The Reluctant Heiress by Eva Ibbotson

The Reluctant Heiress

by Eva Ibbotson

Spring, 1922

Tessa is a beautiful, tiny, dark-eyed princess - who's given up her duties to follow her heart, working for nothing backstage at the Viennese opera. No one there knows who she really is, or that a fairy-tale castle is missing its princess, and Tessa is determined to keep it that way.

But secret lives can be complicated, and when a wealthy, handsome Englishman discovers this bewitching urchin backstage, Tessa's two lives collide - and in escaping her inheritance, she finds her destiny. . .

Reviewed by ladygrey on

3 of 5 stars

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I have to admit I was a little disappointed in this book. The romance is sweet and everything, the integration of the opera and art and music winsome. But it was really hard to get into the story. Partly because it was full of locations I'm completely unfamiliar with, but named as if they ought to be familiar and just by their name the attributes and significance of the place ought to be obvious. Also, because it took a while to place it in time, even though [auhtor:Eva Ibbotson] gave the years as indicators they didn't quite click, especially the few times in the beginning where it bounced around in time.

But mostly, I had a hard time because it's written with a certain cold detachment to the characters. Which, I guess, stylistically fits with the English culture it's trying to evoke in some ways, but practically makes it difficult to really engage with the characters or the story. It's too withdrawn and too dry, despite whatever backstory is given for even the secondary and tertiary characters.

But eventually, I didn't notice that so much. Maybe the strawberries are where it soften and became accessible and engaging. Maybe before that. But the characters did develop quite well and I was rather invested enough in them, despite how nearly obvious the plot progressed. I didn't mind that, because, having read Ibbotson before I wasn't expecting to be surprised. And the romance, actually, was quite wonderful, with the way things were said and left unsaid. There wasn't a single line that was brilliant, and I sort of wanted one to encapsulate the delightful allusions to mysticism and wonder that work so well in this story.

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  • Started reading
  • 30 August, 2011: Finished reading
  • 30 August, 2011: Reviewed