The Golden Gate: 'Historical detective noir at its best' Janice Hallett

by Amy Chua

SHORTLISTED FOR MYSTERY WRITERS OF AMERICA BEST FIRST NOVEL EDGAR 2024

SHORTLISTED FOR THE CRIME WRITERS' ASSOCIATION ILP JOHN CREASEY (NEW BLOOD) DAGGER 2024

SHORTLISED FOR THE ITW THRILLER AWARDS BEST FIRST NOVEL 2024

SHORTLISTED FOR THE HISTORICAL WRITERS' ASSOCIATION DEBUT CROWN 2024

'An epic, devastating, majestic mystery. Clever, richly imagined and outright thrilling' Chris Whitaker

Berkeley, California 1944: A former presidential candidate is assassinated in one of the rooms at the opulent Claremont Hotel. A rich industrialist, Walter Wilkinson could have been targeted by any number of adversaries. But Detective Al Sullivan's investigation brings up the spectre of another tragedy at the Claremont ten years earlier: the death of seven-year-old Iris Stafford, a member of the wealthy and influential Bainbridge family. Some say she haunts the Claremont still.

The many threads of the case keep leading Sullivan back to the three remaining Bainbridge heiresses, now adults: Iris's sister, Isabella, and her cousins Cassie and Nicole. Determined not to let anything distract him from the truth - not the powerful influence of Bainbridges' grandmother, or the political aspirations of Berkeley's district attorney, or the interest of Chinese first lady Madame Chiang Kai-Shek - Sullivan follows his investigation to its devastating conclusion.

Chua's page-turning debut brings to life a historical era rife with turbulent social forces and ground-breaking forensic advances, when access to power, and therefore justice, hinged on gender, race and class.

'Riveting' Daily Mail
'Intriguing' Sunday Times
'Vividly intoxicating' Janice Hallett

• ISBN10: 1838959505
• ISBN13: 9781838959500
• Publish Date: 21 September 2023 (first published 19 September 2023)
• Publish Status: Active
• Publish Country: GB
• Publisher: Atlantic Books
• Imprint: Corvus
• Edition: Main
• Format: eBook (EPUB)
• Language: English

Reviews

[Jeff Sexton]

More Noir Than Thriller. This is a *great* detective story set in pre-D-Day 1944 San Francisco that truly reads as more of a noir than an actual thriller. There is quite a bit of mystery and intrigue, but very few murders or even action sequences and really a rather lot of mind games and misdirection. So while it has bone-chilling moments, I really wouldn't market this thing as a "thriller". Beyond that, though, truly a superb book that combines history that many likely didn't know (I know *I* didn't, and American History is one of my stronger non-degree-oriented knowledge sets) with a *just* real enough story that you could believe it could have actually happened, if you were not 100% aware as you're reading it that it is, in fact, historical fiction. Thus, it actually ranks as one of the *stronger* historical fiction tales around - and particularly noteworthy for a debut (in fiction anyway) author. While there is an element of "white guy bad" here, there is also a crucial *good* white guy, which brings enough of a balance to avoid any allegations of *blatant* racism, even as both the story itself and the author's note at the back reveal that there is quite a bit of anti-white animus animating the story. But as this is primarily a story of non-white characters and their struggles during the Japanese Internment Camp era of US History, along with a dose of international intrigue with the addition of several more non-white characters from another prominent region outside of the US but significant during the era (and since), it isn't so truly blatant or pervasive as to really mar the story at all. Indeed, it is only after finishing the book, and particularly while reading the author's note, that the anti-white sentiment is *really* noticeable. So yet again, kudos for hiding in plain site with that one. Overall, this is truly a rather strong (fiction) debut, and it will be interesting to see what the author can do in this space with any sophomore effort. Very much recommended.

[chymerra]

Detective Al Sullivan is at the elegant and luxurious Claremont Hotel when one of the staff informs him that one of the guests, a former presidential candidate, Walter Wilkinson, has been the target of an assassination attempt. Moving his room and posting police outside, Al heads home, only to be called back because Wilkinson has been killed. While investigating that murder, Al finds links to another death ten years earlier—Iris Stafford, the granddaughter of the hotel owner. He also finds ties to a local Communist party and an underground railroad hiding Japanese citizens from internment. How does everything fit together? Who killed Walter and why? The answers he uncovers could send a ripple effect across Berkely.

Before I get into the review, I want to let you know there are trigger warnings. They are racism (explicit and on page), bigotry (explicit and on page), poverty (explicit and on page), mental illness (on and off page), and child abandonment (on page).

I love reading good historical fiction. I also like reading mysteries and books in the World War 2 era. So, when St. Martin’s Press sent me the widget, I decided to download the book after I read the blurb. I was curious how the author would meld everything together and keep my attention.

There are two storylines that The Golden Gate is centered around. I liked how the author intertwined these storylines. She did so gradually by letting hints about Iris’s death appear in the investigation of Walter’s murder. By the end of the book, both storylines are entangled together.

The storyline centering around Iris and her death was heartbreaking. From flashbacks to the written testimony of Mrs. Bainbridge, you get to see how Iris’s life was up to her death. The author also showed how Iris’s death affected everyone around her. But the author did something clever. She held off telling exactly how Iris died until the end of the book. And you know, even then, I doubted whether her death was an accident or not. The confession at the end of the book, tied to Walter’s murder, didn’t sit right with me.

The storyline centering around Al and his investigation into Walter’s murder was a ride. The twisty plotline made me guess who could have killed him. Every so often, I forget that this book was set in 1944, so when Al just entered a house to get information or threatened a Hispanic worker with deportation and taking her kids, I was shocked. But, it did go right with how things were in that era. I did like that Al wouldn’t let go of this case and kept looking for a motive. As I mentioned above, this was a very twisty plotline, and the author didn’t give up the murderer until the very end of the book.

I liked Al and felt terrible that he had to hide the fact that he was mixed race (Mexican and white). But, in that era, you couldn’t get ahead in life if you were anything but lily-white. So, he did what he thought was right. That meant changing his last name to his mother’s maiden name and passing himself as white. What I also liked about Al is that he is flawed. He said and did things in the book that he regretted later on (the scene where he told Miriam he wasn’t her father broke my heart). He was also a good detective and determined to solve Walter’s murder and Iris’s death. By the end of the book, I felt that Al had matured. He was steps closer to accepting who he was. He also did something that I didn’t see coming.

The secondary characters truly made this book pop. From accurate historical figures (and the author has a very cool connection to one of them) to fiction, they added depth to this book.

The historical fiction angle was terrific. You could tell that the author did her research. I could picture myself standing among these people and not having an issue believing what she wrote.

The mystery angle was just as good as the historical fiction angle. The author did something that happens next to never: she stumped me on Iris’s death and Walter’s murder. Not only was it not who I thought it was, but it ended up being the last person I would have expected. I loved it. I was a little disappointed that Walter’s murderer wouldn’t face justice.

The end of The Golden Gate was terrific. The author brought together Iris’s death and Walter’s murder (see what I wrote above). I liked how she ended it with something very positive. But how she ended made me wonder if another book might be written in this universe. If so, I would love to read it. Also, the afterword was wonderful and detailed all the research she put into the book.

I would recommend The Golden Gate to anyone over 16. There is language, violence, and very mild sexual situations. Also see my trigger warnings above.

Many thanks to St. Martin’s Press, Minotaur Books, NetGalley, and Amy Chua for allowing me to read and review this ARC of The Golden Gate. All opinions stated in this review are mine.