Innocent Traitor: A Novel of Lady Jane Grey

by Alison Weir

I am now a condemned traitor . . . I am to die when I have hardly begun to live.

Historical expertise marries page-turning fiction in Alison Weir’s enthralling debut novel, breathing new life into one of the most significant and tumultuous periods of the English monarchy. It is the story of Lady Jane Grey–“the Nine Days’ Queen”–a fifteen-year-old girl who unwittingly finds herself at the center of the religious and civil unrest that nearly toppled the fabled House of Tudor during the sixteenth century.

The child of a scheming father and a ruthless mother, for whom she is merely a pawn in a dynastic game with the highest stakes, Jane Grey was born during the harrowingly turbulent period between Anne Boleyn’s beheading and the demise of Jane’s infamous great-uncle, King Henry VIII. With the premature passing of Jane’s adolescent cousin, and Henry’s successor, King Edward VI, comes a struggle for supremacy fueled by political machinations and lethal religious fervor.

Unabashedly honest and exceptionally intelligent, Jane possesses a sound strength of character beyond her years that equips her to weather the vicious storm. And though she has no ambitions to rule, preferring to immerse herself in books and religious studies, she is forced to accept the crown, and by so doing sets off a firestorm of intrigue, betrayal, and tragedy.

Alison Weir uses her unmatched skills as a historian to enliven the many dynamic characters of this majestic drama. Along with Lady Jane Grey, Weir vividly renders her devious parents; her much-loved nanny; the benevolent Queen Katherine Parr; Jane’s ambitious cousins; the Catholic “Bloody” Mary, who will stop at nothing to seize the throne; and the protestant and future queen Elizabeth. Readers venture inside royal drawing rooms and bedchambers to witness the power-grabbing that swirls around Lady Jane Grey from the day of her birth to her unbearably poignant death. Innocent Traitor paints a complete and compelling portrait of this captivating young woman, a faithful servant of God whose short reign and brief life would make her a legend.

“An impressive debut. Weir shows skill at plotting and maintaining tension, and she is clearly going to be a major player in the . . . historical fiction game.”
–The Independent

“Alison Weir is one of our greatest popular historians. In her first work of fiction . . . Weir manages her heroine’s voice brilliantly, respecting the past’s distance while conjuring a dignified and fiercely modern spirit.”
–London Daily Mail

• ISBN10: 0345495349
• ISBN13: 9780345495341
• Publish Date: 6 November 2007 (first published 6 April 2006)
• Publish Status: Active
• Publish Country: US
• Publisher: Random House USA Inc
• Imprint: Ballantine Books Inc.
• Format: Paperback (US Trade)
• Pages: 432
• Language: English
• URL: https://penguinrandomhouse.com/books/isbn/9780345495341

Reviews

[gmcgregor]

Cultural definitions of adulthood have shifted and changed over time. A couple hundred years ago, teenagers who are high school students now would have been considered perfectly old enough to have jobs and be starting families. Noble children in the late Middle Ages/early Renaissance, especially, were placed in a double bind: from the time they were old enough to appear in public, they were dressed as and expected to behave like tiny adults, but they were simultaneously completely at the mercy of their parents. Historian Alison Weir's first fictional novel, Innocent Traitor, illustrates the way this played out, by looking at the life of Lady Jane Grey. Known as the "Nine-Day Queen" when she's remembered at all, she was briefly crowned after the death of Edward VI, the son of Henry VIII. She was deposed quickly by Mary I and less than a year later, she was executed.

Weir tells Jane's story from several perspectives: her mother's, her cousins', her governess', and of course, her own, throughout her 19 year life. Weir depicts Jane's parents, Henry and Frances (herself the niece of King Henry VIII), as grasping social climbers deeply disappointed in Jane's gender. The couple are Protestants who raise their daughter (and later, her younger sisters) to follow in their religious footsteps. They are harsh parents, even by the standards of their time, but Jane herself grows into a quiet, obedient, and devout teenager (she is given a top-quality education and has the love of a devoted caretaker, Mrs. Ellen, which certainly helps). While it is hoped that she'll be considered a suitable bride for her cousin Edward VI, she is eventually married off to Guildford Dudley to form a political alliance. When the king finally succumbs to tuberculosis, her family, as well as her husband's and their allies, proclaim her queen on the grounds that Edward's sisters are bastards and therefore ineligible to inherit...and also to ensure that a Protestant monarch takes the throne rather than the rabidly Catholic Mary. When Mary musters troops, Jane is rapidly deposed and imprisoned. While Mary is initially inclined to show mercy, she eventually realizes that Jane makes too attractive a figurehead for Protestant foes and has her beheaded.

I love Alison Weir's histories...she has a light, lively touch with her subjects, creating a real sense of the person behind the recorded deeds. So I had high hopes for her fictional debut. But those hopes were disappointed. It's honestly not very good. Her characters are, for the most part, very one-dimensional: Jane and Mrs. Ellen are good, her parents and husband are bad. I found it jarringly anachronistic that Jane's wedding night rape is conceived as such by her...is "rape" even a word that would have been in common use then for someone of Jane's class? Especially to describe nonconsensual-but-within-wedlock sex (which was perfectly legal in many states in the US well into the 1900s)? Weir does not handle her multiple perspectives with particular skill and it often feels like just when you're getting into the groove of one character that it shifts to another.

Weir clearly feels a great deal of sympathy for her subject, and paints a picture of a life that seems cruelly harsh to a modern eye: abused and manipulated and finally killed. But from my own reading, it seems different more in degree than in kind for noble childhoods of the era: distant, uninvolved parents who expected their offspring to be seen and not heard and made plans for their future in order to create or cement alliances with other families. Jane's short life is certainly a tragedy and her father's continued scheming around her even after her imprisonment, without seeming consideration about putting her life in very real danger, certainly evinced an unusually high level of disregard for his child. But the book creates no real tension or interest in the interplay between characters...it's just waiting for the historical events to play out as you know they will. I think some of these issues are simply mistakes by a rookie novelist, but I can't affirmatively recommend this book.

[elysium]

Jane Grey’s parents desperately wanted a son and Jane was a disappointment from the start to her parents and her mother, Frances, was very strict to her. As Jane grows she goes to live with Queen Katherine Parr and finally finds some happiness in her life. But the queen’s death changes everything and once again Jane finds herself to be a pawn in her parents hands.

This was my second fiction book I’ve read from Weir and I remember liking the book about Elizabeth more. I found Jane to be extremely boring and too self-righteous. She spent lot of time just whining and judging other people.

One of the problems was that there was way too many POV’s. There was like 9 POV’s and the good thing was that it was clearly stated who’s chapter it was. I understand the need of shifting viewpoints but enough is enough. Some people like Jane Seymour had just one chapter and I didn’t see point of it.

Jane’s mother Frances was showed to be overly strict mother who punished Jane for even the smallest things. I’m sure there was other strict families so I don’t see the point of hammering this detail so thoroughly.

And who doesn’t love to learn new words like “zounds”. You know, the words you can use in everyday life? Especially when the book is written in so modern day style words like zounds just fits naturally there...

I’m thinking I should stick with her non-fiction books from now on. But I do have her book on Eleanor of Aquitaine in here somewhere...

[ladygrey]

Perhaps it is too focused on the plot to draw us into the characters or perhaps it was the jumps between narrators, but I never connected emotionally to anything. Even the central figure of Lady Jane Grey came to life, but I didn't care that much. As such, there was nothing wonderful nor terrible despite a plot filled with clashing intrigues of the powerful and noble.
I feel like I could have read the Wikipedia article, learned just as much in less time, and be equally satisfied.