Moon Over Soho (Peter Grant, #2) (Rivers of London, #2)

by Ben Aaronovitch

BODY AND SOUL
 
The song. That’s what London constable and sorcerer’s apprentice Peter Grant first notices when he examines the corpse of Cyrus Wilkins, part-time jazz drummer and full-time accountant, who dropped dead of a heart attack while playing a gig at Soho’s 606 Club. The notes of the old jazz standard are rising from the body—a sure sign that something about the man’s death was not at all natural but instead supernatural.

Body and soul—they’re also what Peter will risk as he investigates a pattern of similar deaths in and around Soho. With the help of his superior officer, Detective Chief Inspector Thomas Nightingale, the last registered wizard in England, and the assistance of beautiful jazz aficionado Simone Fitzwilliam, Peter will uncover a deadly magical menace—one that leads right to his own doorstep and to the squandered promise of a young jazz musician: a talented trumpet player named Richard “Lord” Grant—otherwise known as Peter’s dear old dad.

• ISBN10: 0345524608
• ISBN13: 9780345524607
• Publish Date: 1 March 2011 (first published 1 January 2011)
• Publish Status: Active
• Publish Country: US
• Imprint: Del Rey Books
• Format: eBook
• Pages: 352
• Language: English

Reviews

[MurderByDeath]

There are two storylines running through Moon Over Soho: one that begins and ends with this book, involving a string of suspicious deaths, all of them jazz musicians.  The other centres on a mysterious, faceless, unknown sorcerer running around London killing and conducting his own Dr. Moreau type experiments, and the reader is left hanging as to its resolution, presumably because it will come back up in future books.    I knew how the first story line would play out by the time I got to a page that falls somewhere in the range of 40-60 (I won't give the exact page number because I don't want to risk spoilers).  This is why my rating is only 3.5 stars.  The story is still good, but it's definitely hampered by knowing the ending, and wanting to smack Peter for not figuring out what was right in front of him a lot sooner.  To give credit though, I did not foresee how he would try to resolve the situation; I liked it, even though it didn't work out quite the way he's hoped.

[malberto]

It kept being great! But I still would've liked to see more world building, but it's not escalating to quickly (imo a common mistake of series of fiction in general, chp 1 villain is a thief, chp 2 is a f***ing god, makes no sense). Another small problem is the large number of minor characters, I had to constantly search back to remember who was who, but overall a very enjoyable book!

[Michael @ Knowledge Lost]

Constable Peter Grant is back and this time he suspects sorcery in Soho. Jazz musicians in the area are dying; brains scans show they have been magically drained. When the girlfriend of one of the victim’s ends up in bed with Peter, complications are ensured. DCI Nightingale is still recovering so it is up to Peter Grant to handle this one alone.

One of the things I loved about the first book in this series, Rivers of London, was the fact that Peter Grant was a new police officer and new to wizardry. Moon over Soho is a natural progression from that; except that Peter Grant has improved in leaps and bounds. There are still mistakes being made but he is starting to come into his own element, it is like watching him grow as a character.

I’m not sure why the humour has been scaled back in this series but the urban fantasy style seems to be well established and I’m excited to read book three. The series is starting to give Harry Dresden from The Dresden Files a run for his money. While not as dark, the London setting and humour in all its nuance makes for a fantastic read. Ben Aaronovitch’s series may in some parts feel very similar to other urban fantasy novels; I’m impressed with the way he stands apart from the others.

I want to say it is the real English flavour that makes this series enjoyable; I love that style of crime and comedy. This could be because more urban fantasy novels are set in an American or fantastical setting. The uniqueness of the style makes this feel fresh, and then you get all those tropes from urban English novels thrown in as well, like slang.

When it comes to plot, the novel is pretty standard in relation to urban fantasy. I think the characters, the setting and humour is what makes this novel and series interesting. I was in a reading slump when I worked my way through this book. I tried it as a way to break the slump; I was able to read and enjoy the novel but never got out of my slump.

Unfortunately I’m still in a slump, but reading this novel was fun and entertaining. I’m almost tempted in reading book three just to work my way out of the slump. I will talk more about slumps later but reading books like this might do the trick in breaking my reading problems. Peter Grant is a fun character and the series is really enjoyable, I can’t wait to read more.

This review originally appeared on my blog; http://literary-exploration.com/2013/11/24/book-review-moon-over-soho/

[wyvernfriend]

So Peter Grant has survived his introduction to the fine balancing act of being a member of the London Metropolitan Police Force and being a wizard. His friend Lesley is trying to cope with her destroyed face and having to move back to be with her parents and not knowing what she's going to able to do in the future.

It's mostly because of his father that he spots the link between some recent deaths. They appear normal but there's something else there, something strange, they're all Jazz players and finding what's killing them is almost going to kill him, and his boss.

I love this series. The characters are well rounded and come to life on the page, he holds the numinous close to the real and you can imagine it really happening. I could imagine this as a TV series and would probably be hooked from the first episode.