The Cutting Season

by Attica Locke

Just after dawn, Caren walks the grounds of Belle Vie, the historic plantation house in Louisiana that she has managed for the past four years. Today she sees nothing unusual, apart from some ground that has been dug up by the fence bordering the sugar cane fields. Assuming an animal has been out after dark, she asks the gardener to tidy it up. Not long afterwards, he calls her to say it's something else. Something terrible.

At a distance, Caren missed her. The body, the dirt and the blood.

Now she has police on site, an investigation in progress, and a member of staff no one can track down. And Caren keeps uncovering things she will wish she didn't know. As she's drawn into the dead woman's story, she makes shattering discoveries about the plantation's past, its future, and a killer who may be a lot closer than she thinks ...

A magnificent, sweeping story of the south, The Cutting Season brings history face-to-face with modern America. Attica Locke once again provides an unblinking commentary on politics, race, the law, family and love, all within a thriller every bit as gripping and tragic as her first novel, Black Water Rising.

• ISBN10: 1846689120
• ISBN13: 9781846689123
• Publish Date: 13 September 2012 (first published 11 September 2012)
• Publish Status: Out of Print
• Out of Print: 16 July 2013
• Publish Country: GB
• Imprint: Serpent's Tail
• Edition: Main
• Format: Hardcover
• Pages: 352
• Language: English

Reviews

[ibeforem]

I found myself sucked into this story right from the start. I have a bit of a thing for old homes, and tour them every chance I’ve get. I’ve even been to Oak Alley Plantation, outside of New Orleans, which I believe is the inspiration for Belle Vie. So the unusual setting for this novel appealed to me.

The writing is beautiful, and I liked the characters, for the most part. I actually found Caren to be one of the weaker characters. There’s not very much that is interesting or unique about her, other than her ability to mess up every relationship she’s ever had, romantic or familial. I’m still not sure I quite understand what her problem with her mother was. And she really just happens upon the solution to the mystery, rather than actually figuring it out. I also ended up confusing a lot of the Belle Vie workers with one another, especially towards the end.

As far as the mystery goes, I found myself more interested in its effect on the workers of Belle Vie than in finding out whatever happened to the poor woman. I also ended up feeling a bit cheated, because you’re lead to believe that there is a connection between this woman’s murder and the disappearance of Caren’s ancestor, and it doesn’t pay off. In fact, we never truly find out what (or who) it is that was found in the fields.

Overall, I found this to be a relatively satisfying read. There’s a definite undercurrent of social issues, but the author’s agenda is not overpowering. I certainly liked it enough to pick up something else by Locke.

“Still, she took it as a sign. A reminder, really, that Belle Vie, its beauty, was not to be trusted. That beneath its loamy topsoil, the manicured grounds and gardens, two centuries of breathtaking wealth and spectacle, lay a land both black and bitter, soft to the touch, but pressing in its power. She should have known that one day it would spit out what it no longer had use for, the secrets it would no longer keep.”