Lock in by John Scalzi

Lock in

by John Scalzi

Fifteen years from now, a new virus sweeps the globe. 95% of those afflicted experience nothing worse than fever and headaches. 4% suffer acute meningitis, creating the largest medical crisis in history. And 1% find themselves 'locked in' - fully awake and aware, but unable to move or respond to stimulus.

1% doesn't seem like a lot. But in the US that's 1.7 million people 'locked in' ... including the President's wife and daughter.

Spurred by grief and the sheer magnitude of the suffering, America undertakes a massive scientific initiative. Nothing can fully restore the locked in. But then two new technologies emerge. One is a virtual-reality environment, 'The Agora', where the locked-in can interact with other humans, whether locked-in ornot. The other is the discovery that a few rare individuals have brains that are receptive to being controlled by others, allowing those who are locked in to occasionally 'ride' these people and use their bodies as if they were their own.

This skill is quickly regulated, licensed, bonded, and controlled. Nothing can go wrong. Certainly nobody would be tempted to misuse it, for murder, for political power, or worse ...

Reviewed by nannah on

5 of 5 stars

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"No. Making people change because you can't deal with who they are isn't how it's supposed to be done. What needs to be done is for people to pull their heads out of their asses. You say 'cure.' I hear 'you're not human enough.'"

Content warnings:
Suicide mention cw

In the near future, a virus spreads throughout the world. Called Haden's, it can cause fever, meningitis, or a "locked in" state, where the person cannot move, but is fully conscious. These people are called Hadens, or clanks, when their minds use an android-like body to experience the world outside their bedridden bodies. The MC, Shane, the poster child for Haden's, is now grown up and an FBI agent for cases involving Hadens, and he gets involved in one heck of a mess.

This book is basically a discussion on capitalism and how it affects people with disabilities (and how, if a virus affected people worldwide, making a significant amount of the world's population disabled, big businesses in America would find more ways to capitalize on them). It also mentions classicism and disability, which pleasantly surprised me, especially since the MC comes from a very privileged background. All in all, this book has the most sensitive treatment of disabled characters that I've ever read.

It took me a little while to get used to the style, but once I did, the book hooked me in, and it became very difficult to stop reading. Of course, this book is written in about 90% dialogue (which is probably his greatest strength, since when he does manage to slip some prose in, it's not all that great), which accounts for the speedy pacing. There's also some mighty cliche dialogue ("Cut the suspense, Diaz. Get to it."), but I found it was easily overlooked for reasons described above.

All in all, I didn't expect to like this book as much as I did.

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Reading updates

  • Started reading
  • 7 July, 2015: Finished reading
  • 7 July, 2015: Reviewed