This book establishes the principles of interpretation that singers active in England (both foreign and English) applied to recitatives, arias, and songs, by composers such as Handel, Mozart, and Rossini. Expression lay at the heart of persuasive singing during the late eighteenth and early nineteenth centuries and Robert Toft here ably places the concept and its practices in a broad cultural perspective. Singing was related closely to speaking in this period: when
the techniques of delivery that were common to both arts (emphasis, accent, tone of voice, pauses, breathing, and gesture) are combined with resources peculiar to singing (portamento, messa di voce, tempo, rubato, vibrato, and ornamentation), the style which emerges differs markedly from that of the
late twentieth century.
Most singers today perform the repertoire of the late eighteenth and early nineteenth centuries, but until now no book has addressed the principles which governed song performance in this period or shown how historical understandings may be used to move and delight modern audiences.
- ISBN10 0198166621
- ISBN13 9780198166627
- Publish Date 11 May 2000
- Publish Status Active
- Out of Print 17 May 2021
- Publish Country GB
- Imprint Oxford University Press
- Format Hardcover
- Pages 216
- Language English