The Name of the Rose: Introduction by David Lodge

by Umberto Eco

William Weaver (Translator) and David Lodge (Introduction)

ONE OF TIME MAGAZINE'S 100 BEST MYSTERY AND THRILLER BOOKS OF ALL TIME • A spectacular best seller and now a classic, The Name of the Rose catapulted Umberto Eco, an Italian professor of semiotics turned novelist, to international prominence. An erudite murder mystery set in a fourteenth-century monastery, it is not only a gripping story but also a brilliant exploration of medieval philosophy, history, theology, and logic.

In 1327, Brother William of Baskerville is sent to investigate a wealthy Italian abbey whose monks are suspected of heresy. When his mission is overshadowed by seven bizarre deaths patterned on the book of Revelation, Brother William turns detective, following the trail of a conspiracy that brings him face-to-face with the abbey’s labyrinthine secrets, the subversive effects of laughter, and the medieval Inquisition. Caught in a power struggle between the emperor he serves and the pope who rules the Church, Brother William comes to see that what is at stake is larger than any mere political dispute–that his investigation is being blocked by those who fear imagination, curiosity, and the power of ideas.

The Name of the Rose offers the reader not only an ingeniously constructed mystery—complete with secret symbols and coded manuscripts—but also an unparalleled portrait of the medieval world on the brink of profound transformation.

• ISBN10: 0307264890
• ISBN13: 9780307264893
• Publish Date: 26 September 2006 (first published 31 December 1980)
• Publish Status: Active
• Out of Print: 7 July 2021
• Publish Country: US
• Publisher: Random House USA Inc
• Imprint: Potter Style
• Format: Hardcover
• Pages: 600
• Language: English
• URL: https://penguinrandomhouse.com/books/isbn/9780307264893

Reviews

[MurderByDeath]

I'm not sure there's much I can say here that I didn't already say in my status updates.     This book is long; perhaps not by page count, but psychologically, it often felt endless.   Eco is a very talented writer if the only measurements of talent were creating a sense of place, bringing many characters to life, and plotting out a good story.  But he writes excessively.  His sentences run on well past anybody's idea of reasonable, he cannot stop himself from creating lists in narrative form that often run over a page long, and the theological lessons were excessively excessive.  All up, if you could go back and edit the book to include only plot related scenes, I'm not sure the book would be 200 pages long.   But those 200 pages would have made a spectacular read.  The abbey, the labyrinthine library, the passages, the codes, the books... the murders.  So much atmosphere, so much potential!   The book is broken into 7 days and most of the plot snowballs and takes place in days 6 and 7.  Here William of Baskerville once again channels his inner Sherlock, and the showdown is magnificent.  And tragic.  Days 6 and 7 earned this book the third star.   I'm not sorry at all that I read this; I complained a lot along the way, but a lot of it stuck with me.  Still, unless you enjoy a richly written verbosity in your reads, I can't recommend this one.  If the setting and plot sound like your thing - and I can't believe I'm going to say this - watch the movie instead.

[gmcgregor]

Umberto Eco's The Name of the Rose is the first book I've ever read that features heavily the root of the Romance languages: there's so much Latin I had to keep a website with most of the translations up on my phone when I was reading it so I wouldn't miss anything (well, too much anyways). The book is a murder mystery set over the course of a week in a monastery during the Middle Ages (hence all the Latin). That's the way I'd describe it to people, but it's also so much richer and deeper than that.

It's about faith. It's about sin. It's about various schismatic movements within the Catholic Church in the 1200s and 1300s (the time of the anti-popes). It's about laughter and poverty and their roles within the lives of the cloistered. It's about those cloistered, their relationships with each other and the outside world. It's about books and learning and whether wanting to learn more is always a good thing and whether knowledge should be controlled. It's about power and having it and wanting it.

The story follows Adso, a young novice monk, traveling with Brother William of Baskervilles, a Franciscan when Franciscans were a very new movement. They arrive at an abbey famous for its incredible library and are begged by the abbot to help inquire into the death of a monk just the night before. William, who is an obvious and intentional analogue to Sherlock Holmes, is intrigued and goes about investigating. Was it a suicide? A murder? And every day, another monk keeps turning up dead, making William and Adso's work a race against time.

I can already tell I'm going to need (and want) to read this one again. It's so dense, so full of allusions and historical references I just don't understand, that it's obvious that to read this only once means that you'll never be able to fully appreciate it. It reminds me of Dante's Divine Comedy, in that it's certainly readable and enjoyable on its own, but without a fuller understanding of the world at the time, you can't really understand everything that's going on. So I'll need to read up on the establishment of the Franciscan order and the other religious splinter groups that developed around the same period and tackle this one again. The writing is lively and the characters and drama compelling enough that I'm sure it'll be a rewarding experience. But for the first time through, despite having liked it, I feel like I've missed enough that it wasn't quite as satisfying as it could have been.

[clq]

I liked The Name of The Rose. I think having a degree in Theology (or related subjects) would make me like it a lot more. Nevertheless, I still liked it.

The Name of the Rose is a 13th century murder mystery told in the voice of a monk writing about 7 days from his youth he would never forget. I don’t know that many 13th century monks, but from what I can tell, the tone and style of the book is incredibly well done. At first it is so well done that it becomes irritating, but after a few chapters it is hard to imagine the story being told in any other way. Even though the book has very few jokes, the tone leads to plenty of really funny moments as undignified moments are being told of in a “dignified” manner, as well as a handful of beautifully absurd “proper” descriptions of things that are anything but. The two main characters of the story, and at times the plot, seems to follow the tried and tested Sherlock Holmes formula, perhaps just a tad too shamelessly at times. Still, the plot is solid, engaging, and exciting.

Seeing as the story takes place in an abbey, and is told by a monk, discussions of a religious nature are to be expected. For the most part I found them rather fascinating. There are plenty of interesting thoughts on religion, morals, literature, knowledge, and different ways of handling, using, and interpreting all of these things. This will always be a balancing act. There should be enough philosophy to add to the story, but not as much as to bore the reader/detract from the flow. A few times The Name of the Rose falls of this tight-rope rather badly. There are places where, in my opinion, pages of discussion takes place that adds nothing to the story at all. I’m sure I’m probably missing something, but some places, especially where historical religious figures are discussed, the inclusion of the discussions seems a little forced. That said, on balance, I found the “philosophical stuff” to add much more than it detracted.

Overall I thought the book was good, but inconsistent. There are plenty of really fantastic moments. There are also plenty of moments that are… well, boring, but these are made up for by the good times. It’s not an easy read, it’s at times a frustrating read, but when all is said and done, I think it is a very worthwhile read.

[Michael @ Knowledge Lost]

A Franciscan friar and a Benedictine novice travel to a Benedictine monastery in Italy to attend a theological disputation. Not it’s not a joke… its murder. The Name of the Rose is set in 1327 and follows the story of William of Baskerville and his companion and narrator Adso as they try to uncover who is behind all the mysterious deaths.

Baskerville is an intellectual and almost Sherlock in the way he analyses and comes to his conclusions; with his trusty sidekick, Watson… I mean Adso who is narrating this book many years later as a memoir, giving Umberto Eco the perfect chance to flood the novel with all his knowledge of Medieval Catholicism.

This book is heavy in explaining the medieval times and the fights between the different Catholic factions, as well as the sheer ease of convicting someone as a heretic. I loved Eco’s other novel Foucault's Pendulum because of the subject matter (conspiracies) but I think this book is an easier book to read, and if you are interested in learning about Medieval times and the Catholics back then, it is a good way to teach and entertain.