Jordon
Written on Aug 7, 2013
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Almost sixteen-year-old Casey Donovan just wants to survive high school ~ uncontrollable trips to the 19th century do NOT help, especially when you accidentally take the cutest boy in the school back in time!
Casey Donovan’s hair is too curly, her limbs too long, and she barely fills an A cup. She can throw a ball as well as any boy, but for reasons she wouldn’t dare share, she never tries out for any team. Casey nurses a secret crush on the unattainable Nate Mackenzie.
Nate Mackenzie, super jock and quarterback at Cambridge High, hadn’t even heard of Casey Donovan until...
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Almost sixteen-year-old Casey Donovan just wants to survive high school ~ uncontrollable trips to the 19th century do NOT help, especially when you accidentally take the cutest boy in the school back in time!
Casey Donovan’s hair is too curly, her limbs too long, and she barely fills an A cup. She can throw a ball as well as any boy, but for reasons she wouldn’t dare share, she never tries out for any team. Casey nurses a secret crush on the unattainable Nate Mackenzie.
Nate Mackenzie, super jock and quarterback at Cambridge High, hadn’t even heard of Casey Donovan until the night of the Fall Dance. That was when his buddies dared him to ask her to dance. That was when the craziness started.
- ISBN10 0987807811
- ISBN13 9780987807816
- Publish Date 31 March 2015 (first published 23 March 2012)
- Publish Status Active
- Imprint Esb Publishing
- Format Paperback (US Trade)
- Pages 242
- Language English
Reviews
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Briana @ Pages Unbound
Written on Jan 11, 2012
Clockwise is a fun read with a perfectly awkward protagonist whom readers will love from the very first page. Creative analogies, over-excitement, and dramatic statements are her specialties. She thinks her goal in life is to blend in, but she stands out as a quirky and friendly character whom readers will want to befriend, as long as they are game for a lot of time spent guy-watching!
Beyond her fairly normal boy obsession, a lot of Casey’s life is unbelievable—and not just because she happens to travel in time. It is the mechanics of this that come across as a bit sketchy. For one thing, she poofs around a lot, from the present to the past and back to the present again. Eventually it is explained that she appears back in the same moment in the present, so her “absence” should not be too noticeable, but later she seems to worry about this and other things that supposedly were not a problem before. The best bet is to ignore these small inconsistencies if possible.
The portrayal of the past also oscillates from good to okay. At times the 1860s are quite believable. At other times, the characters’ speech sounds unfortunately stilted, and Casey does things that she probably should not be allowed to do. Usually the native nineteenth-century dwellers tell Casey her plans are unseemly for a young woman, but they offer a few solutions that actually seem equally questionable. Yes, Casey should not walk around alone at night near a tavern, but is it much better for her to be riding a horse by herself with a black man? Strauss has the generalities of the time period down, and maybe my own knowledge of history tends to the general, but the book seems as though it could have achieved just a little more if a Civil War expert had gone through it.
The discussion of the implications of Casey’s time travel is where Strauss actually shines on the subject. In the beginning, it does not seem as though Casey thinks much about this, and her persistence in shouting down the injustices toward blacks and women in the nineteenth century is mildly annoying (because most readers agree with her and do not need the lecture). However, she eventually makes this intriguing statement: “I used to think that maybe I’m here to try to fix an injustice, undo an evil, but then I figured maybe I could just end up setting the course for an even greater injustice.” At the point this quote shows up, it is almost unexpectedly profound. But once it does, the book goes on to at least briefly address a few more serious issues, such as adoption, abortion, and guilt and redemption.
Clockwise starts out a lighthearted and just a little bit fluffy, and it retains its sense of whimsy and Casey’s creative outlooks throughout the whole book. But somewhere in all the fun, Strauss has some interesting things to say about purpose and life, and that combination makes it a worthwhile read.
This review was also posted at Pages Unbound Book Reviews.
Beyond her fairly normal boy obsession, a lot of Casey’s life is unbelievable—and not just because she happens to travel in time. It is the mechanics of this that come across as a bit sketchy. For one thing, she poofs around a lot, from the present to the past and back to the present again. Eventually it is explained that she appears back in the same moment in the present, so her “absence” should not be too noticeable, but later she seems to worry about this and other things that supposedly were not a problem before. The best bet is to ignore these small inconsistencies if possible.
The portrayal of the past also oscillates from good to okay. At times the 1860s are quite believable. At other times, the characters’ speech sounds unfortunately stilted, and Casey does things that she probably should not be allowed to do. Usually the native nineteenth-century dwellers tell Casey her plans are unseemly for a young woman, but they offer a few solutions that actually seem equally questionable. Yes, Casey should not walk around alone at night near a tavern, but is it much better for her to be riding a horse by herself with a black man? Strauss has the generalities of the time period down, and maybe my own knowledge of history tends to the general, but the book seems as though it could have achieved just a little more if a Civil War expert had gone through it.
The discussion of the implications of Casey’s time travel is where Strauss actually shines on the subject. In the beginning, it does not seem as though Casey thinks much about this, and her persistence in shouting down the injustices toward blacks and women in the nineteenth century is mildly annoying (because most readers agree with her and do not need the lecture). However, she eventually makes this intriguing statement: “I used to think that maybe I’m here to try to fix an injustice, undo an evil, but then I figured maybe I could just end up setting the course for an even greater injustice.” At the point this quote shows up, it is almost unexpectedly profound. But once it does, the book goes on to at least briefly address a few more serious issues, such as adoption, abortion, and guilt and redemption.
Clockwise starts out a lighthearted and just a little bit fluffy, and it retains its sense of whimsy and Casey’s creative outlooks throughout the whole book. But somewhere in all the fun, Strauss has some interesting things to say about purpose and life, and that combination makes it a worthwhile read.
This review was also posted at Pages Unbound Book Reviews.