Amber (The Literary Phoenix)
Written on Feb 17, 2020
I am typically a fast reader, but whenever I’m reading Fforde, I have to take things slowly. If I read at my normal pace, I miss the subtleties in his naming and his clever turns of phrase. Names are rarely just names – they are often mildly disguised puns intended to be revealed as the reader stumbles into them again and again. In that way, his writing can seem a bit cheesy. It’s not for everyone, but I enjoy it.
As for the story itself, The Big Over Easy asks: who killed Humpty Dumpty? As expected, dear Mr. Dumpty sits on a wall and, as is easily predicted, has a great fall. Jack Spratt is tasked with ruling whether or not it is a suicide or a murder, and he’s faced with numerous twists and obstacles. His division (the Nursery Crime Division) is being shut down, a famous relic is coming through town, his old career nemesis is trying to scoop him, and his daughter is suddenly engaged to a Titan. While not all of these things are out of the norm for Jack, they are still stressful. There’s a lot of time in the book spent interviewing various suspects, with a few casual asides to Jack’s home life (which, while entertaining, were not altogether useful to the story). The story feels like a regular cop show, and not as noir as I personally hoped. There are quite a few twists, both of the expected and unexpected variety.
Here’s the thing with Jasper Fforde and his twists – you simply must accept them. As with his Thursday Next series, whatever is least likely is probably what happened, and the more outlandish the explanation, the better. For many other writers, this would result in an eye roll and shoving the book aside… but Fforde? Somehow, he pulls it all off and does it brilliantly. So if you read this book and guess the final twist, you’ve earned a cookie. I was way off.
The characters were not very interesting. While I felt like I got to know a couple of them a little bit, I never really felt like anyone stood out. For me, this is a general complaint about Fforde. Each character is given a history and quirks, but I’ve never had an emotional reaction to any of them? This isn’t to say they’re poorly written, just that stylistically, character isn’t the most important thing here and it shows.
Pacing is what got me the most, and that was in part because of the excessive dialogue and witty comments – I was unable to immerse myself fully. In addition to this, I was reading more slowly than I like to, and as such, made slower progress. For whatever complaints I may have though, I can’t deny that Jasper Fforde is in a field of his own. He defies genres and utterly messes with my rating system because I thought this book was fantastic as a whole… it’s just the individual pieces I didn’t love? But when you mix them all together and add his voice, it’s a brilliantly fun story and I’m here for the next one.
