Mirage (Mirage, #1)

by Somaiya Daud

[Kelly]

Imprisoned and held within her gilded cage, Amani was taken captive by imperial droids moments after her Majority ceremony, a milestone celebration of maturity. Amani is a character of quiet determination, intelligent and spiritual, enshrined to Massinia. A theological Prophetess that has become the symbolism of a rebellion. Captured from her home among the stars, Amani is enslaved upon the Vathek occupied Andala. Amani and the Andalaan Vathek Princess Maram are indistinguishable, Amani is deprived of her identity, tortured, assaulted, her Indigenous symbolism removed and instructed to simulate as surrogate for the reclusive Princess Maram.

The blood never dies. The blood never forgets.

Maram is young woman of Indigenous and Alien heritage, forsaken and displaced by the Vathek and Andalaan communities. Maram is isolated from royal courtesans and betrothed for political alliance, her father is apathetic towards his young daughter and heir. As the rebellion opposing the Vathek colonisation intensifies, Maram remains sheltered within her palatial home, her inhumanity ensuing Amani remains compliant.

You do not kneel or bend, I told myself. To anyone. You continue.

Amani and Maram establish a tentative friendship, Maram remorseful of her treatment of Amani on arrival and confiding in the young woman she is holding captive. Posing as Maram, Amani deceives the royal consort and betrothed Idris. Idris is perceptive and determines Amani as an impostor as his attraction to Amani jeopardising both their lives. The romance is delicate and compassionate, allowing Amani to disengage the masquerade of captivity.

Mirage centralises on oppression, erasure and slavery. Although contrasting characters and circumstances, the imprisonment of a young woman who is tortured and a Princess within her gilded cage, both young woman are tormented by the burden of expectation. It scrutinises colonisation as the Vathek conquered the Mizaal Galaxy, poisoning the atmosphere of Vaxor and colonising Andala, enslaving the Indigenous population and depriving the Andalaans of their ethnology and spirituality. Rebellion arises as rebels strategise against their oppressors, Amani becoming embroiled in the uprising.

The narration infused with delicate female and Indigenous empowerment throughout the instability of dissent and cultural reclamation, comparable to the current political climate and resonating with Indigenous readers. Amani represents a quiet endurance and resilience against her environment, a reiteration of nevertheless, she persisted. Somaiya Daud has composed an exquisitely imagined narrative, enchanting and affluent. A remarkable debut.