#1 NEW YORK TIMES BESTSELLER • From “a legal literary legend” (USA Today) comes a gripping thriller of two childhood friends who find themselves on opposite sides of the law as adults, with all of John Grisham’s trademark twists and turns.
For most of the last hundred years, Biloxi was known for its beaches, resorts, and seafood industry. But it had a darker side. It was also notorious for corruption and vice, everything from gambling, prostitution, bootleg liquor, and drugs to contract killings. The vice was controlled by small cabal of mobsters, many of them rumored to be members of the Dixie Mafia.
Keith Rudy and Hugh Malco grew up in Biloxi in the sixties and were childhood friends, as well as Little League all-stars. But as teenagers, their lives took them in different directions. Keith’s father became a legendary prosecutor, determined to “clean up the Coast.” Hugh’s father became the “Boss” of Biloxi’s criminal underground. Keith went to law school and followed in his father’s footsteps. Hugh preferred the nightlife and worked in his father’s clubs. The two families were headed for a showdown—one that would ultimately happen in a courtroom.
Life itself hangs in the balance in The Boys from Biloxi, a sweeping saga rich with history and with a large cast of unforgettable characters.
Don’t miss John Grisham’s latest novel, Camino Ghosts, and the upcoming Framed, his first work of nonfiction since The Innocent Man!
Needs More Showing And Less Telling. This is almost "Novel Writing 101" these days, but a classic and oft repeated bit of advice for new writers is that they should *show* the actions of their characters rather than *tell* the readers about it. Here, Grisham - a normally masterful storyteller and legend in the business - somehow manages to miss that, to the detriment of the overall tale here. The tale itself, a multi-generational saga tracing two families through 60 or so years of Coastal Mississippi history, is actually quite good. I was 15% into the tale before I even realized it, and not much had happened at that point. The back quarter to third or so could *really* have been quite legendary in its own right with more showing and less telling, but even in this format it was still a compelling tale. The ending is a bit abrupt and perhaps too open-ended for some readers, but other than the abruptness I thought it actually worked reasonably well. But getting there, across nearly 500 pages that other readers have compared to investigative nonfiction rather than an legal fictional thriller, can in fact be a bit of a slog. Still, other than the "show don't tell" aspect, there really isn't anything here to actually say "this is particularly bad" about. Thus, only the single star reduction. Still, this really is a great tale for those who can bear with it, and for that reason it is very much recommended.
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17 October, 2022:
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