Kelly
Written on Aug 15, 2019
Simon is profoundly deaf and after months of testing, doctors have determined his diagnosis as a rare form of sensorineural hearing loss, often caused by damage to the nerve that carries the signals to the brain or in Simon's case, a stroke. At a loss and grieving, Simon is determined to find new methods of creating music and being accepted into a prestigious university course. Music isn't only heard, it's felt and along with an abrupt, no nonsense music professor, devises a method to allow everyone to experience music. The musical aspect was fascinating, creating music as a sensory experience. Simon was so incredibly passionate about making his concept a reality, it consumed him and his determination was palpable. Unfortunately the technical aspects and musical terminology were lost on me, especially the emails Simon and the music professor exchanged.
Simon attends doctors appointments, counselling and a program for hearing impaired students but refuses to participate, after all he's still grieving the loss of his hearing and no one seems to understand how isolating the loss of noise is. All except George. George or G as she's affectionately known was diagnosed with tinnitus after a secondary roller derby accident. G's mental health begins to deteriorate, her recently diagnosed tinnitus has worsened, leaving her with constant noise that no one else can hear.
Simon and G begin to depend on one another as their relationship develops and although they seek solace in one another over their shared hearing impairment, they also enable one another. Communicating through text messaging while in each others company, neither using Auslan. I never really felt a sense of who G was aside from her illness. We see G through Simon's thoughts as the troubled, brooding love interest but apart from their diagnosis, seemingly have nothing in common. I would have preferred to have seen Simon and G as friends rather than the tentative romance.
The main focus of the storyline is music and the many ways in which we listen. I found the concept fascinating and thought provoking but there was just so much theory and technical terminology. Simon seemed to be eighteen years old going on forty and his extensive knowledge of musical composition felt at odds with his character, even with the influence of his one hit wonder, music producer father.
Despite the long passages of musical terminology, I enjoyed it. It was a little too clever at times and could have been far more engaging with less of the descriptive and more character development, especially concerning G. Despite not being an own voices novel, the deaf experience was so authentically written. The grief, the anger and the isolation of being a hearing impaired person in a world brimming with song, it was incredibly and intricately written.