The Book Thief by Markus Zusak

The Book Thief

by Markus Zusak

"It's just a small story, really, about among other things: a girl, some words, an accordionist, a Jewish fist fighter, and quite a lot of thievery ..." Narrated in the all-knowing matter-of-fact voice of Death, witnessing the story of the citizens of Himmel Street: When nine-year-old Liesel arrives outside the boxlike house of her new foster parents, she refuses to get out of the car. Liesel has been separated from her parents - 'Kommunists' - for ever, and at the burial of her little brother, she steals a gravedigger's instruction manual which she can't read. It is the beginning of her illustrious career. In the care of the Hubermans, Liesel befriends blond-haired Rudy Steiner, her neighbour obsessed with Jesse Owens. She also befriends the mayor's wife, who hides from despair in her library. Together Liesel and Rudy steal books - from Nazi book burning piles, from the mayor's library, from the richer people of Molching. In time, the family hide a Jewish boxer, Max, who reads with Liesel in the basement. By 1943, the Allied bombs are falling, and the sirens begin to wail. Liesel shares out her books in the air-raid shelters.
But one day in the life of Himmel street, the wail of the sirens comes too late ...A life-changing tale of the cruel twists of fate and the coincidences on which all our lives hinge, this is also a joyous look at the power of book to nourish the soul. Its uplifting ending will make all readers weep.

Reviewed by adastra on

5 of 5 stars

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What an unusual book:
- It tells the story of a German family in World War II (which at one point houses a Jew in their basement). This is unusual because the majority of fiction I encountered on WWII so far focused on the Jewish experience.
- Its narrative is very unconventional. It is narrated by Death himself (or as I as a Sandman-fan like to think, herself).
- The narrative is not exactly chronological.
- It has A LOT of chapters, some of which are incredibly short.
- It uses idiosyncratic language and makes heavy use of odd metaphors.
- It uses interesting stylistic methods.
- It's a book about Germany written by an Australian author in English with Bavarian embellishments.

So what did I like about the book?
- It is an incredibly easy read. A book of over 500 pages seemed a bit daunting, especially in the middle of the semester. But I soon discovered that its lightweight writing style captivated my attention easily, and I kept on reading. It's doesn't happen very often that I read such a big book in such a short amount of time.
- Despite its occasional naivete, it can be emotionally touching. The story reminded me of some of the things my ancestors experienced in the war.

...and what I didn't like:
- The aforementioned naivete seems a bit weird at times for me as a German. Early on, Nazis aren't explicitly attributed as evil immediately. That just doesn't feel right as a German, because Nazis must always be evil, otherwise we feel guilty. Throughout the book, however, it becomes quite obvious that they are very evil (duh). I do realize that we're meant to see Nazi Germany through the eyes of the Germans at the time, which is a very complicated matter.
- The book has some passages which are mildly uninteresting and where nothing of importance to the plot seems to happen.
- The main characters don't seem particularly intelligent. Learning to read can't be that hard, especially for someone who eventually reads so much.
- The ending was a bit anti-climatic. And the whole romantic aspect of it was totally unnecessary, the book could have done without it.

In summary, I think it's a book very well worth reading, as it captures the atmosphere of everyday life in Germany in the early 1940s nicely (or rather, gruesomely).

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  • Started reading
  • 31 October, 2014: Finished reading
  • 31 October, 2014: Reviewed