Craig’s writing is captivatingly descriptive without overburdening itself. Her descriptions are so vivid that I truly felt like I was watching a movie in my head while reading. The mood and Gothic atmosphere creep into her word choices, sweeping me away. Also: I want a pair (or twelve) of those fairy shoes. “We are born of the Salt, we live by the Salt, and to the Salt we return.”I was swept away immediately by this retelling of The Twelve Dancing Princesses by the Brothers Grimm. The worldbuilding is masterful. The book begins with a funeral, and three pages in I was fully immersed into the world that Craig crafted. You get a true sense of the beliefs and history of the characters without it ever feeling like an info-dump.
“Sickly-sweet incense still danced through the room but couldn’t quite block out the tang of salt. No matter where you were on the island, you could always taste the sea.”The home feels so lived in and full of love despite all the heartbreak and loss the family’s endured. If you enjoy stories centered on sibling relationships, you will love House of Salt and Sorrows. The sisters and their relationship with one another gave me Little Women vibes in the best of ways. Their love for one another shines on the page, but that doesn’t mean that they don’t poke fun at one another or get annoyed.
“At least we’ll always have each other. Sisters and friends till the end. Promise me.”There are a lot of characters but each of them feel distinct and as real as you or I. I felt strongly connected to Annaleigh and her sisters: Camille’s responsibility as heir and desire to find a partner, the Graces' excitement for their debut and the next chapter in their lives, Verity’s childlike wonder. I found myself loving them completely and anxious about their well-being while reading.
“The euphoria was tangible: I could taste it in the air, the sweetness coating my mouth and going straight to my head like champagne.”I found the book to be equally driven by the characters and plot. I was simply mesmerized by the story and interested in what would happen next, but I was equally invested in the well-being of the characters. I found the pacing and build perfect, but it does take some time for the story to get to the nightly dancing. I was so invested in the characters and world that honestly, I would have read just a boring Day in the Life narrative and found it interesting.
“Flushed with starlight and moonlight drowned,There are layers of complexity to the story: love and heartache for those they’ve lost, a desire to move on, the town’s fear of the curse, the nightly balls the girls attend. The tension (and sorrow) is absolutely palpable as the mystery unfolds, and honestly, it gets quite creepy! I was so immersed in the story and there are some truly nightmare fueling moments. If you aren’t a fan of hauntingly spooky stories, you might struggle a bit with some of the tale. I live for horror and creepy vibes, and was pleased with the number of ‘NOPE’ annotations that my eARC received from me while reading!
All the dreamers are castle-bound.
At midnight’s stroke, we will unwind,
Revealing fantasies soft or unkind.
Show me debauched nightmare or sunniest daydreams.
Come not as you are but as you wish to be seen.”
There is so much that I loved about this book, and I am sure that it will make my top reads of the year post. Stephanie Garber blurbed House of Salt and Sorrows saying “Step inside a fairy tale,” and that is the perfect description. In a way, the story bends genres because it fits both the Gothic fantasy and mystery bill, with a generous dose of magical realism. If you are a fan of atmospheric and magical fantasy driven by the characters (and sisterly love), I cannot recommend this book enough. Please, read it unless the idea of being a little scared doesn’t bring you joy.
CONTENT WARNINGS: death, hallucinations, loss of a loved one, suicide
REPRESENTATION: none
Many thanks to Delacorte Press for providing me with an eARC via Netgalley in exchange for my honest review. Quotations are from an uncorrected proof and are subject to change upon final publication.