The Hazel Wood by Melissa Albert

The Hazel Wood (Hazel Wood, #1)

by Melissa Albert

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One of The Observer's Best Children's Books of 2018!

Fans of Miss Peregrine's Home for Peculiar Children and The Children of Blood and Bone have been getting lost in The Hazel Wood...


"The Hazel Wood kept me up all night. I had every light burning and the covers pulled tight around me as I fell completely into the dark and beautiful world within its pages. Terrifying, magical, and surprisingly funny, it's one of the very best books I've read in years". -Jennifer Niven, author of All The Bright Places

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Seventeen-year-old Alice and her mother have spent most of Alice's life on the road, always a step ahead of the strange bad luck biting at their heels.

But when Alice's grandmother, the reclusive author of a book of pitch-dark fairy tales, dies alone on her estate - the Hazel Wood - Alice learns how bad her luck can really get.

Her mother is stolen, by a figure who claims to come from the cruel supernatural world from her grandmother's stories.

Alice's only lead is the message her mother left behind: STAY AWAY FROM THE HAZEL WOOD.

To retrieve her mother, Alice must venture first to the Hazel Wood, then into the world where her grandmother's tales began . . .

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"This book will be your next obsession. Welcome to the Hazel Wood, where bad luck is a living thing, princesses are doomed, and every page contains a wondrously terrible adventure - it's not safe inside these pages, but once you enter, you may never want to leave." - Stephanie Garber, New York Times bestselling author of Caraval

"Realism and fantasy blue in this strange and bewitching tale" The Observer

Melissa Albert has created a world as dark, twisted and magical as Alice in Wonderland or Harry Potter. Will you escape the Hazel Wood?

Reviewed by Amber (The Literary Phoenix) on

4 of 5 stars

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The Hazel Wood has its ups and down, so I'd forgive those who didn't enjoy it - there are a lot of aspects of this one that felt rushed or unfinished.

The story started with potential: a girl and her mom constantly on the move, and a mysterious grandmother who wrote an impossible to find set or dark fairytales that have become cult favorites. A lot of this book is set in NYC, with the Hinterland not coming into play until about three-quarters through.

As far as world building goes, I thought Albert did a fantastic job. Her debut novel has all the thrill and magical realism of Cornelia Funke's [b:Inkheart|28194|Inkheart (Inkworld, #1)|Cornelia Funke|https://images.gr-assets.com/books/1328866790s/28194.jpg|2628323] in its world. I'm a lost cause when it comes to the real world blending with fairytale. Her Hinterland, too, is well written. It takes place in Stories, and definitely leaves the reader wanting more.

On the other hand, the characters all have a lot of wasted potential. Our lead, Alice, is flat and unconvincing. Ellery Finch's execution (literally and figuratively) did not impress, and by the time we meet Althea Prosperpine she falls short of expectations. Character writing does not seem to be a strength of Albert's - we get a lot of talk, but not a lot of action.

Additionally, the pacing at the end of the book is weird. There's a comfortable, established pace in the NYC scenes and it works perfectly... or would have if the entire book maintained that rhythm. Instead, the pace rapidly picks up and we are rushed through the scenes in the Hinterland and definitely left wanting. It's a really fascinating world, so it's a shame we don't get to spend much time there.

As a debut with a strong foundation, I give The Hazel Wood a little slack - it's not perfect, but there's potential. This book ended really well, but it looks like there's another story in the works. I hope that Albert's character's grow a bit more, and she continues to immerse the reader in these intricate dark fairytale worlds. All my stars go to the world building - I found it so rich and compelling that I lost myself in the descriptions of the places, rather than the unfolding adventure.

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Reading updates

  • Started reading
  • 15 May, 2018: Finished reading
  • 15 May, 2018: Reviewed