House of Salt and Sorrows by Erin A. Craig

House of Salt and Sorrows (Sisters of the Salt, #1)

by Erin A. Craig

NEW YORK TIMES BESTSELLER • Get swept away by this “haunting” (Bustle) novel about twelve beautiful sisters living on an isolated island estate who begin to mysteriously die one by one.

"Step inside a fairy tale." —Stephanie Garber, #1 New York Times bestselling author of Caraval


In a manor by the sea, twelve sisters are cursed.

Annaleigh lives a sheltered life at Highmoor with her sisters and their father and stepmother. Once there were twelve, but loneliness fills the grand halls now that four of the girls' lives have been cut short. Each death was more tragic than the last--the plague, a plummeting fall, a drowning, a slippery plunge--and there are whispers throughout the surrounding villages that the family is cursed by the gods.

Disturbed by a series of ghostly visions, Annaleigh becomes increasingly suspicious that her sister's deaths were no accidents. The girls have been sneaking out every night to attend glittering balls, dancing until dawn in silk gowns and shimmering slippers, and Annaleigh isn't sure whether to try to stop them or to join their forbidden trysts. Because who--or what--are they really dancing with?

When Annaleigh's involvement with a mysterious stranger who has secrets of his own intensifies, it's a race to unravel the darkness that has fallen over her family--before it claims her next. House of Salt and Sorrows is a spellbinding novel filled with magic and the rustle of gossamer skirts down long, dark hallways. Be careful who you dance with...

And don't miss Erin A. Craig's newest novel, The Thirteenth Child, a haunting and romantic novel about the impossible choices we make in the name of love.

Reviewed by Jo on

2 of 5 stars

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Trigger and content warnings under spoiler button because there are quite a few.

Trigger/Content Warnings: This book features sex, death, grief, funerals, discussion of suicide, descriptions of multiple dead bodies, murder, the idea of "madness" born of magic, pregnancy, birth, a stillborn baby, and mention of violence against women.

I'd not read a retelling of The Twelve Dancing Princesses by the Brothers Grimm before, so when I heard about House of Salt and Sorrow by Erin A. Craig, I was so excited to read it! But while I was captivated the story, and needed to know what was going on, I finished it feeling quite disappointing.

The Thaumus family are grieving. One by one, the four eldest sisters have died. There has been so much sadness, but for Annaleigh, the latest death of her sister Eulalie doesn't make sense. Her body was found at the bottom of a cliff, so everyone assumes she died by suicide, but Annaleigh is sure she wouldn't. She starts looking into Eulalie's life, the more certain she is that Eulalie wouldn't end her own life, and when she discovers a witness who says there was a shadowy figure on the top of the cliff when Eulalie fell, she's positive Eulalie was murdered. But the family has had enough of grieving; her father's new wife is pregnant, and they want to look forward, so will hear nothing of it when Annaleigh brings her discoveries to him. It's difficult to move forward when the people around you won't let you, though; with the first four eldest sisters dead, one after the other, the townsfolk start to question whether the family is cursed. Which makes it difficult for Annaleigh and her older sister Camille, who is set to inherit the estate as the eldest,  to find suitors. When the sisters hear rumours of a door Pontus, god of the seas who they worship, used to visit, a door that could take them anywhere in the world, it's decided to find it to try and find suitors elsewhere, who won't have heard the rumours of their curse. When the door is discovered, it takes the sisters to various locations where they dance at balls every night. But the dancing can't distract Annaleigh from what happened to her sister, and can't understand why her sisters keep going back, especially when the witness of Eulalie's death dies mysteriously. Annaleigh is determined to get to the bottom of what happened to her sister, whether anyone believes her or not.

So what annoyed me slightly first of all is that the description is misleading; Annaleigh doesn't discover her sisters are dancing every night - she's with them for the very first ball, and for most of the following balls. And the dancing element of the story is actually kind of small in relation to the larger element of the sisters' deaths, this idea of a curse, and the mystery surrounding Eulalie's death in particular. A fair amount of the book goes by before anyone is sneaking off to go dancing. Including the conversations with her youngest sister, Verity, who has drawn the deaths of each of their older sisters - despite the fact that she would have been too young to remember them, nor would have seen their bodies -  or their dead bodies around the house. According to Verity, their older sisters never left, and are still in the house. So you've got both of these elements; the mystery, the curse, the haunting, and the sisters who become obsessed with dancing each night.

House of Salt and Sorrow is written wonderfully, though. I was completely captivated by the story and by the language, desperate to know what was going on. My very first theory about who is behind everything was correct, but there are so many redherrings, I ended up doubting myself a number of times, and thinking it was someone else. Which made the why, and especially the how, very elusive. There is a romance that is, I feel, completely unnecessary. The mysterious sea captain (who isn't a sea captain, but a sea captain's son) is Cassius, and he almost completely distracts Annaleigh from trying to find out what happened to Eulalie, because he's just so handsome. There was a lot of eyerolling. The romance doesn't really add much to the story, and yes, Cassius is helpful in places, but I do think for the most part he wasn't needed and didn't need to be there. It felt a lot like instalove, and just didn't fit with the rest of the story. I didn't believe it.

The book gets more and more creepy and weird as it goes along, and I got to the point where I just didn't have any idea what was happening, but in a good way, because it's just going to be awesome when everything falls into place, right? But then we have the big reveal, and I was just so confused. Normally when you have a big reveal, my reaction is, "Oh my god, of course!" and I think back over the story and can see how X and Y and Z led to this reveal. But to be perfectly honest, there is no X, Y, or Z in House of Salt and Sorrows. There is no-way anyone would have a theory of what, exactly, is going on, because there are no clues. I mentioned earlier that the how was elusive, and it's because there is nothing pointing in it's direction at all. And so I think the worldbuilding just wasn't developed enough, because there are things we don't hear about - in any way, shape, or form - until the reveal. You could not guess, or predict, or have a theory, because you've not heard of them before, they're only introduced as you're being told what's been going on. A lot of things came out of nowhere. I do think a major part of enjoying stories with the mystery element is trying to work out what's going on, but we have no chance with this book, and I kind of feel cheated. It's all explained enough, because it makes sense - A exists, and this is what A is, so this is the the consequence of A - but it doesn't make sense because there was never any prior mention, not even a tiny mention, and I just wondered where it was all coming from. It just ruined the whole story for me, because I was just thinking the entire time, "What? Are you serious?"

And the ending was really disappointing. So disappointing. It was just so lacklustre, and ridiculous because of it. Even with the confusing, weird reveal, there was tension and action. This just felt really, really lazy. I'm sorry to say House of Salt and Sorrows really wasn't for me, but a number of people really enjoyed it, so read a few other reviews before deciding whether or not you'll read it.

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  • Started reading
  • 17 August, 2019: Finished reading
  • 17 August, 2019: Reviewed