The Informers

by Bret Easton Ellis

‘A writer at the peak of his powers . . . The book takes us from the first to the seventh circles of hell, from Salinger to de Sade’ - Will Self

The Informers is a collection of short stories with intertwining characters, from the author of American Psycho and Less Than Zero, Bret Easton Ellis.

Their voices enfold us as seamlessly as those of DJs heard over a car radio. The characters go to the same schools. They eat at the same restaurants. They have sex with the same boys and girls. They buy from the same dealers.

Fusing voices into an intense, impressionistic narrative that blurs genders, generations and even identities, these stories capture the lives of a group of people, connected in the way only people in L.A. can be – suffering from nothing less than the death of the soul.

• ISBN10: 033053632X
• ISBN13: 9780330536325
• Publish Date: 1 April 2011 (first published 26 July 1994)
• Publish Status: Active
• Out of Print: 5 March 2024
• Publish Country: GB
• Publisher: Pan Macmillan
• Imprint: Picador
• Format: Paperback (B-Format (198x129 mm))
• Pages: 272
• Language: English

Reviews

[Michael @ Knowledge Lost]

I don’t know why I keep coming back to Bret Easton Ellis, I never seem to overly enjoy his vacuous characters but something keeps drawing me back. The Informers is my forth Ellis book and this one is a collection of short stories that ultimately link together to make an overall story. Think Crash (the movie) but with shallow characters. The Informers follow the lives of several interconnected characters, they all eat at the same places; sleep with the same people and pretty much act like each other.

Each chapter is told from a different character in a first person prospective and in the end each point of view come together to make a very loosely connected story. The characters remind me a lot of Less than Zero but most of the characters in The Informers are supposed to be adults. There are a lot of conversations in this book between different characters and this is the part of the book that Bret Easton Ellis does best. He seems to be able to have a lot of conversations and still drive the plot without adding to much more and the interactions between the people seem to feel very natural.

The book feels shallow and cynical; it tries to spotlight a moral decline of Californian life. Most of Bret Easton Ellis novels feel the same, he is often called a moral satirist but I often feel like he is just a nihilist. But I still feel the need to read his books; even if I don’t enjoy them (except for Imperial Bedrooms). Ellis has an interesting style and if I rate his books from worst to best, it looks like he is improving as a writer with age. This might be the fact that his books are more and more metafictional and that seems to help add depth into a book a shallow annoying characters.