The Lion, the Witch, and the Wardrobe by C. S. Lewis

The Lion, the Witch, and the Wardrobe (The Chronicles of Narnia, #2) (Narnia)

by C. S. Lewis

A new edition of this famous and incredibly popular book. This is the best-loved of all the Chronicles of Narnia, the first one ever written, the one that everyone remembers reading.

On the other side of that wardrobe door lies a world full of magic. A world frozen in the perpetual winter of the White Witch's enchantment. A world where Christmas never comes. Would you have the courage to stand shoulder to shoulder with Aslan, the Great Lion, and fight the Witch to free the land of Narnia? Are you brave enough to share the adventures that change the lives of Peter, Susan, Edmund and Lucy forever?

Reviewed by nannah on

2 of 5 stars

Share
I've never read anything by C.S. Lewis before, and given that he's a favorite of most of my friends, I thought I'd give him a try this holiday season. I'd seen the movies based off the Chronicles of Narnia, so I had a basic idea of the series, but I never grew up with the stories.

I'm also not very familiar with the Bible or any of its stories, so I'm judging this book as a fictional story alone, not as an allegory.

Off the bat though, his writing doesn't impress:

"(their names were ____, _____, and ____, but they do not come into the story much.)"

. . . Thanks? I don't know if this is supposed to be added for narrative charm or something, but it just seems awkward and intrusive.

Also:

"Whatever is this?" said Peter's voice, sounding tired and pale in the darkness. (I hope you know what I mean about a voice sounding pale.)

This doesn't read as stylistic charm. This is more like laziness, as if he came across it in an edit and just didn't feel like changing it.

The story itself is charming, though, and moves quite quickly--more like a fairy tale than a book. Especially when it comes to telling telling instead of showing; character emotions are talked about to the audience in a way that they aren't experienced in real time but summarized.

Characters also seem to know things they previously had no knowledge of (or they had actually stated they had no knowledge of)--like the Witch not knowing how Edmund came to Narnia and then showing him how to get home a single conversation later.

Speaking of characters, the four main characters here (Peter, Edmund, Susan, & Lucy) felt more like board game pieces to be talked at or pushed around than protagonists of their own story. Seldom did they ever do anything of their own will. Everything is placed in their hands, or they're manipulated or charmed into doing something. The beavers particularly moved the plot forward by instructing the kids what to do, where and when, for about a fourth of the story. I know this was written in a different time, but as a reader in the present time reading for enjoyment, all this seems like an info dump at best to keep the book short and moving forward.

Maybe if I'd read this when I was a child, this would be dearer to my heart, but for now, it's just a quick and ok read.

Last modified on

Reading updates

  • Started reading
  • 27 December, 2015: Finished reading
  • 27 December, 2015: Reviewed