Lincoln in the Bardo: A Novel

by George Saunders

George Saunders (Narrator), Nick Offerman (Narrator), David Sedaris (Narrator), Carrie Brownstein (Narrator), Don Cheadle (Narrator), Lena Dunham (Narrator), Bill Hader (Narrator), Kirby Heyborne (Narrator), Keegan-Michael Key (Narrator), Julianne Moore (Narrator), Megan Mullally (Narrator), Susan Sarandon (Narrator), Ben Stiller (Narrator), and Various (Narrator)

***WINNER OF THE 2018 AUDIE AWARD FOR AUDIOBOOK OF THE YEAR***

The long-awaited first novel from the author of Tenth of December: a moving and original father-son story featuring none other than Abraham Lincoln, as well as an unforgettable cast of supporting characters, living and dead, historical and invented

February 1862. The Civil War is less than one year old. The fighting has begun in earnest, and the nation has begun to realize it is in for a long, bloody struggle. Meanwhile, President Lincoln’s beloved eleven-year-old son, Willie, lies upstairs in the White House, gravely ill. In a matter of days, despite predictions of a recovery, Willie dies and is laid to rest in a Georgetown cemetery. “My poor boy, he was too good for this earth,” the president says at the time. “God has called him home.” Newspapers report that a grief-stricken Lincoln returns, alone, to the crypt several times to hold his boy’s body.

From that seed of historical truth, George Saunders spins an unforgettable story of familial love and loss that breaks free of its realistic, historical framework into a supernatural realm both hilarious and terrifying. Willie Lincoln finds himself in a strange purgatory where ghosts mingle, gripe, commiserate, quarrel, and enact bizarre acts of penance. Within this transitional state—called, in the Tibetan tradition, the bardo—a monumental struggle erupts over young Willie’s soul.

Lincoln in the Bardo is an astonishing feat of imagination and a bold step forward from one of the most important and influential writers of his generation. Formally daring, generous in spirit, deeply concerned with matters of the heart, it is a testament to fiction’s ability to speak honestly and powerfully to the things that really matter to us. Saunders has invented a thrilling new form that deploys a kaleidoscopic, theatrical panorama of voices to ask a timeless, profound question: How do we live and love when we know that everything we love must end?

The 166-person full cast features award-winning actors and musicians, as well as a number of Saunders’ family, friends, and members of his publishing team, including, in order of their appearance:
 
Nick Offerman as HANS VOLLMAN
David Sedaris as ROGER BEVINS III
Carrie Brownstein as ISABELLE PERKINS
George Saunders as THE REVEREND EVERLY THOMAS
Miranda July as MRS. ELIZABETH CRAWFORD
Lena Dunham as ELISE TRAYNOR
Ben Stiller as JACK MANDERS
Julianne Moore as JANE ELLIS
Susan Sarandon as MRS. ABIGAIL BLASS
Bradley Whitford as LT. CECIL STONE
Bill Hader as EDDIE BARON
Megan Mullally as BETSY BARON
Rainn Wilson as PERCIVAL “DASH” COLLIER
Jeff Tweedy as CAPTAIN WILLIAM PRINCE
Kat Dennings as MISS TAMARA DOOLITTLE
Jeffrey Tambor as PROFESSOR EDMUND BLOOMER
Mike O’Brien as LAWRENCE T. DECROIX
Keegan-Michael Key as ELSON FARWELL
Don Cheadle as THOMAS HAVENS
and
Patrick Wilson as STANLEY “PERFESSER” LIPPERT
with
Kirby Heyborne as WILLIE LINCOLN,
Mary Karr as MRS. ROSE MILLAND,
and Cassandra Campbell as Your Narrator


Praise for the audiobook

“Lincoln in the Bardo" sets a new standard for cast recordings in its structure, in its performances, and in its boldness. Now, let's see who answers the challenge.” – Chicago Tribune
 
“Like the novel, the audiobook breaks new ground in what can be accomplished through a story. It helps that there’s not a single bad note in the cast of a whopping 166 people. It’s also the rare phenomenon of an audiobook being a completely different experience compared to the novel. Even if you’ve read the novel, the audiobook is worth a listen (and vice versa). The whole project pushes the narrative form forward.” – A.V. Club
 
“The result is an auditory experience unlike any other, where the awareness of individual voices disappears while the carefully calibrated soundscape summons a metaphysical masterpiece. This is a tour de force of audiobook production, and a dazzling realization of Saunders’ unique authorial structure.”—Booklist 
 
“The finished audiobook’s tapestry of voices perfectly mirrors the novel.”—Entertainment Weekly


Praise for George Saunders
 
“No one writes more powerfully than George Saunders about the lost, the unlucky, the disenfranchised.”—Michiko Kakutani, The New York Times
 
“Saunders makes you feel as though you are reading fiction for the first time.”—Khaled Hosseini

“Few people cut as hard or deep as Saunders does.”—Junot Díaz
 
“George Saunders is a complete original. There is no one better, no one more essential to our national sense of self and sanity.”—Dave Eggers
 
“Not since Twain has America produced a satirist this funny.”—Zadie Smith
 
“There is no one like him. He is an original—but everyone knows that.”—Lorrie Moore

“George Saunders makes the all-but-impossible look effortless. We’re lucky to have him.”—Jonathan Franzen
 
“An astoundingly tuned voice—graceful, dark, authentic, and funny—telling just the kinds of stories we need to get us through these times.”—Thomas Pynchon

• ISBN10: 0553397575
• ISBN13: 9780553397574
• Publish Date: 14 February 2017 (first published 1 February 2017)
• Publish Status: Out of Stock
• Publish Country: US
• Publisher: Random House USA Inc
• Imprint: Random House US Audio
• Edition: Unabridged edition
• Format: Audiobook (CD)
• Duration: 7 hours and 30 minutes
• Language: English
• URL: https://penguinrandomhouse.com/books/isbn/9780553397574

Reviews

[ibeforem]

This is a book that almost defies description. All of the action takes place in the “bardo”, the space between life and death, between heaven and hell. Abraham Lincoln’s 11 year old son Willie has died, and the ghosts that live in the bardo want to make sure he moves on to heaven safely, while Willie just wants to go back to his father. In between scenes in the bardo, Saunders uses quotes from historical documents (real or imagined, I’m not sure) to set the scene of what’s happening in the “real” world.

The novel’s construction is unusual. The quotations can go on for quite a while, but I enjoyed and appreciated them and felt like they gave a real feeling of the political and familial atmosphere of the time. The scenes in the bardo can be difficult to follow at times — there are a lot of characters, and sometimes what’s happening is obvious, other times everything takes on a very surreal quality.

I had heard great things about the audiobook, so that’s how I tackled it. It took me some time to catch on to the structure and what was happening, but once I caught on to the rhythm I didn’t find it difficult to listen to.

This was a lovely yet heartbreaking novel, especially if you are a parent.

[MurderByDeath]

So, I was shopping Bloomsbury's annual end of financial year sale the other day, when I was suddenly possessed by someone who reads award winning literature; not wanting to waste the money spent on the book, I wanted to read it before the exorcism, so I cracked it open as soon as it arrived.  The ripping-off-the-bandaid method for personal growth.   Half-kidding aside, while I do generally use literary award short lists as guides of what not to buy, Lincoln in the Bardo has intrigued me for some time - from the descriptions, it came across as an adult version of Gaiman's The Graveyard Book, and while this sale was on it seemed as good a time as any to give it a try.   It turns out there is a lot in common with The Graveyard Book in terms of setting and characters, but it goes worlds beyond, too.  It's an odd book.  Written as something akin to witness testimony, only in present voice, and interspaced with historical quotes about the Lincoln administration and Willie Lincoln's death, each complete with proper citations, it's constructed in a way that is unique in my (admittedly limited) literary experience.   Upon Willie Lincoln's death and internment, Willie fails to move on as he should and a battle erupts in the graveyard over his eternal soul.  Saunders populates the graveyard cast with a wide and varied collection of souls, good and bad, all flawed, although Saunders seems to prefer a larger percentage of twisted and corrupted.  Perhaps this makes sense in the construct of the story's logic, but there were moments that teetered precariously towards gratuitous.    Is this story Man Booker worthy?  I wouldn't know, but it is brilliantly written; unique; startlingly creative.  Did I like it?  Yes, it was a compelling story; one I couldn't put down and read in two sittings.  Do I think it's the acme of the literary form?  No, but probably not far from it.  Did I find it flawless?  No. What was the reverend's fate?  Saunders invested an awful lot of intimate detail in the reverend to just leave his fate unexplained.  And I found the ending ... odd.  Abrupt.  In any other literary form, I'd say there's a sequel in the works.   LIncoln in the Bardo is in the purest sense, a ripping good story; one that just happened to win an Important Literary Prize, and that's why I'd recommend it - the prize, in this case is irrelevant.     Off now to that date with an exorcist... 

[Hillary]

I just want to point out that I am Profoundly Deaf since birth and received a Cochlear Ear Implant In my right year in 2016 and my left ear in 2017. So audiobooks are really REALLY new to me, and I use them to practice my listening mostly. My reviews are what I thought and felt while listening and sometimes I have trouble or can't understand a book and I will say so HOWEVER, this is to be taken into consideration that I am a recent implant recipient and it should in no way discourage you from trying out the audiobook! Often if I cant understand a book, I will seek out the print book, and that will probably be my “real” reaction to the story or information contained therein.



I hate to say it, but this is my first DNF of the year. I had heard great things about this, so I borrowed it from the library and when it finally was my turn a few days a go I dropped everything and eagerly listen to it and...I couldn't understand shit at first. Then I understood a word here and there, and finally, I understood some sentences, but I wasn't getting the story.

If it weren't for Goodreads, I would never have known what the story was. While other people liked the one million people on the audio production to a newly implanted Deaf person, it was mostly gibberish. It reminded me of being in a crowded room and trying to understand people not knowing who was going to speak next. That is never good.

I am sure if I could understand it I would have liked it. I still like the idea of the story, so I am in line for the ebook. I am number one million so maybe I will get to it this year. Crosses fingers

I hated to have to give up on this. I gave it two hours, and after that, I had to conclude defeat. Ah well... I guess I have my limits of what I  can understand with my implants. I just wished it was not on an audiobook that I was really REALLY looking forward to.This review was originally posted on Adventures in Never Never Land

[Michael @ Knowledge Lost]

George Saunders’ long awaited debut novel has been surrounded by hype, and winning the Man Booker prize only helped to launch this book. Saunders is probably best known for his short stories that often share a vibe similar to the television show Black Mirror. I even called his last collection Tenth of December “contemporary witty, with an element of darkness”. Even comparing it to two other great collections that were released about the same time, Black Vodka by Deborah Levy and Revenge by Yōko Ogawa. Lincoln in the Bardo tells the story of Abraham Lincoln in 1862. The Civil War has been raging for almost a year while the President’s eleven year old son lies in bed gravely ill. Despite the predictions of a full recovery, Willie dies and his body is laid to read in a Georgetown cemetery.

Blending historical data collected while researching this novel, George Saunders blends in a narrative of the afterlife and grief. While the title suggest that Willie Lincoln is in the bardo, the narrative seems to fit more with purgatory. In some schools of Buddhism, bardo is known as the state of existence between death and rebirth, while purgatory is a state of purification before heading to heaven. This distinction is interesting as the characters in this limbo often are unwilling to let go of their physical remains and complete their journey into the afterlife. These characters are often faced with deformities representative of their mortal failures. Saunders does consider himself a student of Nyingma Buddhism but my understanding of theology is primarily Christian, so I tend to interpret the writing with that thought in mind.

The other part of this novel is set around the President and his family as they grieve the loss of Willie. It is here we see a lot of the historical documentation come into play. This includes excerpts from newspapers and biographies. This serves to drive the narrative of grief but also highlights the inconsistencies found in history. What made this book so appealing was the confliction in Abraham Lincoln. While grieving the loss of his own son, he was still responsible for the loss of so many others because of the Civil War. While the American Civil war may have led to many good things, the effects of war were truly felt throughout Lincoln in the Bardo.

The novel is told through different speeches; a narrative that closely resembles a play. This is what makes the audiobook such an alluring option. The publisher put a lot of effort in producing, with a cast of 166 voice actors, including Nick Offerman, Megan Mullally, Julianne Moore, Don Cheadle, Rainn Wilson, Susan Sarandon and George Saunders. I was worried that between the narrative style and the large cast, this would be too much of a gimmick but I think Saunders and the audiobook production managed to never go overboard. However I can understand why this would not work for some readers.

The end result of Lincoln in the Bardo was a dark comedy, ghost story and while I was a little worried (because of all the hype) I am glad my book club made me read this novel. At the moment I prefer George Saunders’ short stories but I can only compare Lincoln in the Bardo with Tenth of December. It does make me curious to try CivilWarLand in Bad Decline or Pastoralia. I know in the future Saunders will continue to be surrounded by hype but I am still interested to see what is next for this author.

This review originally appeared on my blog; http://www.knowledgelost.org/book-reviews/genre/contemporary/lincoln-bardo-george-saunders/

[gmcgregor]

It's easier to cast a gauzy glow over figures that never faced the kind of constant examination that politicians today face. There was a lot of stuff going on in the White Houses of yore that even if it was known, wasn't published and dissected and scrutinized the way things are now. Like, for example, when Abraham Lincoln's 11 year-old son, Willie, died while he was in office during the Civil War. Mary Todd Lincoln had a breakdown, and Lincoln himself didn't cope well either. He went to the vault where his son's body was, at least once, and picked him up and held him. It was a demonstration of terrible, profound grief, and if it happened today can you imagine the tweets?

It is this situation, the heartbroken Lincoln going to see his dead son, that inspired lauded short-story writer George Saunders' first novel, Lincoln in the Bardo. The bardo is based on the Tibetan concept of a liminal state between life and death, fairly similar to the Catholic purgatory but without the connotations of having done something "wrong", and the Lincoln in question is not Abraham but Willie himself. It is his soul that comes to the bardo, where he encounters other spirits, those who have elected to stay. They don't believe themselves quite dead...they refer to their coffins as "sick-boxes" and are sure that they'll soon recover and get back to their lives as they knew them. But they all know that children aren't supposed to linger, they're supposed to move on. And Willie is more or less ready to do so when his father appears, to hold him and talk to him, and promises to come back. So now Willie, too, wants to stay.

There are three main ghosts/spirits/souls that take on the task of trying to figure out how to inspire Willie to move on: Hans, Roger, and Everly. Hans was an older shopkeeper who remarried after the death of his first wife. He waited to consumate his second marriage until his young and lovely bride was comfortable, and after months, she's finally ready to do so...and then Hans is struck violently in the head by a wayward beam. Roger was a young gay man who managed to find love in a time when that was difficult...only to get dumped and slit his wrists in despair. As he bled, he realized how beautiful the world was and how much he wanted to live. And then there's Everly, a former reverend who lived righteously but is too afraid of heavenly judgment to go. They try everything, including communing with the President, to get Willie going where he needs to go.

This is a very odd novel. It's mostly structured like a play...dialogue is followed by a notation of the speaker's name. Then there are occasional sections where Saunders excerpts nonfiction historical sources to describe various aspects of the situation at hand: the party the Lincolns hosted at the White House the night Willie lay dying, what Lincoln actually looked like, what Willie was like, the day of the funeral. There's no traditional "narrative" at all. I'll admit that this made it a bit of a struggle to get into...I don't usually especially enjoy reading plays, and there's not a lot of information provided about what's going on and who the various characters are right off the bat. But my reluctance to put down books before I've finished them paid off here, because once I got into the flow of it, I found the back half quite strong and the ending unexpectedly powerful.

I've never read any of Saunders' short stories, but I'm excited to do so in the future because the sheer inventiveness of this novel is delightful. As someone who loves The Divine Comedy, I enjoyed his take on Dante's technique of contrapasso, giving the spirits physical manifestations matching the reason they won't leave the bardo. Although it won the Booker Prize for its release year (which was awarded the day after I finished reading it!), this is a novel destined to be divisive and one that I'd therefore hesitate recommending widely even though I personally enjoyed it. If you're looking for a straightforward form or narrative, or something more traditionally "historical fiction", this isn't for you. But if you're interested in a more unusual reading experience that challenges you to read in a different way, I'd encourage you to at least give it a try!

[elvinagb]

I really loved this audio version and look forward to reading the print format.