Girls of Paper and Fire (Girls of Paper and Fire, #1)

by Natasha Ngan

[Kelly]

Contains themes of sexual violence, sexual assault, oppression and animal cruelty.

A Paper Girl is a prestigious title. Sanctioned by the Heavenly Father to reside within the ornate palace, sating the desire of the King as a concubine. Eight girls are removed from their villages within the outer provinces and presented to the King, families compensated by wealth and aristocratic privilege. Lei resides within the outer provinces, a remote village of Ikhara and distinguishable by her golden eyes.

Her father an accomplished herbalist within the family depository, is vigilant of his daughter. A Kingdom of societal standings, the Paper Caste are human commonalities, oppressed by the autocratic Steel Caste, a demonic human species. Seven years prior, a sentry of Steel Caste commanders inundated the small village community, igniting the pasture and farmland as they captured and massacred the Paper Caste residents. Seven years since her mother was captured. Villagers whisper of the night of devastation, the desolate pasture barren as the community prepares for an impoverished season.

Unprecedented, Lei is the ninth Paper Girl, forcibly captured to compete for favour of the King. Lei arrives at the royal province where she begrudgingly assimilates as a consort, educated by private tutors and disciplined in finesse, compliance and seduction. Residing within the palatial chateau, each Paper Girl is denied her innocence, modesty and coerced to pleasure the King by enduring sexual violence and assault. Provocation is condemned, sentenced to isolation and imprisonment.

Her endurance and fortitude are besieged as Lei scandalises the Paper Girls, challenging the King by refusing his advances. She is assaulted, her body fractured and innocence momentarily unscathed. The Paper Girls are abused, sexually assaulted and manipulated, punished for insolence. The King claims ownership of each Paper Girl, her body and independence. Girls of Paper and Fire centralises on rape culture and consent within a patriarchal society. Denied freedom and perceived as disposable vessels, aesthetically pleasing and objectified by society and the King, a sexual predator. The scenes and discussion surrounding sexual assault are confrontational, reminiscent of society within our own communities.

Within the Kingdom, male same sex sexual relationships are customary, Paper Girls are not permitted to engage with male courtiers, punishable by branding and ostracised by their family and community. The Paper Girls begin to measure their experiences through whispered secrets, they've been persuaded to believe that to become a Paper Girl is not only prestigious but that the female significance is dependant on their desirability. The King will discard each girl, bestowing upon his allies for political or societal advantage. This is the female capacity until whispers of a rebellion is encompassing the provinces begins to demoralise the enraged King.

The forbidden female romance was beautifully tender, allowing Lei and Wren to tentatively explore hope and optimism beyond the palatial confinement, an existence of equality and humanity where slavery and prejudice are abolished. Beginning with the oppressive rule of a tyrannical King. Their relationship enables each girl to experience vulnerabilities and sensitivities within the sanctuary created through compassion. Unfortunately the relationship was the fundamental aspect for the Paper Girl rebellion, rather than a sense of preservation.

Girls of Paper and Fire is a passionate and exceptional debut novel that will invoke discussion through a confrontational and intricate narrative.