These Women by Ivy Pochoda

These Women

by Ivy Pochoda

'These Women is full of resilient and undaunted characters that society often doesn't give a second look to. But Ivy Pochoda does and in these pages she gives us the small story that grows so large in meaning and emotion as to transcend genre. It tells us how to look at ourselves and at what is important.' Michael Connelly

The dancer. The mother. The cop. The artist. The wife.

These women live by countless unspoken rules. How to dress; who to trust; which streets are safe and which are not. The rules grow out of a kaleidoscope of fear, anguish, power, loss and hope. Maybe it is only these rules which keep them alive.

When their neighbourhood is rocked by two murders, the careful existence these women have built for themselves begins to crumble.

'Pochoda turns grief, suffering and loss into art, crafting a literary thriller that is no less compelling for its deep emotional resonance.' Vogue

Named a Most Anticipated Novel for 2020 by
* The Washington Post * Entertainment Weekly * Vulture * LitHub * Crime Reads * Book Riot *

What readers are saying:
'Gritty and addicting.'

'The kind of storytelling you hope to find in your movie theaters one day.'

'Pochoda weaves a mystery that not only had me turning the page, but dwelling on lines of prose.'

'This book was far from what I was expecting it to be . . . I couldn't tear myself away.'

'I devoured it in one sitting . . . I LOVED IT.'

'This is one of those books that tears into you and doesn't let you go - even after you read the last page.'

Reviewed by Inkslinger on

5 of 5 stars

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ARC provided by Harper Collins and Ivy Pochoda via Edelweiss+. All opinions are mine and freely given.

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05-19: Chills.

That's what I get now when I re-read the synopsis for 'These Women' by Ivy Pochoda.

When I first came across this story, I was certainly intrigued. In life, I've said tearful goodbyes to my share of 'the lost,' which is how I see the many I feel are sadly overlooked. As is true with the characters in this book, the lost can come from any demographic.. from any lifestyle.. from any past or future. Tragedy doesn't pick and choose.. deciding on some mystical idea of a deserving few. That's a uniquely human trait. To see the worst occur and blame the victims.

Told from the perspective of several women, this shifting narrative gives the reader a glimpse of what it's like to walk in each woman's proverbial shoes. Outwardly, it tells a story about a gruesome string of murders spanning two decades, and those whose lives are rocked by them.

It doesn't cease with the victimization of the murders, but rather expands to include the unstated victims as well. Those orbiting the women who are killed.. family, friends, neighbors, police.. even the murderer and their circle of influence.

Inwardly, it's about much more. It's about the minimalization of women. Not just in death, but in life and not in an overblown, sensationalistic way either.. though, that's here too. In the little things.. like the way sometimes it's assumed our perspective just isn't true. In the ways not only outsiders can push us down, but sometimes those we see as friends.. who opt instead to leverage us for their benefit. Though it's not just a women's issue, the act of tearing each other down, isn't exclusive to us. In my personal experience, it can at least seem like we do it much more than men.

I was deeply moved by each of these stories, the misrepresentations, the misunderstandings, the darkness you can see coming a mile away.. but can't seem to move out of. And that's what it's like in some cases. I had a friend in junior high.. who was often out on her own with other kids in her situation. Her parents were more involved in themselves than her. Despite appearances, to a degree I suppose that was the case for all of them, but her details I knew well.

She had a warm, wonderful nature. When she wasn't at school or hanging out with friends, she actually volunteered at an animal shelter. When she and her friends were hurt and she died, there was of course an outpouring of grief, but there was also a lot of finger pointing going on. To me, it's never "their own fault" that something horrible happens. Some lifestyles may put people at higher risk simply because of accessibility, but that doesn't mean they're to blame.

Pochoda did an amazing job of taking these separate threads and slowly, methodically twining them together. Each woman's journey seemed to circle an unseen and magnetic core, spiraling ever closer both to that center and to one another, and the inevitable collision was grand.

Admittedly, I definitely saw the reveal coming early on, but it also never felt important. The killer didn't feel like the motivation for the story at all. The women did. And their stories were the journey.. the best part. I never felt short-changed because I knew who was going to be responsible. I wanted to understand how we were going to get there. I wanted to know why.

What's captured so beautifully in this novel, are the emotional effects of circumstance. Trauma and loss, of course.. but also the slow death of dreams, the peek beneath the illusions crafted around us, the lies we tell ourselves and other people, and the preconceived notions we might have.. walking into any situation.

The novel is gripping and I didn't want to put it down. Ivy Pochoda is an author to watch and I highly recommend you pick up her book if you like mystery, drama, or suspense. 'These Women' is easily one of the best books I've read this year. I look forward to seeing much more from her.

PURCHASE LINKS: AMAZON | BARNES & NOBLE | GOOGLEPLAY BOOKS | KOBO | WATERSTONES

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05-17: Such a powerful, emotional book. Review to come.

05-16: I'm actually about halfway through this one as of this morning, taking a break to read more of another title today, but it's a good story. I have some theories. We'll see how they play out!

05-15: This is one of those titles I was excited about the moment I read a little of the blurb. So looking forward to starting it this weekend!

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Reading updates

  • Started reading
  • 17 May, 2020: Finished reading
  • 17 May, 2020: Reviewed