Mildred Pierce (Crime masterworks, #27) (Wisconsin/Warner Brothers Screenplays S.)

by James M. Cain

Joan Crawford forged a new and successful screen image in this powerful women's "noir" film; winning her an Academy Award for best actress.
Albert J. LaValley's through and insightful guide to "Mildred Pierce" at once tells us much about the making of this complex film, the problems and process of transferring the story to the screen, the specific and important roles of the producer, director, and set designer, and how the film relates to broad trends within the industry. It is without a doubt the most thorough treatment of this important American motion picture.

• ISBN10: 1299033636
• ISBN13: 9781299033634
• Publish Date: 1 January 2010 (first published 12 April 1978)
• Publish Status: Active
• Out of Print: 11 March 2015
• Publish Country: US
• Imprint: Vintage
• Format: eBook
• Language: English

Reviews

[gmcgregor]

Before I picked up James M. Cain's Mildred Pierce, I'd already seen the Joan Crawford movie version. Which meant I knew the general idea of the plot, but this isn't the kind of story that's "ruined" if you know how it goes. It tells the story of the titular character, a wife and mother of two during the Depression era. Before the crash, her husband had supported his family through investment income, but is too proud to work for a living when that's no longer an option. He's decided to perk up his spirits by having an affair, and Mildred kicks him out of the house pretty much right off the bat. Desperate to keep the roof over her and her daughters' heads, she tries to figure out how to make money. Her side business selling cakes and pies isn't enough, and so even though she tries to find a white collar position, she finally has no choice but waitressing.

She's embarrassed to be forced into this service role...not just because it's hard for her personally, but because she's afraid of what her daughter Veda will think. The older of the girls, Veda is spoiled and selfish and snobby, and Mildred is completely devoted to her. Eventually, Mildred's hard work and a bit of luck lead her to open her own restaurant and attract the attentions of handsome socialite Monte, which Veda loves because his social connections open up an entire world of wealth to the now-aspiring musician. But Monte's fortunes fall, and soon he's taking Mildred's money but making no moves toward marriage. So she leaves him, but before long her relationship with Veda flounders. So Mildred and Monte renew their romance, though this leads to the ruin of everything Mildred holds dear.

The movie, to me, was in some respects more successful than the book. Some plot lines were cut and some were significantly changed to comply with the Code. In the book, Mildred's obsession with her daughter reads as almost romantic, which both explains why she clings to her so hard but honestly is also creepy. Mildred onscreen comes off as doormat-y as Joan Crawford was capable of being, but in the book she's got more moxie. Her rise also feels more organic, as it develops more slowly, and therefore all the more hard to read about as it starts to crumble underneath her. Cain created a great character in Mildred...she's clearly fundamentally good but not without flaws, with the kind of scrappiness that makes her easy to root for.

The characters around her, though, are flat: Veda's just a bitch with nothing redeeming about her, Monte's obvious trash, her business partner is totally shady. The plot hinges on Mildred's love for Veda, and although I've known of plenty of parents of brats that think they're just misunderstood geniuses, that she would so consistently overlook her daughter's harshness (especially when she's clearly capable of knowing when to push people away) strains the bounds of credulity. It's not a question of whether Mildred is going to destroy herself for her daughter's sake, but when and how. Cain's writing isn't particularly smooth or insightful, either. It's not a bad book or a waste of time, but it's not good enough that I'd affirmatively recommend it. If you like domestic dramas or want to read the source material of a story that's been adapted twice (there's also the Kate Winslet miniseries from several years back), it's worth a read. Otherwise, skippable.

[Michael @ Knowledge Lost]

With a HBO miniseries of Mildred Peirce (Staring Kate Winslet, Guy Pearce & Evan Rachel Wood) coming up soon; I thought I needed to read this James M. Cain classic. The story of Mildred Pierce follows the titular mother who, during the Great Depression finds herself separated from her husband, opening a restaurant of her own, and falling in love with a new man, all the while trying to earn her daughter's love and respect.

Sounds like a nice little story, right? Wrong; James M. Cain brings his famous noir style (found in his other books like The Postman Always Rings Twice & Double Indemnity) and adds this to what could be considered a standard ‘coming-of-age’ format. Trying to earn the respect of a daughter may be hard enough, but this teenage girl is the most stuck-up, pain-in-the-ass bitch I’ve even seen on paper. Veda almost reminds me of Mrs. Danvers from [b:Rebecca|12873|Rebecca|Daphne du Maurier|http://photo.goodreads.com/books/1298414903s/12873.jpg|46663] with her sinister actions. This is defiantly a unique story and the noir feel to it, makes it even more enjoyable.