Perfume: The Story of a Murderer

by Patrick Suskind

An erotic masterpiece of twentieth century fiction - a tale of sensual obsession and bloodlust in eighteenth century Paris

'An astonishing tour de force both in concept and execution' Guardian

In eighteenth-century France there lived a man who was one of the most gifted and abominable personages in an era that knew no lack of gifted and abominable personages. His name was Jean-Baptiste Grenouille, and if his name has been forgotten today.

It is certainly not because Grenouille fell short of those more famous blackguards when it came to arrogance, misanthropy, immorality, or, more succinctly, wickedness, but because his gifts and his sole ambition were restricted to a domain that leaves no traces in history: to the fleeting realm of scent . . .

'A fantastic tale of murder and twisted eroticism controlled by a disgusted loathing of humanity . .. Clever, stylish, absorbing and well worth reading' Literary Review

'A meditation on the nature of death, desire and decay . . . A remarkable début' Peter Ackroyd, The New York Times Book Review

'Unlike anything else one has read. A phenomenon . . . [It] will remain unique in contemporary literature' Figaro

'An ingenious and totally absorbing fantasy' Daily Telegraph

'Witty, stylish and ferociously absorbing' Observer

• ISBN10: 0141041153
• ISBN13: 9780141041155
• Publish Date: 1 April 2010 (first published 12 September 1986)
• Publish Status: Active
• Publish Country: GB
• Imprint: Penguin Books Ltd
• Format: Paperback (B-Format (198x129 mm))
• Pages: 272
• Language: English

Reviews

[maggiefan]

More like 3.5???
I really don't know how I feel about this book. I liked it so much and kind of hated it at the same time. But it was a decent and very dark book.

[Michael @ Knowledge Lost]

At birth Jean-Baptiste Grenouille was tossed aside into a pile of fish guts in the slums of eighteenth-century Paris. His mother believed he would be a still born, just like all the others and quickly got rid of him to continue working. From birth Jean-Baptiste was a little different; born without a scent but grows into a man with an absolute sense of smell. He quickly found work as a perfumer, learning the trade. He wanted to capture the scents of the world, but more importantly the one that intoxicated him; the scent of a beautiful young virgin woman.

When first published in German in 1985, Perfume: The Story of a Murderer (Das Parfum: Die Geschichte eines Mörders) was a literary sensation for author Patrick Süskind. Two years later it was translated into English by John E. Woods, who went on to win the PEN Translation Prize for his work with this book. The original cover (which sadly isn’t used now) was from the painting Nymphe et satyre by Antoine Watteau 1715-16, which in English translates to Nymphs and Satyr. The novel was the inspiration for Nirvana’s Scentless Apprentice, Rammstein’s Du riechst so gut, Red Head Girl by Air and so on.

The point I am trying to make is that this book was a huge success that went on to inspire many. This is actually a re-read for me and I first read this almost five years ago and found myself being completely captivated but the book. When I first reviewed the novel, I said that “I love an anti-hero and Jean-Baptiste Grenouille didn’t disappoint as the cold hearted, scent obsessed protagonist.” Which is true, but this time I wanted to look at the novel a little more in-depth.

Firstly, I found it interesting the way women where portrayed within this book. At birth and childhood, women are represented as carers but his mother, wet-nurses and the nuns all reject Jean-Baptiste Grenouille. Then when he grew into a man, the role of the woman changed from carer to the object of desire. However, for Jean-Baptiste, the idea of acceptance by a woman remained strong throughout his life, but he remained alone, which made him feel undesirable.

I had been thinking about Perfume since first reading the novel and I came to the conclusion that scent worked as a metaphor for lust in this book. A lust that Jean-Baptiste had towards young virgins; which is so typical and boring but I was interested in the way Süskind used smell to explore this idea of lust. While this still rung true for me the second time around, I also began to look at smell as a representation for class; the higher the social standing the better you smell.

Both ideas seem to come together at the end, when Jean-Baptiste releases the fragrance everyone smells the same; become equals. When it comes to theme of lust, everyone is over come with desire and the scent makes everyone attracted to each other. No one has to feel the way Jean-Baptiste felt, rejected from birth. However this scene left me curious, if everyone becomes desirable and equal; why is everyone straight in this scene. There is no mention of any same sex coupling and I felt a little perplexed by this; it is not like everyone is straight or no mention that the scent only attracts you to the opposite sex.

It is an interesting experience re-reading a book, I don’t often do it but I am starting to see the appeal. First time around, I really focused on the plot and when I picked up Perfume again all that came flooding back which allowed me to explore themes and ideas within the book. I was able to take what I thought previously and dive deeper into the novel which I found so much more rewarding. I think I have converted myself into a re-reader; I have already started reading The Master and Margarita again.

This review originally appeared on my blog; http://literary-exploration.com/2015/01/28/perfume-the-story-of-a-murderer-by-patrick-suskind/

[celinenyx]

One of the strangest stories I've ever read. When I noticed the movie (which was even stranger) was based on a book I almost ran to the local liberary to get it. Glad I didn't, as liberaries tend to be closed at night.
Anyway, this story is about a pathetic deformed boy/man, who has an absolute sense of smell. He can smell a stone from a mile away. In the book, you follow his adventures as he tries to make the ultimate perfume.
You have to have a certain type of dark humour to like this book. If you read the first two or three pages and still don't like it, stop reading. It won't get any better than that. If it makes you giggle or smile, continue and enjoy.

[remo]

Fascinante relato de un asesino que quiere sintetizar el perfume perfecto. La mezcla de la historia y el arte de la perfumería con las divagaciones internas del asesino y la vida cotidiana del París del XVIII me resultó fascinante. Muy recomendable.