Reviewed by Kelly on
In Orléans, citizens are are depleted of colour, their monochrome appearance dependant on each generation of Belles to beautify the wealthy and privileged citizens by bringing forth the Acana. Camellia is a grandiose young woman, her beauty and Belle stature are celebrated throughout the kingdom. From a tender age, Camellia has been cautioned to the significance of her responsibility, become the favourite. Competing for the converted position are her five fellow Belles, Edelweiss, Padma, Valeria, Hana and Camellia's childhood companion Ambrosia.
While Camellia with her mischievous temperament enjoyed the spoils of her gilded cage at Maison Rouge De La Beauté, Ambrosia demanded perfection. Ambrosia is a character of contrasts, a tender girl with a gentle disposition but beneath the surface is insidiously competitive. I admired the carefree, nonchalant boldness of Edelweiss, unafraid and unconcerned about the Belle position. As the narrative progresses, Edelweiss' insolence towards authority takes on a greater importance. Fiercely loyal and rebellious, I cherished her character.
The Belles must adhere to stringent guidelines. Only those with wealth and privilege are worthy of embellishment and in no circumstances should a Belle associate with men beyond a professional compacity or engage in consensual relationships. Charismatic Auguste Fabry is the son of the Minister of the Seas and although aware of the forbidden nature to engage with Auguste, Camellia is captivated by his confidence and insistence. The kingdom of Orléans is flushed with colour and glamour, the splendour the royal family of Orléans is eclipsed by the despair for their eldest daughter. Heir to the throne Princess Charlotte, who remains unconscious while the abhorrent Princess Sophia presides over extravagant parties. Sophia is a vindictive young woman, consumed by jealousy and hostility.
Beneath the imaginative extravagance is a narrative that explores cultural and racial identity, confidence, esteem and perception, challenging the confines of affluence and privilege. The Belles is exquisitely lyrical and atmospherically enchanting. Impeccable reading.
Reading updates
- Started reading
- 10 January, 2018: Finished reading
- 10 January, 2018: Reviewed