gmcgregor
Written on May 14, 2016
Livia was the older of two daughters of a Roman senator, and Smith kicks off her story just as Livia's father is throwing his support behind the assassins of Julius Caesar. Like many historical fiction heroines, Livia is a smart and strong-willed young woman, educated by her father about government and politics. Despite having had a chance meeting with young Octavius in which the two become besotted with each other, Livia's marriage to her older cousin, Tiberius Nero, is arranged for political purposes. Smith doesn't take the easy way out and make Tiberius cruel to Livia to get readers to root against him and their marriage: he's not a bad man or even a bad husband, Livia simply doesn't love him. She tries to be a good wife to him anyways, bearing him two sons and trying to advise him on how to best navigate the complicated world of Roman politics in the era of the Triumvirates. But when Livia and Octavius re-encounter each other years after her marriage (and when she's heavily pregnant with her second of those sons she had with Tiberius), their connection can no longer be denied and Tiberius is persuaded to bow out as graciously as any person possibly could, really, with the whole giving-her-away bit I mentioned above.
Livia uses her status as wife of the First Citizen of Rome to assume some power of her own: she handles his correspondence, gets him to allow her the legal right to make her own decisions about her own property under the guise of giving the same right to his popularly-beloved sister Julia, helps him see the advantages of making sure the citizens of Rome are taken care of and not just focusing on war and conquest. The use of one of my least favorite literary tropes, love at first sight, bothered me like it always does, but I appreciated that Smith drew Livia and Tavius (a pet name for Octavius) as a complicated couple. Besides their ultimately unsuccessful struggle to have a child of their own and the strain that situation places on their relationship, they're both hard-headed and stubborn and there's a point at which their marriage is very near breaking down because of miscommunication and pride. And while Livia loves her husband, she's not so crazy about him that she can't see advantages to their separation, which takes some of the saccharine out of the tired "we've been in love since we first laid eyes on each other" sweetness that underlies their relationship.
Smith does a good job of neither making Livia a paragon of virtue nor a tyrant greedy for ever-more authority as she acquires and uses power over the course of her life. It lets us ask ourselves why we're uncomfortable with the idea that a woman would want the power to make her own decisions even if her husband would never deny her the opportunity to do what she wanted. Livia's mother was content to be in the traditional female "power behind the throne" role, why does Livia want more active power? If she plants ideas with her husband after they've slept together, is it her using her body to get what she wants or simply taking advantage of the time they're most relaxed and are actually alone together to discuss the things that are important to both her individually and them as a couple? The questions the book raises and the strong characterization of Livia overrides some underdeveloped side characters and a workmanlike prose style to create a work that's definitely worth a read, especially if you're interested in Roman history and/or feminism.