Nolan doesn't see darkness when he closes his eyes. Instead, he’s transported into the mind of Amara, a girl living in a different world. Nolan’s life in his small Arizona town is full of history tests, family tension, and laundry; his parents think he has epilepsy, judging from his frequent blackouts. Amara’s world is full of magic and danger--she’s a mute servant girl who’s tasked with protecting a renegade princess. Nolan is only an observer in Amara's world--until he learns to control her. At first, Amara is terrified. Then, she's furious. But to keep the princess--and themselves--alive, they'll have to work together and discover the truth behind their connection. A fascinating premise, clearly and compellingly written and imagined by a startlingly original debut writer.Praise for OtherboundFOUR STARRED REVIEWS"Original and compelling; a stunning debut." --Kirkus Reviews, starred review "Numerous plot twists drive the story along, and it’s grounded in worldbuilding that creates a believable, authentic setting. Duyvis makes ingenious use of a fascinating premise." --Publishers Weekly, starred review "While Duyvis’s debut is an exciting take on the fantasy genre, as it alternates between our world and that of the Dunelands, the true strength of the novel is in its positive portrayal of LGBT issues." --School Library Journal, starred review "Fantasy and speculative fiction fans will no doubt enjoy the ride, while authors should take note—this is how you do fantasy in a global world." --The Bulletin of The Center for Children’s Books, starred review "Duyvis creates a humdinger of an adventure that contains the agony of loyalty, the allure of magic, and, most gratifyingly, the element of surprise." --The Horn Book Magazine "Debut author Duyvis has written a nice twist on the classic bodysnatchers theme and keeps the pace moving smoothly, even when jumping between Nolan’s and Amara’s perspectives. Her racially diverse characters struggle with both disabilities and sexual identity, but she keeps her focus solidly on the story and character development so that diversity integrates naturally into both Nolan’s and Amara’s experiences." --Booklist
What if the doomsday preppers were right and the end of the world was nigh? Corinne Duyvis' On the Edge of Gone takes place in the Netherlands about 20 years in the future, and at the beginning of the novel, we join teenager Denise and her mom as they (and the rest of the world) are getting ready for a comet to strike the planet. The very wealthy have left Earth via spaceship, and so have some of the very lucky, who won lotteries for spots on those ships. The remaining population have been assigned to shelters to ride out the strike and immediate aftermath. Denise, her sister Iris, and her mother are in the latter group, but when the appointed day comes and Iris is nowhere to be found, Denise and her mother find themselves running late to get to their shelter in time. On their way, they come across one of Denise's former teachers and her partner who have had an accident, and are permitted to take shelter aboard the spaceship they've been assigned to in return for helping them get there.
Once she's on the ship, Denise immediately starts trying to figure out how to stay...wouldn't anyone want to explore the stars instead of try to survive in the kind of post-apocalyptic situation that killed the dinosaurs? The rest of the plot unfolds from there: Denise's quest to find her sister and secure herself and her family room on the ship. When I was reading it, I kept expecting the ship taking off to be when the plot would really start, and it took me until about a quarter of the way through to figure out that wasn't the point. The point are the questions the scenario raises; most poignantly, how do you figure out who should live and who should die? What kinds of skills are really necessary anyways? We can all agree on doctors, cooks, and engineers, but who's more important: artists or lawyers? Young people or experienced people?
There's a movement out there centered around the idea that we need diverse books. I agree. I'm never going to be one to go on a deliberate spree to only read books by or about a particular gender or racial category (my favorite author is White Man Jeffrey Eugenides), but I think a lot of people's...fear or resistance or whatever it is, exactly, that makes them suspicious of others who aren't like them is based on a lack of exposure. It's easy to demonize gay people, or trans people, or people of color, to think of the world as Us v. Them, when you don't know any of Them. Once you get to know Them, it turns out they're people, just like you, with the same kind of hopes and dreams and bills and taxes that you have. Even literature can be an important bridge to build empathy...a book implicitly asks you to care about these people on the page, to imagine yourself in their shoes. Which is why it matters that Denise and Iris are mixed race, that Denise is autistic (as is the author), that Iris is transgender. Those aren't the kind of people you normally read books about. And this book in particular is well-crafted, with a story that draws you in and makes you ask yourself how you would deal with the situations that are presented therein. Definitely worth and read and a think.
