maggiefan
Written on Jul 28, 2022
Nahri has never believed in magic. Certainly, she has power; on the streets of eighteenth-century Cairo, she's a con woman of unsurpassed talent. But she knows better than anyone that the trades she uses to get by–palm readings, zars, and a mysterious gift for healing–are all tricks, both the means to the delightful end of swindling Ottoman nobles and a reliable way to survive.
But when Nahri accidentally summons Dara, an equally sly, darkly mysterious djinn warrior, to her side during one of her cons, she's forced to reconsider her beliefs. For Dara tells Nahri an extraordinary tale:...
Read more
Nahri has never believed in magic. Certainly, she has power; on the streets of eighteenth-century Cairo, she's a con woman of unsurpassed talent. But she knows better than anyone that the trades she uses to get by–palm readings, zars, and a mysterious gift for healing–are all tricks, both the means to the delightful end of swindling Ottoman nobles and a reliable way to survive.
But when Nahri accidentally summons Dara, an equally sly, darkly mysterious djinn warrior, to her side during one of her cons, she's forced to reconsider her beliefs. For Dara tells Nahri an extraordinary tale: across hot, windswept sands teeming with creatures of fire and rivers where the mythical marid sleep, past ruins of once-magnificent human metropolises and mountains where the circling birds of prey are more than what they seem, lies Daevabad, the legendary city of brass–a city to which Nahri is irrevocably bound.
In Daevabad, within gilded brass walls laced with enchantments and behind the six gates of the six djinn tribes, old resentments run deep. And when Nahri decides to enter this world, her arrival threatens to ignite a war that has been simmering for centuries.
Spurning Dara's warning of the treachery surrounding her, she embarks on a hesitant friendship with Alizayd, an idealistic prince who dreams of revolutionizing his father's corrupt regime. All too soon, Nahri learns that true power is fierce and brutal. That magic cannot shield her from the dangerous web of court politics. That even the cleverest of schemes can have deadly consequences.
After all, there is a reason they say to be careful what you wish for . . .
- ISBN10 0062678108
- ISBN13 9780062678102
- Publish Date 14 November 2017
- Publish Status Active
- Out of Print 14 May 2021
- Publish Country US
- Publisher HarperCollins Publishers Inc
- Imprint HarperCollins
- Format Hardcover
- Pages 544
- Language English
9781538456118
Audiobook
9781538456101
Audiobook
9780062678126
eBook
9780062742643
Audiobook
9780008239411
eBook
Reviews
nannah
Written on May 19, 2022
The City of Brass takes a new spin on the “girl discovers she has magic and is swept away to a mystical kingdom” by transplanting the story first to Cairo and then to a kingdom made up of the...Read more
(3.5)
The City of Brass takes a new spin on the “girl discovers she has magic and is swept away to a mystical kingdom” by transplanting the story first to Cairo and then to a kingdom made up of the djinn of Islamic mythology and the daeva of Zoroastrian mythology.
Content warnings:
- human and sex trafficking
- rape mention
- slavery
- the unfortunate over-a-thousand-yr-old guy falls in love with a young adult trope
- ableist slur (cr slur, used multiple times)
Representation:
- Nahri, a PoV character, is Muslim and Egyptian
- Ali, the other PoV character, is Muslim, Egyptian, and Arab
- Dara, a love interest, is Persian and Zoroastrian
- the other characters are either Muslim or Zoroastrian, and are any ethnicity from Northern and Eastern Africa to Western China.
- two secondary characters are gay/bi
Though orphan Nahri can speak any language and heal people--sense and treat their illnesses by smelling them, touching them, looking at them--she doesn’t believe in magic. She makes a living in 18th century Cairo by conning the Franks and Turks and occasionally by performing fake exorcisms. But when Nahri sings in her native tongue instead of Arabic during one such ceremony, she accidentally summons two entities: an Ifrit and an ancient daeva named Dara. Dara saves Nahri from the Ifrit, tells her daeva blood runs through her veins, and takes her to the legendary djinn-and-daeva-populated city of Daevabad.
Daevabad is a far cry from a utopia, though, as Prince Ali knows well. The second son of the reigning king, he has seen how old grudges, blood purity, intolerance, and politics between the six djinn tribes has led to a city ready to boil over. When he gets caught in between the shafits' fight for rights (the mixed-race, human-djinn citizens of Daevabad) and his father's demands to crack down on shafit riots, even his older brother might not be able to protect him.
Before anything else, I have to say the setting is gorgeously realized. It’s easy to be transported, to feel the heat of the desert, the smoky presence of the djinn themselves, and to feel a part of the city along with each tribe (or not ... depending on the tribe). I’ve been wanting a book that I could get lost into, a thick fantasy with rich setting and complex politics--this one ticks those boxes perfectly.
I also want to express how frustrated I am with the publisher and whoever marketed this book that no one thought to mention that the story draws on Zoroastrian mythology as well as Islamic mythology. There’s a mention of pre-Islamic mythology, but that doesn’t do much if no one looks anything up. Zoroastrianism is so little known as it is, both of these peoples deserve representation! Obviously this isn’t the fault of the author, but I just had to shake my fist for a second.
I have to commend Chakraborty on creating characters with as many faults as strengths--and faults that are not “cute” or secretly strengths in disguise. While I don’t like every character (even those I think I’m supposed to … like Dara), it’s still wonderful to have interesting people to read about.
My favorite character is someone who I thought would remain a minor presence throughout the story, and who I was marvelously wrong about (show spoiler)[--he turns out to be the elder prince’s lover … and also, like Nahri, the only other daeva/djinn with healing powers. By far the best twist in the book, and it’s what actually makes me want to read the second] . But Ali comes close, the second PoV character. He’s the only one who really has an arc, too, which is a shame, but his arc is great. I love that I didn’t love him in the beginning, and that I did in the end.
But there is also a lot that I disliked about The City of Brass.
Mainly Dara. Not only is he some 1400-year-old guy who falls in love with the young main character (is she maybe 18-20?), he’s one of the most obnoxious, unlikable, violently possessive, and abusive characters I’ve ever read, especially for a love interest. At one point he downright gaslights Nahri. If we’re supposed to like Dara, I can’t understand why. I know he’s got a lot of trauma, and he displays symptoms of PTSD at certain points in the story, but that doesn’t excuse most of his behavior.
The book also feels like it needs another big edit. The first half of the book is so different from the second half: cliched YA romance vs NA political fantasy. And the romance isn’t even very convincing, either; I’m still not sure what Nahri and Dara like about each other … what about Nahri draws her to Dara and vice versa. At one moment they’re annoyed with each other and then they’re blushing and stammering. It’s just “he’s hot, tho …”, another thing that really makes the story feel YA, rather than adult. I’m almost convinced the book was written as a YA manuscript initially, and then was edited to become adult after it was picked up by an agent. Whatever the reason, I just really wanted something different … so my being disappointed with it wasn’t completely its fault.
Contrary to a lot of the other reviews, I disliked Nahri’s PoV during the first half, where events just seem to happen to Nahri and Dara, without any reason or motive, and the only plot-related thing happening is Nahri making Dara blush like a schoolboy. Ali’s PoV is much more interesting, and his chapters mark the tone for the second half as well, which is great. I almost quit reading during the first half, and I’m glad I stuck it out!
But a lot of what was introduced in Ali’s PoV during the first half gets pushed to the sidelines in the second, such as the shafits’ fight for rights, and Ali's precarious position, who believes all beings are equal under the Creator. And Ali's father, the King, who has to juggle the multiple tribes' squabbling, the grassroots shafit groups, the Daeva tribe who believe shafit to be an abomination, and the other tribes who believe the Daeva’s religion is nothing more than a cult who don’t deserve the royal protection, etc. Instead, what’s drawn to the forefront is a love triangle between Ali, Dara, and Nahri.
And while I understand wanting two PoVs for this story--especially one representing a daeva (Nahri) and one representing a djinn (Ali), and especially one representing the old rulers of Daevabad (Nahri[’s ancestors]) and the current ones (Ali[’s family]), I often felt like the switches happen during places that cut the high tension back to zero. When we return to that person’s story, it's hard to reclaim the same amount of tension, emotion, etc. Both Nahri and Ali’s voices also read the same, as well. They have such different backgrounds and personalities, there's such potential for different styles that was (perhaps?) overlooked.
Don’t get me wrong, though, there are beautiful scenes, wonderful tension between Nahri and her own Daeva tribe who put her on a pedestal and expect her to do things she can’t, who want her to believe things she doesn’t, and some great scenes between Ali and his older brother. But what I didn’t like I just couldn’t stand. Hopefully, now that characters and conflicts are introduced, I'll have better luck with the sequel! The ending is an incredibly ambitious move, and I'd like to see where Chakraborty takes the story from here.
The City of Brass takes a new spin on the “girl discovers she has magic and is swept away to a mystical kingdom” by transplanting the story first to Cairo and then to a kingdom made up of the djinn of Islamic mythology and the daeva of Zoroastrian mythology.
Content warnings:
- human and sex trafficking
- rape mention
- slavery
- the unfortunate over-a-thousand-yr-old guy falls in love with a young adult trope
- ableist slur (cr slur, used multiple times)
Representation:
- Nahri, a PoV character, is Muslim and Egyptian
- Ali, the other PoV character, is Muslim, Egyptian, and Arab
- Dara, a love interest, is Persian and Zoroastrian
- the other characters are either Muslim or Zoroastrian, and are any ethnicity from Northern and Eastern Africa to Western China.
- two secondary characters are gay/bi
Though orphan Nahri can speak any language and heal people--sense and treat their illnesses by smelling them, touching them, looking at them--she doesn’t believe in magic. She makes a living in 18th century Cairo by conning the Franks and Turks and occasionally by performing fake exorcisms. But when Nahri sings in her native tongue instead of Arabic during one such ceremony, she accidentally summons two entities: an Ifrit and an ancient daeva named Dara. Dara saves Nahri from the Ifrit, tells her daeva blood runs through her veins, and takes her to the legendary djinn-and-daeva-populated city of Daevabad.
Daevabad is a far cry from a utopia, though, as Prince Ali knows well. The second son of the reigning king, he has seen how old grudges, blood purity, intolerance, and politics between the six djinn tribes has led to a city ready to boil over. When he gets caught in between the shafits' fight for rights (the mixed-race, human-djinn citizens of Daevabad) and his father's demands to crack down on shafit riots, even his older brother might not be able to protect him.
Before anything else, I have to say the setting is gorgeously realized. It’s easy to be transported, to feel the heat of the desert, the smoky presence of the djinn themselves, and to feel a part of the city along with each tribe (or not ... depending on the tribe). I’ve been wanting a book that I could get lost into, a thick fantasy with rich setting and complex politics--this one ticks those boxes perfectly.
I also want to express how frustrated I am with the publisher and whoever marketed this book that no one thought to mention that the story draws on Zoroastrian mythology as well as Islamic mythology. There’s a mention of pre-Islamic mythology, but that doesn’t do much if no one looks anything up. Zoroastrianism is so little known as it is, both of these peoples deserve representation! Obviously this isn’t the fault of the author, but I just had to shake my fist for a second.
I have to commend Chakraborty on creating characters with as many faults as strengths--and faults that are not “cute” or secretly strengths in disguise. While I don’t like every character (even those I think I’m supposed to … like Dara), it’s still wonderful to have interesting people to read about.
My favorite character is someone who I thought would remain a minor presence throughout the story, and who I was marvelously wrong about (show spoiler)[--he turns out to be the elder prince’s lover … and also, like Nahri, the only other daeva/djinn with healing powers. By far the best twist in the book, and it’s what actually makes me want to read the second] . But Ali comes close, the second PoV character. He’s the only one who really has an arc, too, which is a shame, but his arc is great. I love that I didn’t love him in the beginning, and that I did in the end.
But there is also a lot that I disliked about The City of Brass.
Mainly Dara. Not only is he some 1400-year-old guy who falls in love with the young main character (is she maybe 18-20?), he’s one of the most obnoxious, unlikable, violently possessive, and abusive characters I’ve ever read, especially for a love interest. At one point he downright gaslights Nahri. If we’re supposed to like Dara, I can’t understand why. I know he’s got a lot of trauma, and he displays symptoms of PTSD at certain points in the story, but that doesn’t excuse most of his behavior.
The book also feels like it needs another big edit. The first half of the book is so different from the second half: cliched YA romance vs NA political fantasy. And the romance isn’t even very convincing, either; I’m still not sure what Nahri and Dara like about each other … what about Nahri draws her to Dara and vice versa. At one moment they’re annoyed with each other and then they’re blushing and stammering. It’s just “he’s hot, tho …”, another thing that really makes the story feel YA, rather than adult. I’m almost convinced the book was written as a YA manuscript initially, and then was edited to become adult after it was picked up by an agent. Whatever the reason, I just really wanted something different … so my being disappointed with it wasn’t completely its fault.
Contrary to a lot of the other reviews, I disliked Nahri’s PoV during the first half, where events just seem to happen to Nahri and Dara, without any reason or motive, and the only plot-related thing happening is Nahri making Dara blush like a schoolboy. Ali’s PoV is much more interesting, and his chapters mark the tone for the second half as well, which is great. I almost quit reading during the first half, and I’m glad I stuck it out!
But a lot of what was introduced in Ali’s PoV during the first half gets pushed to the sidelines in the second, such as the shafits’ fight for rights, and Ali's precarious position, who believes all beings are equal under the Creator. And Ali's father, the King, who has to juggle the multiple tribes' squabbling, the grassroots shafit groups, the Daeva tribe who believe shafit to be an abomination, and the other tribes who believe the Daeva’s religion is nothing more than a cult who don’t deserve the royal protection, etc. Instead, what’s drawn to the forefront is a love triangle between Ali, Dara, and Nahri.
And while I understand wanting two PoVs for this story--especially one representing a daeva (Nahri) and one representing a djinn (Ali), and especially one representing the old rulers of Daevabad (Nahri[’s ancestors]) and the current ones (Ali[’s family]), I often felt like the switches happen during places that cut the high tension back to zero. When we return to that person’s story, it's hard to reclaim the same amount of tension, emotion, etc. Both Nahri and Ali’s voices also read the same, as well. They have such different backgrounds and personalities, there's such potential for different styles that was (perhaps?) overlooked.
Don’t get me wrong, though, there are beautiful scenes, wonderful tension between Nahri and her own Daeva tribe who put her on a pedestal and expect her to do things she can’t, who want her to believe things she doesn’t, and some great scenes between Ali and his older brother. But what I didn’t like I just couldn’t stand. Hopefully, now that characters and conflicts are introduced, I'll have better luck with the sequel! The ending is an incredibly ambitious move, and I'd like to see where Chakraborty takes the story from here.
alindstadtcorbeax
Written on Aug 21, 2020
Utterly transfixed & speechless... RTC
Buddy read with my speed read OTP buddy read bby girl, Darce!
(What’s new ?
Renee
Written on Jun 1, 2020
I loved the different cultures that we saw in this book, but they could have been better developed in my opinion. It felt as if they were mainly used for building the physical elements of the world and not at all to add an actual cultural element or a belief. However, this is (as far as I know) her debut novel and I am sure that once the series progresses, the world building will only get better.
The story itself may have quite a generic story, it was so captivating and I loved seeing it in a different setting. I also think this book touches the aspects of racism and discrimination a lot better than most fantasy books that I have read. Do keep in mind that this story has a very slow start, but the end definitely makes up for it.
One tiny little complaint I would have is that the magic system doesn't make any sense yet (at least not to me), but maybe upon a reread this will be easier to understand or upon reading the second book in this series.
The story itself may have quite a generic story, it was so captivating and I loved seeing it in a different setting. I also think this book touches the aspects of racism and discrimination a lot better than most fantasy books that I have read. Do keep in mind that this story has a very slow start, but the end definitely makes up for it.
One tiny little complaint I would have is that the magic system doesn't make any sense yet (at least not to me), but maybe upon a reread this will be easier to understand or upon reading the second book in this series.
roundtableknight
Written on May 26, 2020
"That a very narrow-minded way of looking at it. I prefer to think of myself as a merchant of delicate tasks.”
~
Review 4.5 stars (read May 27th, 2020)
This book. Wow.
If your looking for a rich...Read more
“You're some kind of thief, then?"
"That a very narrow-minded way of looking at it. I prefer to think of myself as a merchant of delicate tasks.”
~
Review 4.5 stars (read May 27th, 2020)
This book. Wow.
If your looking for a rich and intricately woven Middle Eastern inspired story, this is it. When I started this book, I knew next to nothing about it. I had seen other people raving and suggesting it to read, so I thought I would check it out. I'm not disappointed. The story starts in 18th century Cairo, and what I love is that it mixes fantasy with history; the Ottoman empire, the oppression of the people down there. It weaves a tale that made it almost impossible to put down. The only thing that I had trouble with was the amount of information and backstory of the characters and their clans, but I know that as I read the next story it will get easier to understand.
"That a very narrow-minded way of looking at it. I prefer to think of myself as a merchant of delicate tasks.”
~
Review 4.5 stars (read May 27th, 2020)
This book. Wow.
If your looking for a rich and intricately woven Middle Eastern inspired story, this is it. When I started this book, I knew next to nothing about it. I had seen other people raving and suggesting it to read, so I thought I would check it out. I'm not disappointed. The story starts in 18th century Cairo, and what I love is that it mixes fantasy with history; the Ottoman empire, the oppression of the people down there. It weaves a tale that made it almost impossible to put down. The only thing that I had trouble with was the amount of information and backstory of the characters and their clans, but I know that as I read the next story it will get easier to understand.
Nessa Luna
Written on May 17, 2020
Hmm, I thought I would love this more. But I found it kind of long and tedious. I really enjoyed the audiobook though, so if I'm going to continue the series I will probably go the audiobook way. I loved the mythology and the way Daevabad was described but the characters didn't interest me too much, unfortunately.
chrishall78
Written on Jan 10, 2020
I've read quite a few fantasy books over the years, but this is the first one for me with an Arabic setting and Muslim religious traditions. While the idea of a supernatural world invisible to normal humans isn't new, it does give the reader a reference point to our own world while allowing for fantasy world building at the same time.
The story revolves around Nahri, a young lady without a family in Cairo who has been forced to become a thief and con artist to survive. She has mysterious powers of self healing and can detect illnesses and cancers in the bodies of others. After accidentally summoning a djinn warrior during a zar (Egyptian ritual dance to drive away evil spirits), she's thrown into a supernatural world where she is very much in over her head.
The story revolves around Nahri, a young lady without a family in Cairo who has been forced to become a thief and con artist to survive. She has mysterious powers of self healing and can detect illnesses and cancers in the bodies of others. After accidentally summoning a djinn warrior during a zar (Egyptian ritual dance to drive away evil spirits), she's thrown into a supernatural world where she is very much in over her head.
ross91
Written on Sep 4, 2019
This one just wasn’t for me.
It’s a standard YA with the perfect-yet-“different from all the other girls”-“beautiful but she doesn’t know”-main-protagonist.
The romance was gagging.
I feel cheated! I thought this would be an asult fantasy with lots of...Read more
Dnf at 65%
This one just wasn’t for me.
It’s a standard YA with the perfect-yet-“different from all the other girls”-“beautiful but she doesn’t know”-main-protagonist.
The romance was gagging.
I feel cheated! I thought this would be an asult fantasy with lots of political intrigue and different setting, but it was a YA with a non required angsty romance, lots of info dumpling, overly complicated social distinctions and an interesting setting that wasn’t very much described tho.
Maybe the last part is good. I don’t know. I don’t care enough to find out.
This one just wasn’t for me.
It’s a standard YA with the perfect-yet-“different from all the other girls”-“beautiful but she doesn’t know”-main-protagonist.
The romance was gagging.
I feel cheated! I thought this would be an asult fantasy with lots of political intrigue and different setting, but it was a YA with a non required angsty romance, lots of info dumpling, overly complicated social distinctions and an interesting setting that wasn’t very much described tho.
Maybe the last part is good. I don’t know. I don’t care enough to find out.
alisoninbookland
Written on Mar 24, 2019
I love the feel of this world. It’s a richly vibrant Middle Eastern world. Then we mix in the magical world. It’s delightful. I don’t read many Middle Eastern/Middle Eastern inspired books so this was a refreshing change of pace on my reading list.
Our two POV characters Nahri and Ali are wonderful. Nahri is a con artist who turns out to to be a healer (Nahid). Her struggle trying to find her place in this world was great to watch play out. Ali is the younger son of the king who doesn’t fully agree with some of the beliefs held by his family. He works behind the scenes to help other beings. He’s torn between blood and beliefs. Surprisingly, Dara ended up being my favorite character of the lot. He’s a brooding warrior. I really enjoyed the his struggles. Like I said, he’s a warrior so he’s done some bad things. Then there’s the other things that he doesn’t fully remember.
The magic system is wonderfully rich. Thank goodness for the glossary of terms in the back of the book. I need lots of explanations and reminders of what things are. I love political fiction so it was fascinating to see how the ‘races’ interacted with each other as well as the prejudices within the magical world. I wasn’t always able to keep track of exactly who all the groups are in relationship to each other but I managed to keep up well enough.
The pacing is the book’s biggest downfall in my opinion. It moved at a glacial speed sometimes. It took over 200 pages for Nahri and Dara to reach the city and for things to finally get moving. The end really picks up. Those last 100 pages or so were awesome.
All in all, this was refreshing change in pace of my typically fantasy books. Can’t wait to eventually move on in the series
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Our two POV characters Nahri and Ali are wonderful. Nahri is a con artist who turns out to to be a healer (Nahid). Her struggle trying to find her place in this world was great to watch play out. Ali is the younger son of the king who doesn’t fully agree with some of the beliefs held by his family. He works behind the scenes to help other beings. He’s torn between blood and beliefs. Surprisingly, Dara ended up being my favorite character of the lot. He’s a brooding warrior. I really enjoyed the his struggles. Like I said, he’s a warrior so he’s done some bad things. Then there’s the other things that he doesn’t fully remember.
The magic system is wonderfully rich. Thank goodness for the glossary of terms in the back of the book. I need lots of explanations and reminders of what things are. I love political fiction so it was fascinating to see how the ‘races’ interacted with each other as well as the prejudices within the magical world. I wasn’t always able to keep track of exactly who all the groups are in relationship to each other but I managed to keep up well enough.
The pacing is the book’s biggest downfall in my opinion. It moved at a glacial speed sometimes. It took over 200 pages for Nahri and Dara to reach the city and for things to finally get moving. The end really picks up. Those last 100 pages or so were awesome.
All in all, this was refreshing change in pace of my typically fantasy books. Can’t wait to eventually move on in the series
Blog | Instagram | Twitter | Facebook | Pinterest | Youtube
Martha G
Written on Jun 15, 2018
I was torn as to how many stars to give this book. It took me a long time to read it. The first half I found interesting as Nahri and Dara are on an adventure to get to safety. The second half the pace of the book changed and there were so many names/tribes/languages that I found it a bit confusing. Little did I know there is a dictionary of sorts at the back of the book. It had it's ups and downs, trying to do a little too much as well as build a whole magical world as part of a trilogy. In the end, I was satisfied and I care enough about the characters to want to read the next book when it comes out. I would give it 3.5 stars and rounded up to 4 for creating such a cool world, with magic and interesting characters.