Eighteen year old Rufas has also received his Death Cast forecast, several months after the lives of his family members were claimed in an accident Rufas survived. Rufas is indignant, a violent young man evading the authorities after a physical assault, which some readers may find confronting. With his friends detained in custody, Rufas has registered with the Last Friend network and connects with fellow New York resident Mateo. Rufas is an interesting character, an instinctive leader accepting of his forecast.
The narration takes place within New York City. Wonderfully atmospheric, it explores the ambiance of New York and the colourful, diverse residents. Mateo is Puerto Rican American, Rufas identifies as bisexual. Amidst their journey, the narrative introduces the voices of New York. Migrants, immigrants, same sex couples. Community kindness and fragments of the lives intersecting the Last Day journey, through coincidence and circumstance.
The contemporary science fiction fusion offered no explanation to how Death Cast had evolved or how a death forecast is determined. Which was of little impact overall. A Herald will inform recipients they will meet an untimely death within the next twenty four hours and although they cannot suspend the forecast, they are afforded the opportunity to live a final day. While Rufus seems comfortable within his mortality, Mateo is experiencing anxiety and concerned for those he leaves behind. His unconscious father, Lidia and his neighbours. Rufas begins to gently persuade Mateo to live spontaneously. Mateo is a wonderful influence on Rufas. The blossoming friendship and tentative relationship was captivating.
Adam Silvera is magnificent storyteller and They Both Die at the End is his most prolific release to date. Personal and resonating, to live in the moment, to be spontaneous.
I wasted all those yesterdays and am completely out of tomorrows.
Mad love Adam Silvera, mad love.