“The world is chaotic and without sense. But in the smallest of spheres it’s sometimes possible to straighten things out; to make it seem as though everything means something.”
What starts out as an eccentric woman asking a traumatized war vet for help retrieving a corpse from deep space to study for a scientific paper turns into a murder investigation. Sound familiar? Why yes, it’s Sherlock in space! In this universe, traveling at faster than light speeds requires going into deep space, a weird and frightening area of unreality, something that only mindships – ships that are somehow fused with a human – can accomplish. Deep space isn’t particularly friendly to the ships, and even less so to humans, so specialized brews of tea can be customized to help a person cope, by making them braver or more calm or simply doping them up.
“Long Chau was an expanding star, burning loud and bright, mesmerising in her relentlessness, and ultimately one that would swallow you whole.”
The Shadow’s Child is one such mindship and tea-brewer, a war vet who’s barely scraping by selling customized brews for dock workers and other mundane customers. One such not-so-mundane customer is Long Chau, a scholar of sorts. She’s abrasive and blunt, but The Shadow’s Child accepts her commission because she can’t afford to be too picky. But things aren’t quite what they seem, with either the corpse they retrieve or Long Chau, and The Shadow’s Child has to navigate her need for justice – and to possibly save lives – with her traumatic past and jumbled feelings about her. Men, it seems, often get a pass on being harsh and socially tone deaf if they're talented, so it was fascinating to see the roles of both Sherlock and Watson filled by women. A large portion of the story - besides the mystery of the dead woman they find - centers on whether The Shadow's Child can trust Long Chau, and whether her dislike of her stems from her not-so-stellar personality or a gut feeling that something more sinister is going on.
I’ve read a few things by Ms. de Bodard before, and once again, I found myself immersed in her wordlbuilding and writing style. Rather than just pay homage to an Asian-influenced future (*cough* Firefly *cough*), this universe is more steeped in Vietnamese culture, from the names of the ships to cultural traditions. I was fascinated by the idea of mindships, though I didn’t quite understand exactly what they are, as The Shadow’s Child refers to being born and having living people as family. However it works, she reads as human, albeit a severely traumatized one, full of anxiety about money, her past, and whether she can trust Long Chau. Long Chau, for her part, is by turns frustrating and sympathetic, and I, for one, got a laugh out of watching The Shadow’s Child – a ship – trying to soothe the ruffled feathers of the witnesses they’re trying to question. For all her faults, though, it’s Long Chau and her sharp insight that finally forces The Shadow’s Child to deal with her past, and that, for me, was the best part of the novella.
Overall, this was an amazingly fresh and immersive take on a Sherlock-type mystery, and I’m definitely hoping Ms. de Bodard will write more novellas starring this pair!
I received this book for free from NetGalley in exchange for an honest review. This does not affect my opinion of the book or the content of my review.