Player Piano

by Kurt Vonnegut

“A funny, savage appraisal of a totally automated American society of the future.”—San Francisco Chronicle

Kurt Vonnegut’s first novel spins the chilling tale of engineer Paul Proteus, who must find a way to live in a world dominated by a supercomputer and run completely by machines. Paul’s rebellion is vintage Vonnegut—wildly funny, deadly serious, and terrifyingly close to reality.

Praise for Player Piano

“An exuberant, crackling style . . . Vonnegut is a black humorist, fantasist and satirist, a man disposed to deep and comic reflection on the human dilemma.”—Life

“His black logic . . . gives us something to laugh about and much to fear.”—The New York Times Book Review

• ISBN10: 0586026622
• ISBN13: 9780586026625
• Publish Date: 14 June 1973
• Publish Status: Out of Print
• Out of Print: 10 July 1997
• Publish Country: GB
• Publisher: HarperCollins Publishers
• Imprint: Grafton
• Format: Paperback
• Pages: 288
• Language: English

Reviews

[gmcgregor]

There is a very real sense of usefulness that one gets from meaningful work. This concept is the key idea behind Kurt Vonnegut's first novel, Player Piano. In it, he hypothesizes a world in which America, during one of the world wars, focused on automation in order to win. And it didn't stop simply at military automation...instead, virtually every aspect of American life that could be mechanized, was. A generation later, there are two classes of people: the very smartest, who become engineers and managers, and everyone else, who have the choice to either enlist in the military (which is never sent into action anymore) or unskilled labor doing public works.

Our protagonist is Dr. Paul Proteus. The son of one of the architects of the system, he's in leadership at the facility where he works, but even with his top job and satisfying marriage, he feels like something is missing. When his friend Ed blows into town at the beginning of the story, announcing that he's quit his very similar job and reflecting on the plight of the ordinary people of the world, it kicks off a series of changes within Paul. He finds himself questioning the wisdom of the world that his father helped build and he's helping perpetuate. He finds himself longing to work outdoors, with his hands, in a way where his worth is measured in his ability to do the work that will feed him. This kind of thinking is considered dangerous radicalism.

He joins Ed and some other characters in a secret society dedicated to the overthrow of the machines, and ironically is ordered to infiltrate the same by his superiors as a mole shortly thereafter. He's propped up as the "head" of the organization to take advantage of his famous name as they prepare a rebellion against society as it currently exists. There's a parallel plot in which a foreign religious leader is being given a tour of the United States, meeting people and seeing how "advanced" the West has become...that this man sees the masses of the citizenry as and insists on referring to them (in his own language) as "slaves" is a point that is driven in over and over without the slightest modicum of subtlety.

And it's subtlety that's really missing here. This reminded me of some of Ayn Rand's works...not so much in terms of the ideas expressed, but in the way that the story is really kind of window dressing for the author's larger statement about the world. There's not really a lot of character development that goes on, and the plot is predictable. Vonnegut clearly wanted to draw attention to a trend he saw that was troubling to him and kind of propped up a story around that idea. Also, this was his first novel, and while some debuts bring us a writer already in command of their gifts...that's not the case here.

I actually found the novel more intriguing from the perspective of today...the results of the 2016 election and the way the opioid crisis seems to have hit the so-called Rust Belt especially hard demonstrates the real-world rage and despair that happen when people find themselves deprived of the chance to perform meaningful work. Even within my own lifetime, I've watched the way self check-out has replaced retail cashiers. I do exponentially more of my shopping on the internet than I do in stores. Automation is moving brutally forward, and it could be a much shorter time before most of life is mechanized than we think. So the book, even if it is more a statement than a story, does at least raise interesting questions. If you're a Vonnegut completist, there's merit to be found here, but for anyone else, it's very skippable.

[clementine]

This is my eighth Vonnegut novel, and I've finally realized that I tend to like his non-sci fi works better. (I hesitate to call them "realistic" because they're obviously all absurdist.) Player Piano is his first novel and it's markedly different from his other works stylistically and tonally, though it plays with similar themes and motifs. The prose is more straightforward and less biting, and this is definitely the most character-driven of everything I've read by him so far. It really struck me that the fictional America where almost every job has been replaced by a machine is still relevant 65 years later. The story was interesting and it was cool to actually get inside a Vonnegut character's head to this extent, but he just hadn't developed his writing style fully in 1952 and this is not my favourite of his books.