The Belles (the Belles Series, Book 1) by Dhonielle Clayton

The Belles (the Belles Series, Book 1) (Belles, #1)

by Dhonielle Clayton

Camellia Beauregard is a Belle. In the opulent world of Orléans, Belles are revered, for they control Beauty, and Beauty is a commodity coveted above all else. In Orléans, the people are born gray, they are born damned, and only with the help of a Belle and her talents can they transform and be made beautiful.

But it’s not enough for Camellia to be just a Belle. She wants to be the Favorite—the Belle chosen by the Queen of Orléans to live in the royal palace, to tend to the royal family and their court, to be recognized as the most talented Belle in the land. But once Camellia and her Belle sisters arrive at court, it becomes clear that being the Favorite is not everything she always dreamed it would be. Behind the gilded palace walls live dark secrets, and Camellia soon learns that the very essence of her existence is a lie—that her powers are far greater, and could be more dangerous, than she ever imagined. And when the Queen asks Camellia to risk her own life and help the ailing princess by using Belle powers in unintended ways, Camellia now faces an impossible decision.

With the future of Orléans and its people at stake, Camellia must decide—save herself and her sisters and the way of the Belles—or resuscitate the princess, risk her own life, and change the ways of her world forever.

Reviewed by Kelly on

5 of 5 stars

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Sixteen year old Camellia Beauregard is a Belle, a young woman disciplined in the artistry of beautification. On debut, Camellia and the Belles of Maison Rouge De La Beauté will perform for the cosmopolites of Orléans in the Beauté Carnaval, the Favourite chosen as the Royal Belle while her fellow sisters, blessed by the Goddess of Beauty, will be appointed to Tea Houses around the Kingdom.

In Orléans, citizens are are depleted of colour, their monochrome appearance dependant on each generation of Belles to beautify the wealthy and privileged citizens by bringing forth the Acana. Camellia is a grandiose young woman, her beauty and Belle stature are celebrated throughout the kingdom. From a tender age, Camellia has been cautioned to the significance of her responsibility, become the favourite. Competing for the converted position are her five fellow Belles, Edelweiss, Padma, Valeria, Hana and Camellia's childhood companion Ambrosia.

While Camellia with her mischievous temperament enjoyed the spoils of her gilded cage at Maison Rouge De La Beauté, Ambrosia demanded perfection. Ambrosia is a character of contrasts, a tender girl with a gentle disposition but beneath the surface is insidiously competitive. I admired the carefree, nonchalant boldness of Edelweiss, unafraid and unconcerned about the Belle position. As the narrative progresses, Edelweiss' insolence towards authority takes on a greater importance. Fiercely loyal and rebellious, I cherished her character.

The Belles must adhere to stringent guidelines. Only those with wealth and privilege are worthy of embellishment and in no circumstances should a Belle associate with men beyond a professional compacity or engage in consensual relationships. Charismatic Auguste Fabry is the son of the Minister of the Seas and although aware of the forbidden nature to engage with Auguste, Camellia is captivated by his confidence and insistence. The kingdom of Orléans is flushed with colour and glamour, the splendour the royal family of Orléans is eclipsed by the despair for their eldest daughter. Heir to the throne Princess Charlotte, who remains unconscious while the abhorrent Princess Sophia presides over extravagant parties. Sophia is a vindictive young woman, consumed by jealousy and hostility.

Beneath the imaginative extravagance is a narrative that explores cultural and racial identity, confidence, esteem and perception, challenging the confines of affluence and privilege. The Belles is exquisitely lyrical and atmospherically enchanting. Impeccable reading.

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  • Started reading
  • 10 January, 2018: Finished reading
  • 10 January, 2018: Reviewed