Mercy
Written on Sep 8, 2016
In the spring of 1974, Calliope Stephanides, a student at a girls' school in Grosse Pointe, finds herself drawn to a chain-smoking, strawberry-blond classmate with a gift for acting. The passion that furtively develops between them leads Callie to suspect that she is not like other girls. In fact, Callie has inherited a rare genetic mutation. The biological trace of a guilty secret, this gene has followed her grandparents from the crumbling Ottoman Empire to Detroit and has outlasted the glory days of the Motor City, the race riots of 1967, and the family's second migration, into the foreign...Read more
In the spring of 1974, Calliope Stephanides, a student at a girls' school in Grosse Pointe, finds herself drawn to a chain-smoking, strawberry-blond classmate with a gift for acting. The passion that furtively develops between them leads Callie to suspect that she is not like other girls. In fact, Callie has inherited a rare genetic mutation. The biological trace of a guilty secret, this gene has followed her grandparents from the crumbling Ottoman Empire to Detroit and has outlasted the glory days of the Motor City, the race riots of 1967, and the family's second migration, into the foreign country known as suburbia. Thanks to the gene, Callie is part girl, part boy. And even though the gene's epic travels have ended, her own odyssey has only begun. Sprawling across eight decades - and one unusually awkward adolescence - Jeffrey Eugenides' long-awaited second novel is a grand, utterly original fable of crossed bloodlines, the intricacies of gender, and the deep, untidy promptings of desire. It marks the fulfillment of a huge talent, named one of America's best young novelists by both GRANTA and the NEW YORKER.
- ISBN10 067697564X
- ISBN13 9780676975642
- Publish Date 17 September 2002 (first published 4 September 2002)
- Publish Status Remaindered
- Imprint Knopf Canada
- Format Hardcover
- Pages 529
- Language English
Reviews
Michael @ Knowledge Lost
Written on Mar 27, 2014
When Jeffrey Eugenides set out to write Middlesex he wanted to “[tell] epic events in the third person and psychosexual events in the first person”. He had decided that the voice “had to render the experience of a teenage girl and an adult man, or an adult male-identified hermaphrodite”. This was no easy task; he had to seek expert advice about intersexuality, sexology, and the formation of gender identity. His motivation came from reading the 1980 memoir Herculine Barbin and being unsatisfied by the lack of detail about intersex anatomy and his emotions.
”I was born twice: first, as a baby girl, on a remarkably smogless Detroit day in January of 1960; and then again, as a teenage boy, in an emergency room near Petoskey, Michigan, in August of 1974.”
If you’ve read Jeffrey Eugenides before you will know he doesn’t just stop at one issue, Middlesex is also loosely based on his life and is used to explore his Greek Heritage. While the book’s main protagonist is Cal Stephanides, Middlesex is a family saga that explores the impact of a mutated gene over three generations. Starting with Cal’s grandparents, the novel looks at their escape from the ongoing Greco-Turkish War and emigrating from Smyrna in Asia Minor to the United States. This section has similar themes to most immigration stories, looking at Greek and US culture in the 1920’s as well as their efforts to assimilate into American society. However this is overshadowed by the fact that Cal’s grandparents are also brother and sister.
Middlesex continues to follow the Stephanides family through the story of Cal’s parents and eventually his life. While the reader gets glimpses of Cal’s life throughout the novel, the last part is where we really explore how the 5-alpha-reductase deficiency (a recessive condition that caused him to be born with female characteristics) impacted his life. While I got the impression that this was the main focus of the novel and to some extent it is, I was expecting to explore the struggle and emotions behind his condition to a greater extent.
Jeffrey Eugenides has a lot going on his novels and you really need to be a literary critic to enjoy Middlesex to the full extent. I love Eugenides because he is too smart for his own good, on a basic level you can enjoy his novels but there is so much going on underneath that rereading is almost essential. Middlesex is a family saga but there are elements of romance, history, coming of age and, because of his Greek heritage, tragicomedy. You could spend hours exploring the hysterical realism and metafictional aspects from this book. For example; does Cal’s condition have any bearing on where he is narrating this novel from? Berlin, a city that also was divided into two (East and West). Also, why does the narrative style switch between first and third person? Some parts of the story are told in first person but Cal would never have been able to recount what happened in that kind of detail. Is this to evoke confusion within the reader, forcing them to just feel a fraction of what Cal must be feeling?
This is an incredibly complex novel and I feel like I’ve only scratched the surface of what Jeffrey Eugenides has done. This is in fact the third of his novels I’ve read and sadly that is all of them for now. While I did enjoy Middlesex I found more joy from The Virgin Suicides (which deals with suicide) and The Marriage Plot (dealing with mental illness). I really appreciate the themes Eugenides explores and the complexities of his novels, but personal opinion is going against the norm here. Middlesex is probably his most recognised novel; it even won the Pulitzer Prize for Fiction.
Don’t let the complexity of Middlesex put you off reading this fantastic novel; sure, there is a lot there but it still worth picking up. You can spend as much time as you want exploring its depths but in the end you’ll come away with something. It is a compelling read that will stay with you well after finishing it. This is the perfect type of novel to pick up for a book club.
This review originally appeared on my blog; http://literary-exploration.com/2014/03/30/middlesex-by-jeffrey-eugenides/
”I was born twice: first, as a baby girl, on a remarkably smogless Detroit day in January of 1960; and then again, as a teenage boy, in an emergency room near Petoskey, Michigan, in August of 1974.”
If you’ve read Jeffrey Eugenides before you will know he doesn’t just stop at one issue, Middlesex is also loosely based on his life and is used to explore his Greek Heritage. While the book’s main protagonist is Cal Stephanides, Middlesex is a family saga that explores the impact of a mutated gene over three generations. Starting with Cal’s grandparents, the novel looks at their escape from the ongoing Greco-Turkish War and emigrating from Smyrna in Asia Minor to the United States. This section has similar themes to most immigration stories, looking at Greek and US culture in the 1920’s as well as their efforts to assimilate into American society. However this is overshadowed by the fact that Cal’s grandparents are also brother and sister.
Middlesex continues to follow the Stephanides family through the story of Cal’s parents and eventually his life. While the reader gets glimpses of Cal’s life throughout the novel, the last part is where we really explore how the 5-alpha-reductase deficiency (a recessive condition that caused him to be born with female characteristics) impacted his life. While I got the impression that this was the main focus of the novel and to some extent it is, I was expecting to explore the struggle and emotions behind his condition to a greater extent.
Jeffrey Eugenides has a lot going on his novels and you really need to be a literary critic to enjoy Middlesex to the full extent. I love Eugenides because he is too smart for his own good, on a basic level you can enjoy his novels but there is so much going on underneath that rereading is almost essential. Middlesex is a family saga but there are elements of romance, history, coming of age and, because of his Greek heritage, tragicomedy. You could spend hours exploring the hysterical realism and metafictional aspects from this book. For example; does Cal’s condition have any bearing on where he is narrating this novel from? Berlin, a city that also was divided into two (East and West). Also, why does the narrative style switch between first and third person? Some parts of the story are told in first person but Cal would never have been able to recount what happened in that kind of detail. Is this to evoke confusion within the reader, forcing them to just feel a fraction of what Cal must be feeling?
This is an incredibly complex novel and I feel like I’ve only scratched the surface of what Jeffrey Eugenides has done. This is in fact the third of his novels I’ve read and sadly that is all of them for now. While I did enjoy Middlesex I found more joy from The Virgin Suicides (which deals with suicide) and The Marriage Plot (dealing with mental illness). I really appreciate the themes Eugenides explores and the complexities of his novels, but personal opinion is going against the norm here. Middlesex is probably his most recognised novel; it even won the Pulitzer Prize for Fiction.
Don’t let the complexity of Middlesex put you off reading this fantastic novel; sure, there is a lot there but it still worth picking up. You can spend as much time as you want exploring its depths but in the end you’ll come away with something. It is a compelling read that will stay with you well after finishing it. This is the perfect type of novel to pick up for a book club.
This review originally appeared on my blog; http://literary-exploration.com/2014/03/30/middlesex-by-jeffrey-eugenides/
Whitney @ First Impressions Reviews
Written on Apr 28, 2008
This was a very odd book. The beginning was ok , it talked about her/his grandparents Desdemona and Lefty, who were also brother and sister living in the old country and emigrating to America and eventually getting married.
When Callie...Read more
This was a very odd book. The beginning was ok , it talked about her/his grandparents Desdemona and Lefty, who were also brother and sister living in the old country and emigrating to America and eventually getting married.
When Callie was born who is Desdemona and Lefty's granddaughter that it started to get a little unbelievable Callie was born with both male and female parts hence the "Middle Sex" while her outer exterior is of a female. as she grows up she doesn't develop the way her girlfriends are, no period or breasts instead she has facial hair and a deeper voice. Finally her parent's take her to a gender identity specialist who determines that she is both sexes.
After Callie sneaks a look at her file and learns that she is a "monster" she runs away to California where the story really becomes strange. As she hitchhikes her way to the sunshine state she takes on a new identity as a boy named Cal. In California she becomes part of a gang which loosely reminded me a little of Oliver Twist . After being beaten and discovered for what she truly is she starts work at a freak show/strip club, which includes herself and transvestites.
Meanwhile, of course her parents are sick with worry , her father Milton gets a call from a mystery man claiming that he has his daughter and will release her for 25,000. When her father drops the money off at the designated location of course he doesn't have Callie and the man turns out to be his brother-in-law. An incredibly stupid and pointless car chase begins and eventually killing Milton; it felt like the scene was put in just for the sake of having a car race or in the hopes that it might some day be a made of T.V. movie.
Of course Cal returns safe and sound and his family learns to except him for who he is. This was such an unbelievable story that it was hard to get though , especially when you're saying "oh come on" throughout the novel. I read this for my book club and just recently ran into someone from the group and they expressed the same feelings that I have about Middle Sex so at least I'm not alone.