The Connoisseur's Collections
4 total works
"From the editor of The Dead Witness and Dracula's Guest, Michael Sims, expert on all things Victorian, presents a collection of stories about humanity's oldest supernatural obsession: ghosts. The Phantom Coach, gathers memorable ghost tales from the Victorian era by a surprising, often-legendary cast, from Charles Dickens and Edith Wharton to Henry James, Thomas Hardy, and Arthur Conan Doyle. With a skillful introduction to the genre and notes on each story, The Phantom Coach is a spectacular collection of ghostly Victorian thrills"--
Even in the twenty-first century, the undead walk among us...
Before Twilight and True Blood, vampires haunted the nineteenth century, when brilliant writers indulged their bloodthirsty imaginations, culminating in Bram Stoker's legendary 1897 novel, Dracula.
Acclaimed author and anthologist Michael Sims brings together the finest vampire stories of the Victorian era in a unique collection that highlights their cultural variety. Beginning with the supposedly true accounts that captivated Byron and Shelley, the stories range from Aleksei Tolstoy's tale of a vampire family to Fitz James O'Brien's invisible monster to Mary Elizabeth Braddon's rich and sinister widow, Good Lady Ducayne. Sims also includes a nineteenth-century travel tour of Transylvanian superstitions, and finishes the collection with Stoker's own Dracula's Guest - a chapter omitted from his landmark novel.
Vampires captivated Victorian society, and these wonderful stories demonstrate how Romantic and Victorian writers refined the raw ore of peasant superstition into a whole vampire mythology of aristocratic decadence and innocence betrayed.
Before Twilight and True Blood, vampires haunted the nineteenth century, when brilliant writers indulged their bloodthirsty imaginations, culminating in Bram Stoker's legendary 1897 novel, Dracula.
Acclaimed author and anthologist Michael Sims brings together the finest vampire stories of the Victorian era in a unique collection that highlights their cultural variety. Beginning with the supposedly true accounts that captivated Byron and Shelley, the stories range from Aleksei Tolstoy's tale of a vampire family to Fitz James O'Brien's invisible monster to Mary Elizabeth Braddon's rich and sinister widow, Good Lady Ducayne. Sims also includes a nineteenth-century travel tour of Transylvanian superstitions, and finishes the collection with Stoker's own Dracula's Guest - a chapter omitted from his landmark novel.
Vampires captivated Victorian society, and these wonderful stories demonstrate how Romantic and Victorian writers refined the raw ore of peasant superstition into a whole vampire mythology of aristocratic decadence and innocence betrayed.
The greatest ever anthology of Victorian detective stories, The Dead Witness gathers the finest police and private detective adventure stories from the nineteenth and early twentieth centuries, including a wide range of overlooked gems.
'The Dead Witness', the 1866 title story by Australian writer Mary Fortune, is the first known detective story by a woman, a suspenseful clue-strewn manhunt in the Outback. This forgotten treasure sets the tone for the whole anthology as surprises appear from every direction, including more female detectives and authors than you can find in any other anthology of its kind. Pioneer women writers such as Anna Katharine Green, Mary E. Wilkins and C. L. Pirkis take you from rural America to bustling London, introducing you to female detectives from Loveday Brooke to Dorcas Dene and Madelyn Mack.
In other stories, you will meet November Joe, the Canadian half-Native backwoods detective who stars in 'The Crime at Big Tree Portage' and demonstrates that Sherlockian attention to detail works as well in the woods as in the city. Holmes himself is here, too, of course - not in another reprint though - but in the first two chapters of A Study in Scarlet, the first Holmes case, in which the great man meets and dazzles Watson. Authors range from luminaries such as Charles Dickens to the forgotten author who helped inspire Edgar Allan Poe's 'The Murders in the Rue Morgue', the first real detective story. Bret Harte is here as is E. W. Hornung, creator of master thief Raffles. Naturally Wilkie Collins couldn't be left behind.
Michael Sims's new collection reveals the fascinating and entertaining youth of what would mature into the most popular genre of the twentieth century.
'The Dead Witness', the 1866 title story by Australian writer Mary Fortune, is the first known detective story by a woman, a suspenseful clue-strewn manhunt in the Outback. This forgotten treasure sets the tone for the whole anthology as surprises appear from every direction, including more female detectives and authors than you can find in any other anthology of its kind. Pioneer women writers such as Anna Katharine Green, Mary E. Wilkins and C. L. Pirkis take you from rural America to bustling London, introducing you to female detectives from Loveday Brooke to Dorcas Dene and Madelyn Mack.
In other stories, you will meet November Joe, the Canadian half-Native backwoods detective who stars in 'The Crime at Big Tree Portage' and demonstrates that Sherlockian attention to detail works as well in the woods as in the city. Holmes himself is here, too, of course - not in another reprint though - but in the first two chapters of A Study in Scarlet, the first Holmes case, in which the great man meets and dazzles Watson. Authors range from luminaries such as Charles Dickens to the forgotten author who helped inspire Edgar Allan Poe's 'The Murders in the Rue Morgue', the first real detective story. Bret Harte is here as is E. W. Hornung, creator of master thief Raffles. Naturally Wilkie Collins couldn't be left behind.
Michael Sims's new collection reveals the fascinating and entertaining youth of what would mature into the most popular genre of the twentieth century.
Long before 1984, Star Wars, or The Hunger Games, Victorian authors imagined a future where new science and technologies reshaped the world and universe they knew. The great themes of modern science fiction showed up surprisingly early: space and time travel, dystopian societies, even dangerously independent machines, all inspiring the speculative fiction of the Victorian era. In Frankenstein Dreams, Michael Sims has gathered many of the very finest stories, some by classic writers such as Jules Verne, Mary Shelley, and H.G. Wells, but many that will surprise general readers. Dark visions of the human psyche emerge in Thomas Wentworth Higginson's "The Monarch of Dreams," while Mary E. Wilkins Freeman provides a glimpse of "the fifth dimension" in her provocative tale "The Hall Bedroom." With contributions by Edgar Allan Poe, Alice Fuller, Rudyard Kipling, Thomas Hardy, Arthur Conan Doyle, and many others, each introduced by Michael Sims, whose elegant introduction provides valuable literary and historical context, Frankenstein Dreams is a treasure trove of stories known and rediscovered.--Provided by Publisher.