Virtual Light (Bridge Trilogy, #1) (Penguin audiobooks)

by William Gibson

NEW YORK TIMES bestseller • 2005: Welcome to NoCal and SoCal, the uneasy sister-states of what used to be California.

The millennium has come and gone, leaving in its wake only stunned survivors. In Los Angeles, Berry Rydell is a former armed-response rentacop now working  for a bounty hunter. Chevette Washington is a  bicycle messenger turned pickpocket who impulsively  snatches a pair of innocent-looking sunglasses. But  these are no ordinary shades. What you can see  through these high-tech specs can make you rich—or  get you killed. Now Berry and Chevette are on the  run, zeroing in on the digitalized heart of  DatAmerica, where pure information is the greatest high.  And a mind can be a terrible thing to crash. . . . 

Praise for Virtual Light

“Both exhilarating and terrifying . . . Although considered the master of 'cyberpunk' science fiction, William Gibson is also one fine suspense writer.”—People

“A stunner . . . A terrifically stylish burst of kick-butt imagination.”—Entertainment Weekly

“Convincing . . . frightening . . . Virtual Light is written with a sense of craft, a sense of humor and a sense of the ultimate seriousness of the problems it explores.”—Chicago Tribune

“In the emerging pop culture of the information age, Gibson is the brightest star.”—The San Diego Union-Tribune

• ISBN10: 0670848905
• ISBN13: 9780670848904
• Publish Date: 7 April 1994 (first published 1 August 1993)
• Publish Status: Unknown
• Out of Print: 14 July 1994
• Publish Country: GB
• Publisher: Penguin Books Ltd
• Imprint: Viking
• Edition: New edition
• Format: Paperback
• Pages: 304
• Language: English

Reviews

[empressbrooke]

Was rather disappointed by this one, and I'm starting to get the feeling that Gibson's been writing the same book over and over. While the technology mattered in Gibson's Sprawl trilogy, Virtual Light seemed more like a on-the-run-from-bad-guys thriller set in a vagueishly sci-fi setting. The tech that was stolen could have just as well been a candy bar. I wanted to find out more about the plan on the tech (to rebuild San Fran after an earthquake), the Bay Bridge community, and all the other interesting bits that Gibson created. Instead, all of that seems to be zooming by on the outside while the story focuses on one long chase scene; it's always present but is very blurry and merely serves as a backdrop.