Cinder by Marissa Meyer

Cinder (Lunar Chronicles, #1)

by Marissa Meyer

Sixteen-year-old Cinder is considered a technological mistake by most of society and a burden by her stepmother. Being cyborg does have its benefits, though: Cinder's brain interface has given her an uncanny ability to fix things (robots, hovers, her own malfunctioning parts), making her the best mechanic in New Beijing. This reputation brings Prince Kai himself to her weekly market booth, needing her to repair a broken android before the annual ball. He jokingly calls it “a matter of national security,” but Cinder suspects it's more serious than he's letting on.

Although eager to impress the prince, Cinder's intentions are derailed when her younger stepsister, and only human friend, is infected with the fatal plague that's been devastating Earth for a decade. Blaming Cinder for her daughter's illness, Cinder's stepmother volunteers her body for plague research, an “honor” that no one has survived.

But it doesn't take long for the scientists to discover something unusual about their new guinea pig. Something others would kill for.

Reviewed by nitzan_schwarz on

5 of 5 stars

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You can find this review and more on Afterwords

Cinder is the first book that comes to mind when anyone wants a re-telling recommendation from me. And you know what's the real kicker? I freakin' almost didn't read it. I don't know why; maybe it was because it has cyborgs in it, and I haven't read many--if any--of those. Or because it was the only book out in the series at the time and I don't usually do those. Perhaps it was just because.

But for whatever reason, I am eternally thankful for Goodreads Group Reads, because without them I may have never given this a chance. 

Don't believe me it's that good? Well, what if I told you this book could make you cry before it even really starts? Will you believe me then that this whole creation is awesomesauce? Because it does. It manages to make you so in tune with the characters and their feelings in such a short amount of time that you cry for them.

And this book pretty much starts by saying that in this Cinderella story, not everyone gets their happily ever afters.

Although, calling this a "Cinderella story" is not quite accurate. Yes, we have the evil stepmother. Yes, we have one evil stepsister, and we have the prince, the ball, and the shoe... sort of. But Cinderella is the theme - not the story.

Forget everything you know about the story of a servant girl who desperately want to go to the ball and dance with a prince, and a fairy comes along and--well, you've seen the Disney movie, no point in rehashing everything. Cinder has very little to do with that old age tale.

To me, Cinder's is actually, surprising, a story of slavery. It's a story about death. It's a story about dictatorship. And it's a story about finding yourself among the wreckage. This story takes your childhood fairytale and makes it something far greater, while throwing nods to the original version here and there that are sure to put a smile on your face.

The namesake of this novel, Cinder, is also the main character. And she. is. amazing. She's smart, courageous and strong. She is someone you can fully support and root on. Someone with whom you'll fall in love for sure.

Her love interest is Prince Kai, and he's one of the more likable princes I've read of - the title Prince Charming fits him well, as would Sweet Charming lol.

As for the romance between these two? I'll be honest. I don't think there was any--not yet. Cinder and Kai are attracted to one another. They are in the process of feeling more than just friendship throughout the book. But they still haven't went passed the 'liking' stage.

However, to me there is something immensely charming about the way they're testing the water; talking, sending signals, withdrawing them... Their real romance hasn't started yet - but you can tell it will be epic once it does.

All the supporting characters, with emphasis on the fantabalous Iko, added to the story and were well rounded themselves.

Now, I've seen people argue the book could do without the Cinderella theme because it makes the book predictable. I disagree, because it only makes it predictable in areas we would've already predicted, even without the theme.

And more often than not, things develop in such an unexpected way that though you did predict she'll go there, or do that, based on Cinderella, it's almost always shocking.

The only truly predictable thing has nothing to do with the theme, and to me it rather felt like Meyer blatantly intended for it to be obvious to the reader. I never felt like the "big revelation" was supposed to be a shocking, but rather the whole scenario leading to it.

Speaking of Meyer... I may be, possibly, in love with her writing style. She made us sweat for information. There is no such thing as outright explanations and world-building in Meyer's writing. Instead, most of everything we learn is through conversations, memories, and actions. She leaves it up to us to gather the clues, trusting our intelligence. And it works. It works brilliantly.





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Original version
Originally published on here, re-reviewed here.

In contrast to last time's oldie, this time I'm going to talk to you guys about one of my absolute favorite books: Cinder. 

The most shocking thing about this book is that I almost didn't read it - maybe it was because it has cyborgs in it, and I haven't read many--if any--of those. Maybe it was because it was a first in a new series at the time, and I don't read those (I hate the wait). Maybe it was just because. 
But whatever the reason, thank god for Goodreads Group Reads. Without them, I may have never given this amazing book and world a chance.

You know a book is good when you're this close to crying - and the book has barely stared. You know a book is good when in just a few pages the author has managed to make you so in tune with the characters and their feelings that you cry for them. It's also interesting that we learn very early on with this book that this Cinderella story doesn't always have a Happily Ever After.

Cinder, the main character, was amazing. She's smart, courageous and strong. She's an MC you can love, fully support, and root on. Her love interest and another of the main characters is Prince Kai. He's very likable, sweet and charming. The title "Prince Charming" fits him well.

As for the romance... to be honest - I don't think there was any. Cinder and Kai are attracted to one another. They are in the process of falling in love with one another throughout the book. But they are both at the "liking" stage and feeling the waters. Just talking to one another, sending signals, withdrawing them... Their real romance has't started yet - but you can tell it will be epic once it does. Though it's going to have to overcome all those obstacles first. Judging by this book, "trust" will probably be one of them *sigh*.

All the supporting characters (IKO!!!) added to the story and were well done themselves.

Now, let's address a few points: Cinder presents itself as a retelling of Cinderella.
We have the evil stepmother (Adri). We have (one) evil stepsister (Pearl). We have the prince, and the ball, and we have the shoe... sort of.
But honestly, calling this book a retelling of Cinderella is underrating it. Cinderella is the theme, but it's not the story.

I don’t want to give up too many details, but the story of Cinderella? You know, the one in which a servant girl desperately wants to go to the ball and dance with a prince, and a fairy comes and—well, you’ve seen the Disney movie. Cinder has very little to do with that. She doesn’t even want to go to the ball!

Instead, the story is about slavery, and about how living, breathing people are owned. It's about death. It's about dictatorship. And it's about finding yourself, the small individual, among it all. At least, this is what this story was to me. 

And speaking of the theme, I've seen people saying the book could do without it - but I disagree. It fit the story, in creating some form of guidelines we could look for but also in making the real and serious topics of the story pop out against the sparkly premise of Cinderella. If anything, the theme makes the book appeal to all crowds, and shows us even childhood fairy-tales can be turned into bad-assed, suspenseful tales of great female strength and a great message.

Does it make the story predictable? Only in aspects we would've already predicted. Would Cinder and the prince fall in love? Naturally. Would I not know that if this book wasn't "based" on Cinderella? Err, I kind of would. Does it tell me she'll end up in the ball? Yes. Does it happen the way you assume it will? No. So, in the end, what does it matter?

The only real predictable aspect of the book has nothing to do with the theme, and I don't rally think Meyer intended for it to be a secret. I never felt like the "big revelation" was supposed to be a shocker. No, that was left to the entire scenario in front of us, the entire road that leads to it. The entire world and then entire makeover to the tale of Cinderella. The fact I didn't see that cliffhanger coming kind of proves that, to me.

Meyer takes the fairy-tale, makes something entirely different out of it and inside puts references to the story we all know in ways that makes you quirk a smile.

Speaking of Meyer... I may be, possibly, in love with her writing style. Because, to me, it was very unique and special. She made us sweat for informationThere isn't an "explanation" most of the time. No paragraphs of details and world building. Instead, the answers to the many questions we have present themselves throughout conversations, memories, actions, and the eyes of the characters. Never once does Meyer sits us down and says "listen up, now. A cyborg is..."
Oh no. She leaves it up to us to gather the clues, trusting our intelligence. And it works. What we haven't figured out yet, I trust Meyer to show us in the next books. She sure doesn't seem in a rush to expose her brilliant world to us.


Originally published on here, re-reviewed here.


Half Re-Read on November 2015 (p. 266)

Last modified on

Reading updates

  • Started reading
  • 11 September, 2012: Finished reading
  • 11 September, 2012: Reviewed