Unwind by Neal Shusterman

Unwind (Unwind Dystology Series, #1) (Unwind Dystology, #1)

by Neal Shusterman

In a society where unwanted teens are salvaged for their body parts, three runaways fight the system that would 'unwind' them.​ Perfect for fans of THE HUNGER GAMES.

Unwinding: the process by which a child is both terminated and yet kept alive. Unwinding is now a common, and accepted, practice in society.

Connor's parents want to be rid of him because he's a troublemaker.
Risa has no parents and is being unwound to cut orphanage costs.
Lev's unwinding has been planned since his birth as part of his family's strict religion.

Brought together by chance, and kept together by desperation, these unlikely companions make a harrowing cross-country journey, knowing their lives hang in the balance.

If they can survive until their 18th birthday, they can't be harmed - but when every piece of them, from their hands to their hearts, is wanted by a world gone mad, eighteen seems far, far away...

"Gripping, brilliantly imagined futuristic thriller… The issues raised could not be more provocative - the sanctity of life, the meaning of being human - while the delivery could hardly be more engrossing or better aimed to teens."Publishers Weekly, starred review
"A thought-provoking, well-paced read that will appeal widely"School Library Journal, starred review
"A breathless tale turning pages for teenage boys, as it challenges not just where life begins and ends, but what it means to be alive." Educ8 magazine
"a powerful, shocking, and intelligent novel... It's wonderful, wonderful stuff." The Bookbag
"This is the kind of rare book that makes the hairs on your neck rise up. It is written with a sense of drama that should get it instantly snapped up for film." The Times

Also by Neal Shusterman:
Everlost
Everwild
Everfound
UnStrung
Unwholly
Unsouled
Undivided

 

Reviewed by nannah on

5 of 5 stars

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This book was intense. I think it may have been a bit to ambitious for one novel, but it still wrapped me all up and captivated me till the end.

Firstly, let's talk characters.
Immediately, this is what drew me into the story. Immediately, I felt for each character introduced, even though they were all so different and they all reacted differently to the same fate (ultimately, being marked for Unwinding). Shusterman really has a talent for painting real-like people on a page, instead of characters. Connor, Lev, and Risa all have flaws and strengths that aren't necessarily spelled out at the beginnings of their introductions. I love the way they influence and change each other, the way, though they were randomly thrown together, their thoughts kept going back to each other. It's beautiful. There's even a line Connor says (forgive me it it's not exact, this is from memory), "I'm a better person because she's in my head." That nearly melted me. There is some spectacular dialogue and lines in this book.

spoiler-ish stuff below:


Not to mention the topics and concepts this book explores! Especially the "risky" topics, such as abortion (which incited a huge war!) and racism and it's fantastic to have no fear about writing about these subjects. Which reminds me of Cy-Ty, who was probably the highlight of the book for me. This was when the whole concept of Unwinding starts to really make sense in horrifying clarity (and which leads to one of the endings; ugh it's so brilliant). Cy's a kid who has a brain implant, part of an Unwind. There was this bit of dialogue that really struck me:

"'There's people out there--like the lady in the Christmas store--they see an umber kid like me and they automatically assume I'm up to no good. And now, thanks to this kid in my head, they're right. And you wanna know what's funny? This kid was lily-sienna, like you. Blond hair, blue eyes.
. . .
But other people--they don't see HIM when he steals. It's me they see. My hands grabbing."'

Not to mention the "ending" of Cy's story in this book, using his point of view. I was about in tears.

And mentioning point of view, this book explores it all: major characters, minor characters, characters only seen once, even points of view from a completely objective standpoint, like the point of view from a school, or a crowd of people. It actually works somehow.

But hands down, the absolute coolest part about this book was that Unwinding was everything. We learn bits and pieces about the concept of Unwinding, and then we learn more. And stuff happens that makes us realize a bit more, etc. At the end, we totally get it: at the VERY end there's a scene, and I won't go into it in detail because of spoilers, that wraps up the concept and answers a question that we've all been burning up with during the whole book. It's gorgeous and it's sad but it's also perfect.

And don't even get me started on that one scene. That ONE AMAZING YET HORRIFYING SCENE. I definitely cried. It was something I didn't think Shusterman would actually have the courage to show us in detail, step-by-step, but he did, and it broke my heart. Dang, this book really left a mark on me.

So yeah, I loved this book. Every little subplot mentioned in the beginning comes back, every concept introduced comes back in the end or near the end, even if you've forgotten about it. This book is well-written, chilling, and beautiful.

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  • Started reading
  • 17 October, 2012: Finished reading
  • 17 October, 2012: Reviewed