The Winner's Crime by Marie Rutkoski

The Winner's Crime (Winner's Trilogy, #2)

by Marie Rutkoski

The engagement of Lady Kestrel to Valoria's crown prince is the event of a lifetime, but to Kestrel it means living in a cage of her own making, so as she aches to tell the truth about her engagement, she becomes a skilled practitioner of deceit and as a spy passes information and gets close to uncovering a shocking secret.

To Kestrel, the engagement of Lady Kestrel to Valoria's crown prince means living in a cage of her own making, and as she aches to tell the truth about her engagement, she becomes a skilled practitioner of deceit. The plot contains violence. Book #2

Reviewed by girlinthepages on

3 of 5 stars

Share
This book took me a month and a half to read, and another month to muster up the motivation to write a review. If you know me, you know this amount of time and procrastination is unusual; however, my feelings for this book ended up being so completely opposite what I thought there were going to be that I dreaded revisiting them during the review-writing process.

Don't get me wrong, this novel was filled with Rutkoski's beautiful writing style and lyrical way of describing everything from settings to emotions. However, after the perfection that was The Winner's Curse, which I fell head over heels in love with, I was left sorely disappointed. This is very much a second book in a trilogy, or a "bridge book." Despite it being set in the Valorian capitol (a prospect I was initially excited about because I wanted to learn so much more about these warrior people and their sense of entitlement and imperialism), it was extremely slow, mainly setting things up for the final installment in the trilogy rather than carrying a compelling plot on its own. While The Winner's Curse carried a thick tension like that of a chess game or of one walking on a tightrope, where each character was walking such a thin line and could fall off of a precipice with even one wrong move, the tension in Crime was mainly my growing irritation of wanting something to happen, anything. Satisfaction was only granted in the last few pages of the book, with a terrible cliffhanger ending.

Character development in this installment was also so-so. I was intrigued by getting more glimpses into Kestrel and her father's relationship, which seems strained at best but is bound by a deep foundation of loyalty, and seeing whether familial loyalty or government loyalty would take precedence. I was hoping for some illicit romance between Arin and Kestrel in the capitol, but they literally spent the entire novel being awful to each other (for certain underlying motivations, of course) or having such a massive lack of communication about important plot elements that it became almost absurd. I was excited to see how the dynamic of Kestrel's engagement to the emperor's son would impact her and Arin's relationship (I do love a well-done love triangle, and believe me, it would've added some much needed intrigue for this book) but it mainly just served as a choke hold to keep her in the emperor's grasp (I can't even remember his son's name, that's how inconsequential he was). However, there was the introduction of an Eastern princess held in the capitol as a royal prisoner that proves to provide an interesting plot line for the rest of the trilogy.

Overall: This book gets a solid 3 stars from me because I love Rutkoski's writing style and I still have faith in Kestrel. However, it's slow pacing, lack of communication between Kestrel and Arin, and emphasis on setting up for the last novel rather than standing on its own story telling merit prevented me from enjoying it more. This book is very much about Kestrel's world coming apart, and I love her enough as a protagonist to still be invested in seeing her journey through in The Winner's Kiss despite this being a bit of a let down. This review was originally posted on Girl in the Pages

Last modified on

Reading updates

  • Started reading
  • 3 June, 2015: Finished reading
  • 3 June, 2015: Reviewed