We Need to Talk about Kevin by Lionel Shriver

We Need to Talk about Kevin (Serpent's Tail Classics)

by Lionel Shriver

WINNER OF THE ORANGE PRIZE read more Interactive online message board now live - visit here Reading group questions here (but don?t spoil the plot!) Read an extract --------------------- Two years ago, Eva Khatchadourian?s son, Kevin, murdered seven of his fellow high-school students, a cafeteria worker, and a popular algebra teacher. Because he was only fifteen at the time of the killings, he received a lenient sentence and is now in a prison for young offenders in upstate New York. Telling the story of Kevin's upbringing, Eva addresses herself to her estranged husband through a series of letters. Fearing that her own shortcomings may have shaped what her son has become, she confesses to a deep, long-standing ambivalence about both motherhood in general and Kevin in particular. How much is her fault? Lionel Shriver tells a compelling, absorbing, and resonant story while framing these horrifying tableaux of teenage carnage as metaphors for the larger tragedy - the tragedy of a country where everything works, nobody starves, and anything can be bought but a sense of purpose.

Reviewed by Amber on

4 of 5 stars

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This was the most eerie freakin’ book, you guys. As soon as I finished it I had to sit down and go over what I had just read. The entire thing gave me chills. I’m pretty sure it gave me weird dreams.


So here’s the thing, Kevin is a creepy af child. Like, you read about him and you immediately want to salt the windows and doors, and burn some sage. But, actually, this is all told from his mother’s point of view. Eva seems to suffer with postnatal depression (I think, but please correct me if I’m wrong), which is part of the reason why she’s an unreliable narrator. The other reason is that you have to wonder if her view of her child has been skewed by the horrible act that he committed later in life. I imagine that if your child were to kill a bunch of people, you’d start to think differently of them, right? Her memories could well have been tainted.

And that’s what makes this book so great. Eva is one of the BEST unreliable narrators I’ve read about because the more you read, the more you question things, and then once the book is over you start to go over things more and more. It allows for a good analysis.

I’ve seen a few complaints about Shriver’s use of language, but to be honest it didn’t bother me at all. Eva, the narrator, uses some big words, yes. You could argue that this is largely unnecessary. Personally, I liked the colourful language, partly because it was well written, and partly because it fit with Eva’s character, as she used to be a travel writer.

I am so excited to watch the movie, because the book was truly fantastic and I’m excited to see how it plays out on screen. I’m going to have to find the right moment, though, because this is one of those stories that you have to be in the mood for.

Definitely give We Need to Talk About Kevin a go if you like dark stories, unreliable narrators, and are fascinated by the psychology behind mass murderers. Does that make me sound a little weird? Probably.

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Reading updates

  • Started reading
  • 9 December, 2016: Finished reading
  • 9 December, 2016: Reviewed
  • Started reading
  • 9 December, 2016: Finished reading
  • 9 December, 2016: Reviewed