Motherless Brooklyn

by Jonathan Lethem

Winner of the National Book Critics Circle Award.

A compelling and complusively readable riff on the classic detective novel from America's most inventive novelist. 

Brooklyn's very own self-appointed Human Freakshow, Lionel Essrog is an orphan whose Tourettic impulses drive him to bark, count, and rip apart our language in startling and original ways. Together with three veterans of the St. Vincent's Home for Boys, he works for small-time mobster Frank Minna's limo service cum detective agency. Life without Frank Minna, the charismatic King of Brooklyn, would be unimaginable, so who cares if the tasks he sets them are, well, not exactly legal. But when Frank is fatally stabbed, one of Lionel's colleagues lands in jail, the other two vie for his position, and the victim's widow skips town. Lionel's world is suddenly topsy-turvy, and this outcast who has trouble even conversing attempts to untangle the threads of the case while trying to keep the words straight in his head. Motherless Brooklyn is a brilliantly original, captivating homage to the classic detective novel by one of the most acclaimed writers of his generation.

A New York Times Notable Book.

• ISBN10: 0385491832
• ISBN13: 9780385491839
• Publish Date: 14 September 1999
• Publish Status: Out of Print
• Out of Print: 1 July 2021
• Publish Country: US
• Imprint: Bantam Doubleday Dell Publishing Group
• Format: Hardcover
• Pages: 311
• Language: English

Reviews

[gmcgregor]

This subversive take on a noir detective story fell completely and totally flat for me. Part of it, I think, is due to my own lack of depth in the mystery/detective genre (the enjoyment in watching tropes get undermined is best enjoyed when you're already familiar with the tropes), but part of it was just that I didn't think it was very good.

The story centers on Lionel Essrog, one of four men who grew up in an orphanage taken under the wing of Frank Minna, a small-time gangster in (pre-gentrification) Brooklyn. Despite the criminal acts into which Frank draws him beginning when he's just a teenager, Lionel is deeply loyal to Frank, one of the only people who has ever shown compassion for and understanding of his severe case of Tourette's Syndrome. When Frank is murdered at the beginning of the book, Lionel puts all his sleuthing skills to work to find the killer: could it be Frank's mysterious wife, Julia? Could it be "the clients", the old Italians who dole out tasks to the team? Could it even be another member of the team looking to create a leadership vacancy? And how does the Zen Buddhist center where Frank was last seen alive tie into everything, if it does at all?

I'll start with the positive. Even with a relatively limited reference point for the cliches of noir, I could understand the way that Lethem was playing with them: the silent, repressed detective hero is completely turned on its head with Lionel's Tourette's making him fidgety and unable to keep quiet. The femme fetale, Frank's wife Julia, instead of tempting Lionel with her sensuality, reveals she's slept with every member of the team besides him and doesn't intend to change that. Lionel at one point gets bounced from a Buddhist meditation session by obvious criminals and no one lifts a finger to stop it because they're too absorbed in their practice. It's over the top and ridiculous in a way that's clever and meant to be funny.

But for me, all of that humor failed to land. I didn't get involved at all in the story because I didn't care for a second about any of the characters. I couldn't have cared less who killed Frank or even Lionel's journey, because Lethem didn't bother to write Lionel (or anyone else) as remotely compelling. The entire book felt like an exercise in intellectual masturbation, in which Lethem decided he wanted to engage in wordplay and wrote the Tourette's into the story to give him the opportunity to do so. After a while I found myself skimming virtually all of the dialogue because it got tiresome to read. And don't even get me started on the sex scene, one of the most cringeworthy ones I've ever read and that I dearly wish I could un-read so as to never think of again. Y'all, I hated this and I recommend avoiding it at all costs.

[Michael @ Knowledge Lost]

Frank Minna is a neighbourhood owner of a seedy detective agency, or he was until he was found stabbed to death. Lionel, along with Tony, Danny and Gilbert worked for Frank and were often collectively known as Minna Men. The group grow up together in St. Vincent’s Home for Boys and owe a lot to this small time mobster turned private eye. Lionel is determined to find out what happened by Frank.

This is my first Jonathan Lethem novel and I have been keen to read him for a long time. What I heard about Lethem is his ability to combine genre fiction and explore themes in an interesting way. Motherless Brooklyn does just this; under the vial of a hard-boiled detective novel, this also is a coming of age story as well as exploring life with Tourette’s syndrome. Lionel Essrog has lived with Tourette’s for his entire life, manifesting in physical and vocal tics. He is often referred to as Brooklyn’s human freakshow, which only begins to cover the reactions people to have Lionel’s disorder.

I have to admit I knew very little about Tourette’s syndrome going into this novel, I knew the effects but I did not fully grasp what was going through mind of someone living with the disorder. One of the things I love most about reading fiction is learning about the lives of people living in different cultures or living a different life than my own. Motherless Brooklyn allowed me to explore life living with Tourette, it was an eye opening novel.

On the surface Motherless Brooklyn is a pretty simple hard-boiled detective novel, but exploring growing up as an orphan in an all-boys home with Tourette’s makes this novel great. Jonathan Lethem is a brilliant writer; he takes a typical genre plot and explores just how complex the story can be. I believe The Fortress of Solitude does this with comic books (similar to The Adventures of Kavalier & Clay), Gun, With Occasional Music with science fiction and Chronic City with drug culture. I have not read these books, so I might be wrong; either way I am keen to check them out.

I am so glad to have finally picked up a Jonathan Lethem book and Motherless Brooklyn was the perfect starting point. I wanted to stay in this world for as long as possible, and I ended up slowing down on my reading. I have since discovered to joys of reading slowly with The Valley of the Dolls, but Motherless Brooklyn may have been my starting point. I have no idea which Lethem book to read next, I might have to try to get to all of them. Motherless Brooklyn was a great book and I loved that it was set in a hard-boiled setting. The combination between the genre style and understanding Tourette’s worked really well for this novel; highly recommend Motherless Brooklyn to everyone.

This review originally appeared on my blog; http://www.knowledgelost.org/book-reviews/genre/mystery/motherless-brooklyn-by-jonathan-lethem/