tylerrosereads
Written on Jan 24, 2016
Sticks and stones break bones.
Words kill.
They recruited Emily from the streets. They said it was because she's good with words.They'll live to regret it.
Wil survived something he shouldn't have. But he doesn't remember it.
Now they're after him and he doesn't know why.
There's a word, they say. It shouldn't have got out. But it did.
And they want it back...
Find out why in one of the most mind-bending, page-turning, thrilling novels you'll ever read.
*Winner of the Aurealis Award for science fiction and GoodReads Choice Awards finalist for best science fiction*
- ISBN10 1594205388
- ISBN13 9781594205385
- Publish Date 18 June 2013
- Publish Status Out of Stock
- Publish Country US
- Imprint Penguin Press
- Format Hardcover
- Pages 390
- Language English
Reviews
Rinn
Written on May 20, 2014
I’ve received quite a few books from the wonderful Hodderscape recently, and I’m working my way through the pile. I started off with this particular book – and what a way to start!
The reader is immediately thrown into the action, with a scene where one of the two protagonists, Wil, is at the airport and gets waylaid by two strange men. They drug him, and he manages to make a run for it, but his sense of confusion and the frantic feeling of needing to get away now is so well conveyed. It doesn’t hold back on the swearing or coarse language, and you know from the get-go that these guys mean business. I found myself whizzing through the pages, needing to know what their motive was, and why they were targeting Wil in particular.
Well as it turns out, words are power. People who are trained in the use of words are known as ‘Poets’ (they use pseudonyms when working, the names of famous poets), and can use them to convince, coerce and control others. It’s not quite as simple as it sounds though: any old words won’t work on everyone. As well as digging into linguistics, the book explores psychology, in that everyone’s personality represents a different ‘segment’, of which there are over two hundred. To control someone, you need to work out which segment they are, and then use the appropriate words. And on top of this, the words need to be of their language to have the greatest effect, e.g. using English words on a French person would not be as successful as using French. However, there are a few words, know as ‘barewords’, which can affect anyone, and they are also incredibly powerful. Wil has a link to one of these ‘barewords’, which is why he is being hunted. I liked that Max Barry included all of these rules, it meant that although Poets had great power, there was some sort of restraint.
There is also a bit of a 1984 vibe in the book: the government and many companies record personal information (lots of excuses are given for reasons why they need to record various personal things e.g. terrorist attacks), which is then processed by Poets, allowing them to sort the population into segments. The information is then used (or rather, abused) by lots of people, including political parties who may go canvassing, and change their stance depending on who they are talking to. Most of this information was revealed in between chapters, through newspaper articles, emails, IM chats and forums. It felt a little set back from the main story, sort of added in to keep the reader informed. It was nice to have this background information, but I felt it might have worked a little better if it was somehow more integrated into the story.
My favourite chapters of the book were the ones that followed Emily. When the reader first meets her, she is a sixteen year old runaway, living on the streets and getting by on card and slight of hand tricks. She is approached by someone from the ‘Academy’ (the school where the Poets are trained) and is given a chance to improve her life. One of the entrance tests for the Academy includes trying to persuade people in the street to cross the road and talk to her – this was possibly one of my favourite scenes, just for its sense of humour, although one of Emily’s ‘methods’ seemed a bit ludicrous for a sixteen year old! I particularly enjoyed her chapters because they were generally the ones where the power of words was explored; as Emily learnt about the Poets and their power, so did the reader.
I’m not sure if it wasn’t too clear to begin with, or if I was just being slow on the uptake, but the stories of Wil and Emily are actually on two slightly different timelines. I was unsure at how they were going to weave together, but as I read more of the book the cogs started fitting into place and I loved trying to predict what was going to happen next.
I am so grateful that I was sent this book – I’d not heard of it before I received it, and I’ve not seen it on many other blogs or Goodreads, so it might have missed my attention otherwise! It is a wonderfully unique concept, and although some parts of the story (mostly Wil’s) were a little too slow moving, I devoured it in a matter of days. A definite recommendation for fans of cerebral thrillers, or people interested in linguistics and psychology.
SilverThistle
Written on Aug 25, 2013
Words are powerful, we all know that but in this book powerful words take on a whole new meaning. It's really hard to say why or how I liked this without giving huge plot spoilers but I'd hate to ruin such a terrific book for any new readers so I won't go there. What I can say though, is that I urge everyone to at least give this one a whirl and try it out. It's really hard to pinpoint a genre as I've not come across anything like it before but 'Thriller' probably comes closest...maybe...I think. It's sooo much more though. This would definitely make a fantastic movie and I'd go to see it in a heartbeat! Try not to read any spoilers for this before you go into it as I think it was the complete mystery surrounding everything that made it so exciting for me. I enjoyed it so much more not knowing what was coming next as I hurtled at breakneck speed though it. It's better to find out what's going on as the characters find out.
LOVED IT!!
Note: I received a free copy of this title from the publisher.
Michael @ Knowledge Lost
Written on Jul 15, 2013
I’ve been meaning to read a Max Barry novel for a while now; they all seem to be corporate or in the case of Jennifer Government marketing satires but never got around to trying them. Then Lexicon was released and it seems to tick a few of my boxes to make me sit up and take notice of it. While this has been getting a bit of buzz in America (well done fellow Australian, Max Barry) I just knew I had to read this one. I wasn’t trying to jump on the bandwagon it just seemed like my type of book and I had an opportunity to read it, so I took it.
While this is obviously a fast paced thriller (as I think most of Barry’s books) I can see where the idea a satire comes into play with his works. In Lexicon we look at modern ideas on privacy, identity and information and using an old idea that language is power we can see how Max Barry is toying with the idea that all those things we hold sacred can be manipulated and lost. This is where the corporate satire comes into play; even in Lexicon, privacy, identity and data-collection are all important and need to be protected and Barry plays with the readers fears to suck them into his thrilling world.
Not only is this a thrilling and addictive read, I really enjoy the way the two different stories are weaved together. You get the story of Emily as she discovers this secret society and learns to coerce through the power of language and then you get the other plot thread and discover what happened in Broken Hill. I love the way this was done and it’s nothing new but it worked really well for a book like this one.
The problem with reviewing a book like Lexicon is there are so many things I want to say about the book but I think anything I do say will possibly be a spoiler. Max Barry really knows how to mix satire into a thriller and produce an altogether addictive read. I hate to do this normally but in an effort to give people an idea what this novel is like; Rebecca Schinsky (from Bookriot) says this about the Lexicon;
“Imagine X-Men plus The Magicians with a side of Nick Harkaway”
Which is a good way to describe the book; the X-Men idea really works as a way to describe the training facility disguised as an exclusive school that Emily is training at. I’ve not read The Magicians but it’s been on my TBR for a while but I tend to avoid fantasy that but I love the Nick Harkaway shout out. Angelmaker was my favourite book of 2012, it is also an addictive thriller with some literary merit and I think this is definitely the case with Lexicon. I know this seems like a glowing review, I did really enjoy it and highly recommend it but it does have flaws but honestly I didn’t care, I was immersed and wanted to know what happens next.
This review originally appeared on my blog; http://literary-exploration.com/2013/08/12/book-review-lexicon/
Kelly
Written on Jul 6, 2013
Lexicon was a thrilling, mind altering novel that will leave you wondering what the hell were you thinking? It strangely embeds itself into your subconscious and leaves you feeling tired and on the verge of tears. But it was mind blowing. It honestly gave me a headache and I felt like I had sat through a three day long interrogation. I'm questioning if there were some form of subliminal messaging between the lines that I failed to notice, that could be one way to explain the feeling of mental violation.
Lexicon is an intellectual investment, it nearly drove me insane...
And that's a feeling I could become accustomed to.