Kelly
Written on Nov 20, 2017
The snow falls softly in Bucharest as the carriage journey reaches Institutului Național de Criminalistică și Medicană Legală, the Academy of Forensic Medicine and Science in Romania. The prestigious program is discerning and only permits astute, ingenious scholars from Europe and abroad. The villagers of Brașov are speculating the return of the Prince of Wallachia as mortal remains are discovered, the institute castle once home to The Prince of Darkness and a region immersed in Strigoi mythology.
Audrey Rose continues to endure traumatic distress often hallucinating, the remnants of her East London experience. The Romanian school of Forensic Medicine and Science suggests no reprieve as Audrey Rose and Thomas observe a young man slain before arriving at the prestigious institute. The ritualistic slaughter continues as victims are exsanguinated and brought to the institute for a postmortem examination to determine the cause of death.
Once again Audrey Rose is challenged by the male dominated environment, headmaster Moldoveanu a misogynistic, authoritarian man and warden to a charming young woman who is lodging at the institute during the winter. Anastasia provides Audrey Rose with companionship and along with chambermaid Ileana, begin a tentative and supportive friendship. Throughout the narration, mental wellness is a point of contention for Audrey Rose and Thomas, impacting their friendship as Thomas undermines Audrey Rose and her capacity at the institute. Thomas often contends with self impassiveness, preserving his sensitivity but in Hunting Prince Dracula, Thomas begins to dismantle those barriers.
Inspired by Romanian folklore and The Impaler, Hunting Prince Dracula is wonderfully composed, opulent and theatrical. Kerri Maniscalco is a remarkable author, grandiose and accomplished.