remember. They make sense the way they are written, and they are perfectly heartbreaking.
As for the very, very end? The end is perfect.
I have always appreciated the way King writes this series. It is raw, uncompromising. At no point could it be mistaken as pretty or flowery. But it is right. The world has moved on and everything is jagged, emaciated, broken. The perspectives shift seamlessly and the story is as vibrant as J. R. R. Tolkien’s illustrious descriptions. All in all, it’s just a different type of world.
As for the narration, I do like this narrator. The Dark Tower series as a whole has two different narrators, and they are both excellent. Guidall does Roland better, or so I think. There is more of a drawl to him that fits the character. The three books narrated by Frank Muller are fine as well, so don’t let the switch in narrators drive you away from the series.
Now that I’ve finished this series for the third time all the way through, and with the film coming out in July, I still find myself disappointed it is over. It’s a gritty, ruthless tale, but it’s definitely re-readable. For myself, I think the writing in the Dark Tower series is much stronger than his fantasy books, although nobody can claim that King isn’t a prolific writer.
All in all, the first book in the series is one of my desert island books, but to truly appreciate Roland Deschain and his ka-tet, you must read all seven. They are long, but absolutely worth the time to go on the adventure.
