The Dead Witness: A Connoisseur's Collection of Victorian Detective Stories (The Connoisseur's Collections)

by Michael Sims

The greatest ever anthology of Victorian detective stories, The Dead Witness gathers the finest police and private detective adventure stories from the nineteenth and early twentieth centuries, including a wide range of overlooked gems.

'The Dead Witness', the 1866 title story by Australian writer Mary Fortune, is the first known detective story by a woman, a suspenseful clue-strewn manhunt in the Outback. This forgotten treasure sets the tone for the whole anthology as surprises appear from every direction, including more female detectives and authors than you can find in any other anthology of its kind. Pioneer women writers such as Anna Katharine Green, Mary E. Wilkins and C. L. Pirkis take you from rural America to bustling London, introducing you to female detectives from Loveday Brooke to Dorcas Dene and Madelyn Mack.

In other stories, you will meet November Joe, the Canadian half-Native backwoods detective who stars in 'The Crime at Big Tree Portage' and demonstrates that Sherlockian attention to detail works as well in the woods as in the city. Holmes himself is here, too, of course - not in another reprint though - but in the first two chapters of A Study in Scarlet, the first Holmes case, in which the great man meets and dazzles Watson. Authors range from luminaries such as Charles Dickens to the forgotten author who helped inspire Edgar Allan Poe's 'The Murders in the Rue Morgue', the first real detective story. Bret Harte is here as is E. W. Hornung, creator of master thief Raffles. Naturally Wilkie Collins couldn't be left behind.

Michael Sims's new collection reveals the fascinating and entertaining youth of what would mature into the most popular genre of the twentieth century.

• ISBN10: 1408822008
• ISBN13: 9781408822005
• Publish Date: 27 September 2012 (first published 7 November 2011)
• Publish Status: Active
• Publish Country: GB
• Imprint: Bloomsbury Publishing PLC
• Format: Paperback
• Pages: 608
• Language: English

Reviews

[MurderByDeath]

Up front, I didn't read all the stories; there are 22 stories in this collection, and I didn't have time to read the whole thing, so this review only represents a small percentage of them.    But, of the stories I read, none of them were bad.  In fact, they were all uniformly excellent and I'm looking forward to reading more of the collection at a later date.   Quick thoughts about each of the stories I read:   The Secret Cell by William E. Burton - The story itself is not only great, but so is its backstory:  Burton, the author, wrote it in 1837, before Poe wrote what is widely regarded to be the first detective story, Murders in the Rue Morgue. He wrote it for the magazine he himself founded, The Gentleman's Magazine, and the editor he hired was a certain Edgar Allan Poe (who published Rue in 1841.  While Dupin's standing as the first genius detective is safe, it's likely Poe read this story; whether or not it served as an inspiration can only be guessed at.  But it's a fun story with strong writing, lots of detective legwork, fisticuffs, disguises, abductions, nuns, asylums and hidden rooms.   On Duty with Inspector Field by Charles Dickens - Dickens and I are fair weather friends at best, but for downright vivid descriptions of poverty-stricken Victorian London, I'm not sure you could find better.  Not really much of a plot to this one at all - just a 'tour' through the dregs of London in the middle of the night as the police go about their rounds.  This story does not disprove my suspicions that Dickens was paid by the word.   The Diary of Anne Rodway by Wilkie Collins - As the title suggests, this story takes the form of diary entries, but the narrative is very smooth.  There's a real mystery here and it's engaging, but the solution felt somewhat abrupt and the coincidences verging on supernatural (a device, I'm guessing, Collins enjoyed using).    You Are Not Human, Monsieur D'Artagnan by Alexandre Dumas, pere - This is an except from the final Three Musketeers book, The Vicomte de Bragelonne, but it feels fairly complete as it stands alone, even to a reader for whom the general story of the Three Musketeers comes strictly from the movies and popular culture.  In this short piece D'Artagnan plays the part of Sherlock Holmes as he uses sharp observations, empirical evidence and genius detecting to shed light on a shooting.   The Dead Witness; or, The Bush Waterhole by W.W. (Mary Fortune) - I didn't set out to read this one, but as I was flipping through, a mention of Australia caught my eye, so I stopped.  Turns out this is the first known detective story ever written by a woman.  Fortune was a prolific writer in Australia, although sexism being what it was, she was forced to write under a pseudonym kept so tight a secret that no one knew Mary Fortune was W.W. until decades after her death.  Her life was not a happy one, but it was not for want of talent if this story is any judge.  It's a short one, but it's vivid and well written and the end, while a bit fantastic, is also deliciously grotesque.   The Assassin's Natal Autograph by Mark Twain - Another except, this one from Puddin' Head Wilson.  This one is slightly harder to follow, as there are characters named that are obviously important, but missing any backstory at all, but in most aspects it works really well.  It's Twain, so the setting (a courtroom) is full of detail and suspense; the focus of the scene is the power of fingerprints and the denouement, even without the backstory is climatic.   The Stolen Cigar-Case by Bret Harte - Another one that caught my eye, this time because I saw "Sherlock Holmes" in the introduction.  This is a parody of the Greatest Detective of all time, as well as a parody of his long suffering Watson.  It started off hilarious - laugh out loud funny - but by midway, it felt a bit hateful.    Parodies are supposed to mock, but reading this one gets the impression that Harte really hated Watson and Holmes both.   An Intangible Clue by Anna Katherine Green - The author of the first known detective novel by a woman (Mary Fortune, above, wrote only short stories) and the author of The Leavenworth Case, this was my first introduction to her work and Miss Violet Strange.  I hope it won't be my last; Miss Strange has claims to Sherlockian abilities in her own right, and I found the story both intricate and slyly funny.  The mystery itself was complete enough, but I was left wanting more when it came to Miss Strange and her mysterious employer.   If you're a fan of the old-style detective stories, I don't think you can go wrong with this collection. They just don't write them like they used to.