Chansons Populaires Romandes, Vol. 1 (Classic Reprint)
by Emile Jaques-Dalcroze
Campbell's Tenth Book of New and Favorite Country Dances & Strathspey Reels
by Giovanni 1740-1816 Paisiello
Daniel Rouwkema's setting of A Celtic Prayer was written for SSATB chorus and organ, for the Choir Of Chester Cathedral. Faber New Choral Works introduces a wealth of new or recently written choral music to choirs in search of fresh repertoire. The series draws in a rich diversity of living composers and includes both lighter and more challenging contemporary works, offering a thrilling array of varied styles.
SPRIAL BOUND EDITION Voice teachers have been addressing vocal acoustics in some manner for as long as there has been voice instruction. Given the history of excellence in singing, singers, and teachers, the historic empirical approach clearly has had success. However, our scientific knowledge about and understanding of vocal acoustics has grown exponentially in the last sixty to eighty years, and will certainly continue to be refined by the growing number of ongoing collaborations between voi...
Fourteen great songs as featured in some of the best contemporary films taken from the soundtracks of Hot Fuzz, Shrek The Third, Casino Royale, Little Miss Sunshine and many more blockbusters. Artists featured include Rufus Wainwright, The Fratellis, Katie Melua, Damian Rice, Chris Cornell and Jamie Cullum. All songs are arranged for piano, voice and guitar.
A Queerly Joyful Noise examines how choral singing can be both personally transformative and politically impactful. As they blend their different voices to create something beautiful, LGBTIQ singers stand together and make themselves heard. Comparing queer choral performances to the uses of group singing within the civil rights and labor movements, Julia "Jules" Balen maps the relationship between different forms of oppression and strategic musical forms of resistance. She also explores the pote...
Graduated Exercises in Articulation (Classic Reprint)
by Samuel Arthur King
This Futurist opera was presented in snowy Petrograd in December 1913 to a riotous audience. The atonal music composed by Mikhail Matiushin accompanied the alogical libretto by Aleksei Kruchenykh, the action taking place in the 10th Land where "the windows of houses all face inside" and "all the paths go up to the earth", while the hands of a clock "both go backwards immediately before dinner". The cardboard costumes by Kazimir Malevich were surfaces lit by his roving coloured spotlights, the c...
