Reviewed by Briana @ Pages Unbound on
On a more technical note, Westerfeld has done a fantastic job of fleshing out his dystopian world in Pretties. Uglies has technology like the smart walls, interface rings, and hoverboards, but Tally spends so much of her time tricking the technology that it can fade into background. Then the action moves to the ruins and the Smoke where there is much less technology, so in some ways the world of Uglies does not seem greatly different from our own. In Pretties, however, Tally and her friends are living in the heart of New Pretty Town, surrounded by technology people do not often try to trick—and much more closely monitored by it, since she and her group are considered threats. Westerfeld’s vision of his dystopia really comes to life in this book.
He also has done a remarkable job of inventing and incorporating “pretty-speak,” which includes the word “bubbly,” of course, but also phrases like, “Snow would be so pretty-making!” and “The sun would be so warming!” He successfully conveys the insipidness of the pretties without making his readers want to bash their heads against a wall because everyone has been stating obvious things in cutesy language for so long. His best addition is “surge” for an abbreviation of “surgery,” conveying that operations for cosmetic purposes have become so common and so frequently discussed that the word has been shortened for everyday use.
Westerfeld’s exploration of his world and philosophy simply becomes deeper with each successive novel, making Uglies a series uncommonly well-executed.
Reading updates
- Started reading
- 1 July, 2011: Finished reading
- 1 July, 2011: Reviewed